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78 Articles

Crossing Commodore Signal Cables On Purpose

April 29, 2025 by 19 Comments

On a Commodore 64, the computer is normally connected to a monitor with one composite video cable and to an audio device with a second, identical (although uniquely colored) cable. The signals passed through these cables are analog, each generated by a dedicated chip on the computer. Many C64 users may have accidentally swapped these cables when first setting up their machines, but [Matthias] wondered if this could be done purposefully — generating video with the audio hardware and vice versa.

Getting an audio signal from the video hardware on the Commodore is simple enough. The chips here operate at well over the needed frequency for even the best audio equipment, so it’s a relatively straightforward matter of generating an appropriate output wave. The audio hardware, on the other hand, is much less performative by comparison. The only component here capable of generating a fast enough signal to be understood by display hardware of the time is actually the volume register, although due to a filter on the chip the output is always going to be a bit blurred. But this setup is good enough to generate large text and some other features as well.

There are a few other constraints here as well, namely that loading the demos that [Matthias] has written takes so long that the audio can’t be paused while this happens and has to be bit-banged the entire time. It’s an in-depth project that shows mastery of the retro hardware, and for some other C64 demos take a look at this one which is written in just 256 bytes.

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Low Cost Oscilloscope Gets Low Cost Upgrades

April 20, 2025 by 51 Comments

Entry-level oscilloscopes are a great way to get some low-cost instrumentation on a test bench, whether it’s for a garage lab or a schoolroom. But the cheapest ones are often cheap for a reason, and even though they work well for the price they won’t stand up to more advanced equipment. But missing features don’t have to stay missing forever, as it’s possible to augment them to get some of these features. [Tommy’s] project shows you one way to make a silk purse from a sow’s ear, at least as it relates to oscilloscopes.

Most of the problem with these lower-cost tools is their low precision due to fewer bits of analog-digital conversion. They also tend to be quite noisy, further lowering the quality of the oscilloscope. [Tommy] is focusing his efforts on the DSO138-mini, an oscilloscope with a bandwidth of 100 kHz and an effective resolution of 10 bits. The first step is to add an anti-aliasing filter to the input, which is essentially a low-pass filter that removes high frequency components of the signal, which could cause a problem due to the lower resolution of the device. After that, digital post-processing is done on the output, which removes noise caused by the system’s power supply, among other things, and essentially acts as a second low-pass filter.

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Designing An FM Drum Synth From Scratch

April 17, 2025 by 14 Comments

How it started: a simple repair job on a Roland drum machine. How it ended: a scratch-built FM drum synth module that’s completely analog, and completely cool.

[Moritz Klein]’s journey down the analog drum machine rabbit hole started with a Roland TR-909, a hybrid drum machine from the mid-80s that combined sampled sounds with analog synthesis. The unit [Moritz] picked up was having trouble with the decay on the kick drum, so he spread out the gloriously detailed schematic and got to work. He breadboarded a few sections of the kick drum circuit to aid troubleshooting, but one thing led to another and he was soon in new territory.

The video below is on the longish side, with the first third or so dedicated to recreating the circuits used to create the 909’s iconic sound, slightly modifying some of them to simplify construction. Like the schematic that started the whole thing, this section of the video is jam-packed with goodness, too much to detail here. But a few of the gems that caught our eye were the voltage-controlled amplifier (VCA) circuit that seems to make appearances in multiple places in the circuit, and the dead-simple wave-shaper circuit, which takes some of the harmonics out of the triangle wave oscillator’s output with just a couple of diodes and some resistors.

Once the 909’s kick and toms section had been breadboarded, [Moritz] turned his attention to adding something Roland hadn’t included: frequency modulation. He did this by adding a second, lower-frequency voltage-controlled oscillator (VCO) and using that to modulate the drum section. That resulted in a weird, metallic sound that can be tuned to imitate anything from a steel drum to a bell. He also added a hi-hat and cymbal section by mixing the square wave outputs on the VCOs through a funky XOR gate made from discrete components and a high-pass filter.

There’s a lot of information packed into this video, and by breaking everything down into small, simple blocks, [Moritz] makes it easy to understand analog synths and the circuits behind them.

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Transceiver Reveals Unusual Components

March 8, 2025 by 22 Comments

[MSylvain59] likes to tear down old surplus, and in the video below, he takes apart a German transceiver known as a U-600M. From the outside, it looks like an unremarkable gray box, especially since it is supposed to work with a remote unit, so there’s very little on the outside other than connectors. Inside, though, there’s plenty to see and even a few surprises.

Inside is a neatly built RF circuit with obviously shielded compartments. In addition to a configurable power supply, the radio has modules that allow configuration to different frequencies. One of the odder components is a large metal cylinder marked MF450-1900. This appears to be a mechanical filter. There are also a number of unusual parts like dogbone capacitors and tons of trimmer capacitors.

The plug-in modules are especially dense and interesting. In particular, some of the boards are different from some of the others. It is an interesting design from a time predating broadband digital synthesis techniques.

While this transceiver is stuffed with parts, it probably performs quite well. However, transceivers can be simple. Even more so if you throw in an SDR chip.

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Making PCB Strip Filter Design Easy To Understand

October 28, 2024 by 4 Comments

We’ve always been fascinated by things that perform complex electronic functions merely by virtue of their shapes. Waveguides come to mind, but so do active elements like filters made from nothing but PCB traces, which is the subject of this interesting video by [FesZ].

Of course, it’s not quite that simple. A PCB is more than just copper, of course, and the properties of the substrate have to be taken into account when designing these elements. To demonstrate this, [FesZ] used an online tool to design a bandpass filter for ADS-B signals. He designed two filters, one using standard FR4 substrate and the other using the more exotic PTFE.

He put both filters to the test, first on the spectrum analyzer. The center frequencies were a bit off, but he took care of that by shortening the traces slightly with a knife. The thing that really stood out to us was the difference in insertion loss between the two substrates, with the PTFE being much less lossy. The PTFE filter was also much more selective, with a tighter pass band than the FR4. PTFE was also much more thermostable than FR4, which had a larger shift in center frequency and increased loss after heating than the PTFE. [FesZ] also did a more real-world test and found that both filters did a good job damping down RF signals across the spectrum, even the tricky and pervasive FM broadcast signals that bedevil ADS-B experimenters.

Although we would have liked a better explanation of design details such as via stitching and trace finish selection, we always enjoy these lessons by [FesZ]. He has a knack for explaining abstract concepts through concrete examples; anyone who can make coax stubs and cavity filters understandable has our seal of approval.

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Coax Stub Filters Demystified

July 21, 2024 by 9 Comments

Unless you hold a First Degree RF Wizard rating, chances are good that coax stubs seem a bit baffling to you. They look for all the world like short circuits or open circuits, and yet work their magic and act to match feedline impedances or even as bandpass filters. Pretty interesting behavior from a little piece of coaxial cable.

If you’ve ever wondered how stub filters do their thing, [Fesz] has you covered. His latest video concentrates on practical filters made from quarter-wavelength and half-wavelength stubs. Starting with LTspice simulations, he walks through the different behaviors of open-circuit and short-circuit stubs, as well as what happens when multiple stubs are added to the same feedline. He also covers a nifty online calculator that makes it easy to come up with stub lengths based on things like the velocity factor and characteristic impedance of the coax.

It’s never just about simulations with [Fesz], though, so he presents a real-world stub filter for FM broadcast signals on the 2-meter amateur radio band. The final design required multiple stubs to get 30 dB of attenuation from 88 MHz to 108 MHz, and the filter seemed fairly sensitive to the physical position of the stubs relative to each other. Also, the filter needed a little LC matching circuit to move the passband frequency to the center of the 2-meter band. All the details are in the video below.

It’s pretty cool to see what can be accomplished with just a couple of offcuts of coax. Plus, getting some of the theory behind those funny little features on PCBs that handle microwave frequencies is a nice bonus. This microwave frequency doubler is a nice example of what stubs can do.

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Cavity Filters, The Black Art You Have A Chance Of Pursuing

July 4, 2024 by 12 Comments

A tuned circuit formed by a capacitor and an inductor is a familiar enough circuit, and it’s understood that it will resonate at a particular frequency. As that frequency increases, so the size of the capacitor and inductor decrease, and there comes a point at which they can become the characteristic capacitance and inductance of a transmission line. These tuned circuits can be placed in an enclosure, at which they can be designed for an extremely high Q factor, a measure of quality, and thus a very narrow resonant point. They are frequently used as filters for that reason, and [Fesz] is here with a video explaining some of their operation and configurations.

Some of the mathematics behind RF design can be enough to faze any engineer, but he manages to steer a path away from that rabbit hole and explain cavity filters in a way that’s very accessible. We learn how to look at tuned circuits as transmission lines, and the properties of the various different coupling methods. Above all it reveals that making tuned cavities is within reach.

They’re a little rare these days, but there was a time when almost every TV set contained a set of these cavities which were ready-made for experimentation.

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