Quieting Down A Bandoneon Accordion With MIDI

The bandoneon, known as the tango accordion, is quite a loud instrument to practice within the confines of an apartment, and could possibly lead to some neighborly disputes. [HLB] enjoyed playing his but wanted a way to turn down the volume a bit without, in consideration to his neighbors. Instead of building a whole soundproof room, he decided to throw Arduino’s and MIDI at the problem.

Bandoneons, like all accordions, are operated by pushing air from manually pumped bellows through a series of reeds, which are each opened and closed by a valve mechanism. [HLT] turned each valve lever into a simple on/off switch by attaching a magnet, with hall-effect sensors on long custom PCBs next to each row of valves. The hall effect sensors are connected to I2C I/O expander ICs which connect to an Arduino Nano, one for each side of the instrument, which sends out MIDI messages via serial. Everything is mounted inside what looks like quite an old instrument with Blu Tack to avoid having to make a lot of permanent modifications.

The bandoneon still functions normally with no permanent modifications, so to play with MIDI-only the bellow is simply not pumped. This means [HLB] can’t modulate the MIDI velocity (loudness) while playing, which he admits is a limitation but better than not playing at all. He does, however, note that he could add a pressure sensor inside the bellow if we wanted to add velocity to the midi output when neighbourliness isn’t a consideration. On the audio output side [HLB] built a small stand-alone synthesizer with an Odroid SBC running FluidSynth and a HiFi shield.

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Unique Musical Instrument Defies Description

Since the first of our ancestors discovered that banging a stick on a hollow log makes a jolly sound, we hominids have been finding new and unusual ways to make music. We haven’t come close to tapping out the potential for novel instruments, but then again it’s not every day that we come across a unique instrument and a new sound, as is the case with this string-plucking robot harp.

Named “Greg’s Harp” after builder [Frank Piesik]’s friend [Gregor], this three-stringed instrument almost defies classification. It’s sort of like a harp, but different, and sort of like an electric guitar, but not quite. Each steel string has three different ways to be played: what [Frank] calls “KickUps”, which are solenoids that strike the strings; an “eBow” coil stimulator; and a small motor with plastic plectra that pluck the strings. Each creates a unique sound at the fundamental frequency of the string, while servo-controlled hoops around each string serve as a robotic fretboard to change the notes. Sound is picked up by piezo transducers, and everything is controlled by a pair of Nanos and a Teensy, which takes care of MIDI duties.

Check out the video below and see if you find the sound both familiar and completely new. We’ve been featuring unique instruments builds forever, from not-quite-violins to self-playing kalimbas to the Theremincello, but we still find this one enchanting.

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Controlling A Building Sized Pipe Organ With Midi

Musical instruments come in all shapes and sizes. For sheer scale and complexity though, you can’t beat pipe organs. [Rob Scallon] visited the Fourth Presbyterian Church in Chicago to look at their massive pipe organ which boasts over 8000 individual pipes. He also discovered that it has a MIDI interface, and off course hooked up his laptop to play the Mario Bros theme song.

This organ is actually the third one the church has had, and was completed in 2016. Its capabilities are impressive, but the engineering side of it is what really blew us away. Every pipe is unique to allow it to recreate the sound of almost an entire orchestra, and the “control station” looks a bit like the cockpit of modern airliner in terms of complexity. The organ covers multiple stories across multiple parts of the church and every single pipe and part needs to be accessible for tuning and maintenance, which is almost a full time job. Check out the first video after the break for a full demonstration and tour of this incredible machine by [John Sherer], the church’s music director and organist.

The second video after the break goes through the process of hooking up a laptop to the organ after getting a technician to completely wire up the MIDI interface. They go full music geek as they marry ancient and modern music technology. [Rob] says it multiple times, and we have to believe that you need to be in the building to truly experience the sound. Let us know in the comments if any readers have heard this organ in person.

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Brute-Forced Copyrighting: Liberating All The Melodies

Bluntly stated, music is in the end just applied physics. Harmony follows — depending on the genre — a more or less fixed set of rules, and there  are a limited amount of variation possible within the space of music itself. So there are technically only so many melodies possible, making it essentially a question of time until a songwriter or composer would come up with a certain sequence of notes without knowing that they’re not the first one to do so until the cease and desist letters start rolling in.

You might well argue that there is more to a song than just the melody — and you are absolutely right. However, current copyright laws and past court rulings may not care much about that. Aiming to point out these flaws in the laws, musician tech guy with a law degree [Damien Riehl] and musician software developer [Noah Rubin] got together to simply create every possible melody as MIDI files, releasing them under the Creative Commons Zero license. While their current list is limited to a few scales of fixed length, with the code available on GitHub, it’s really just a matter of brute-forcing literally every single possible melody.

Admittedly, such a list of melodies might not have too much practical use, but for [Damien] and [Noah] it’s anyway more about the legal and philosophical aspects: musicians shouldn’t worry about getting sued over a few overlapping notes. So while the list serves as a “safe set of melodies” they put in the public domain, their bigger goal is to mathematically point out the finite space of music that shouldn’t be copyrightable in the first place. And they definitely have a point — just imagine where music would be today if you could copyright and sue over chord progressions.
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Harmonicade Is A High-Scoring MIDI Controller

When [KOOP Instruments] started learning the piano, he wasn’t prepared for the tedium of learning chords and their relationships on the standard keyboard layout. But instead of killing his desire to tickle the ivories, it inspired him to explore alternative layouts that are easier to play. He converted to Isomorphism, started building MIDI controllers, and hasn’t looked back.

The latest incantation is Harmonicade, a dual-decked number arranged Wicki-Hayden style. Both decks have 5½ octaves, are (electrically) identical, and run off a single Teensy 3.6. We admire [KOOP]’s use of DB25 connectors to wrangle the wiring between the decks and the Teensy — quite a neat solution. Almost as neat as his beautifully-commented code.

Although the button decks and control boxes are all printed and open source, they are designed to be easily made from acrylic or plywood instead. [KOOP] is going to keep iterating until he’s totally happy with the control locations and layout, and the ease of breakdown and reassembly. We’ve got a double shot of videos for you after the break — one of [KOOP] playing Harmonicade, and a longer one exploring and playing its precursor, the Melodicade.

Tired of conventional-looking MIDI controllers? We hear your bellows and offer this MIDI controller in a concertina.

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Play That Funky 3D Printer…

Human brains are wired for music. Scientists think the oldest musical instruments were flutes that date back somewhere between 67,000 and 37,000 years ago. We assume though that people were banging on wood or their thighs, or knocking two rocks together long before that. Almost anything can be a musical instrument. A case in point: [elifer5000] walked into a room containing a lot of running 3D printers, and thought it seemed musical. Next thing you know, he harnessed 3D printers as a MIDI instrument.

At a hackathon, he found some software that converts a MIDI file to GCode. The only problem is a common printer has three axes and, therefore, can only produce (at most) three notes at once. The obvious answer to this problem is to use more printers, and that’s what he did, as you can see below.

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Fabric(ated) Drum Machine

Some folks bring out an heirloom table runner when they have company, but what if you sewed your own and made it musical? We’d never put it away! [kAi CHENG] has an Instructable about how to recreate his melodic material, and there is a link to his website, which describes his design process, not just the finished product. We have a video below showing a jam session where he exercises a basic function set.

GarageBand is his DAW of choice, which receives translated MIDI from a Lilypad. If you don’t have a Lilypad, any Arduino based on the ATmega328P chip should work seamlessly. Testing shows that conductive threads in the soft circuit results in an occasional short circuit, but copper tape makes a good conductor  at the intersections. Wide metallic strips make for tolerant landing pads beneath modular potentiometers fitted with inviting foam knobs. Each twist controls a loop in GarageBand, and there is a pressure-sensitive pad to change the soundset. Of course, since this is all over MIDI, you can customize to your heart’s content.

MIDI drums come in all shapes and sizes, from a familiar game controller to hand rakes.

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