Building An Analog Echo Plate

June 5, 2025 by Lewin Day 7 Comments

These days, when you think reverb, you probably think about a guitar pedal or a plugin in your audio software. But you can also create reverb with a big metal plate and the right supporting electronics. [Tully] from [The Tul Studio] shows us how.

Basically, if you’ve ever smacked a big sheet of metal and heard the thunderous, rippling sound it makes, you already understand the concept here. To turn it into a studio effect, you use transducers to deliver the sound into the plate of metal, and then microphones to pick it back up again at some other point on the plate. Since the sound takes time to travel through the plate, you get a reverb effect.

[The Tul Studio] used a huge cold-rolled steel plate, standing one meter wide and two meters tall. The plate itself is hung from picture chain, which is strong enough to carry its weight. Old car tweeters are repurposed to act as pickups, while a larger speaker is used to drive sound into the plate. “The key to making it sound not like a tin can is the actual EQ and the electronics,” [Tully] explains, providing resources for this purposes.

We love lots of lovely reverbing things around these parts; oddball delays, too! Video after the break.

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Digital Audio Workstation In A Box

September 23, 2024 by Bryan Cockfield 4 Comments

Although it’s still possible to grab a couple of friends, guitars, and a set of drums and start making analog music like it’s 1992 and there are vacant garages everywhere yearning for the sounds of power chords, the music scene almost demands the use of a computer now. There are a lot of benefits, largely that it dramatically lowers the barrier to entry since it greatly reduces the need for expensive analog instruments. It’s possible to get by with an impressively small computer and only a handful of other components too, as [BAussems] demonstrates with this tiny digital audio workstation (DAW).

The DAW is housed inside a small wooden box and is centered around a Behringer JT-4000 which does most of the heavy lifting in this project. It’s a synthesizer designed to be as small as possible, but [BAussems] has a few other things to add to this build to round out its musical capabilities. A digital reverb effects pedal was disassembled to reduce size and added to the DAW beneath the synthesizer. At its most basic level this DAW can be used with nothing but these components and a pair of headphones, but it’s also possible to add a smartphone to act as a sequencer and a stereo as well.

For a portable on-the-go rig, this digital audio workstation checks a lot of the boxes needed including MIDI and integration with a computer. It’s excellent inspiration for anyone else who needs a setup like this but doesn’t have access, space, or funds for a more traditional laptop- or desktop-centered version. For some other small on-the-go musical instruments we recently saw a MIDI-enabled keyboard not much larger than a credit card.

The Most Famous Room In Rock-n-Roll You’ve Never Seen

March 17, 2024 by Jenny List 6 Comments

The study of audio technology has a lot of fascinating branches, and one or two of them even take the curious engineer not into electronics but into architecture. There’s the anechoic chamber with its complete lack of echo, but at the other end of the scale, there’s the echo chamber.

It’s normal in 2024 when searching for reverb to reach for a software plugin, but following the effect back through silicon, spring lines, and metal plates to the 1950s, we find an echo chamber as a real room with a speaker and a microphone placed in it. [Rick Beato] takes us into the echo chamber, starting with one of the few remaining originals and probably the one whose effect has been heard on the most highly-charting music, at the famous Abbey Road studio in London.

The video below the break is broadly in two parts, with the first concentrating on the Abbey Road chamber and the second showing how an empty room in a house can be used to make your own. It’s aimed at musicians rather than hardware hackers but we think it’s one of those moments of crossover that readers might find interesting. We were particularly curious about the tall ceramic tubes in the Abbey Road chamber, designed to further break up the sound waves for a greater depth of reverb.

The video shows how reverb can be achieved with just a room, but don’t worry if you’re space limited. A plate reverb needn’t break the bank. Or, grab a spring.

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It’s A Microphone And A Spring Reverb All In One

December 15, 2023 by Jenny List 8 Comments

We’re so used to reverb effects being simply another software plugin that it’s easy to forget the electromechanical roots of the effect. Decades ago, a reverb would have been a metal spring fed at one end with a speaker and attached at the other to a microphone. You may not see them often in the 2020s, which is probably why [Ham-made] has produced one. It’s not the type with a speaker providing the sound, though. Instead, this is a microphone in its own right with a built-in spring line.

Perhaps it’s not the best microphone possible, with a somewhat heavy diaphragm and 3D printed body. But the hand-wound spring transmits the sound down to a piezo disk which serves as the electrical element, and the whole thing screws together into quite the usable unit. There are a selection of sample MP3 files that provide an interesting set of effect-laden sounds, so if you fancy building one yourself, you can judge the results.

We think this may be the first reverb microphone we’ve seen, but we’re certainly no stranger to reverb projects. More common by far, though, are plate reverbs, in which the physical element in the system is a metal plate rather than a spring. We like it when the sound source is a Commodore 64.

Spooky Noise Box Plays War Drums

September 20, 2023 by Kristina Panos 6 Comments

What do you have cooked up to scare trick-or-treaters this Halloween? We humbly suggest adding in some type of noise box, especially one like this offering from [Paisley Computer] that uses reverb and other effects to achieve chilling, thrilling sounds.

As you can see, this instrument is essentially a bunch of doodads affixed to and through a cigar box. And as you’ll hear in the first video after the break, the various rubber bands make great drum sounds. The springs are nice, too, but our personal favorite has to be the head massager thing. Shhhing!

Inside the box you’ll find a guitar jack and some piezos glued to the underside of the top surface, but you’ll also find springs mounted across the inside that add to the resonance of the cigar box.

You can use either an interface and DAW or an effects pedal chain to really make things freaky, and [Paisley Computer] does a showdown between Focusrite interface versus various stomp pedals in the second video. In the third video, we learn how to make one of our own.

Do you like the idea of a spring reverb? How about a really big one that sounds sort of Satanic?

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Ray's panels on the wall - circles of different sizes (from 60 to 15cm in diameter) covered by fabric of different shades, their arrangement vaguely resembling a cloud.

DIY Acoustic Panels Or Modern Artwork? Can’t Tell

January 31, 2022 by Arya Voronova 25 Comments

The acoustic properties of a room have a surprising impact when you want to use a microphone. [RayP24]’s son was trying to make his bedroom into a better recording studio, and for [Ray], that turned into an artfully-executed wall panel project. Fortunately, the process is documented so we all can learn from it. When it comes to acoustics, you can often get a whole lot of improvement from surprisingly few changes. And, as this project demonstrates, you can make it look like a decorative piece to boot.

When arranged and placed on the wall, these panels look like an art piece, a decoration you could get from a somewhat fancy store. If you show them to someone, they might not believe that they also serve as a functioning home acoustics improvement, dampening the sound quite well for audio recording needs. The panels are built out of individual circles, cut out in a way that uses as much of a 3/16″ (5mm) plywood sheet as possible, with hollow circles serving as frames to attach foam-backed fabric. In the Instructables post, [Ray] talks quite a bit about how you can assemble your own and what liberties you can take. There’s also a short video accompanying this project, which you can see after the break. This project is begging to be recreated.

There’s a sizeable amount of hacking-meets-home improvement-meets-home acoustics projects out there, especially lately, when so many people are stuck at home for one reason or another. Just a few months ago, we covered another marvelous “art piece turned reverb killer” project operating by a slightly different principle, and also going a bit more into the theory. Perhaps in a few years, we will no longer have to build panels or structures for our soundproofing needs, as purpose-grown mycelium shapes will do that for us. And once it becomes a question of where to hang your newly-built acoustic panels, this simple guide is a good place to start.

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Zac shows off his sound diffusion panels

Taking The Bark Out Of Reverb With Wood Scraps

November 21, 2021 by Matthew Carlson 49 Comments

For the past few years, many have become used to having virtual meetings in their homes. Spaces like kitchen tables, couches, spare bedrooms, and hammocks in the yard have all become “offices”. As you can imagine, many of these spaces aren’t well known for their acoustic qualities. [Zac] built a sound diffusion art piece out of scrap pieces of wood to help his office sound better when recording.

Reverb is caused by sound bouncing off hard, flat surfaces like drywall. These reflections are picked up by the microphone and lead to a noticeable drop in perceived sound quality. There are generally two ways to kill reverb in a space: diffusion and absorption. Diffusion is the technique that [Zac] is going for, with thousands of faces at different angles and locations, it breaks up the harsh reflections into millions of tiny reflections. Absorption is usually accomplished with foam and other typically soft substances.

[Zac] happened to have a large pile of offcuts and extra material from past projects of various wood species, making it easy to make a visually interesting piece. He used a table saw to rip them to a consistent width and a drum sander reduced them all to the same depth. Next, the long sticks were cut with a miter saw into 5 different lengths, leaving him with thousands of little pieces of wood. The hard part began when he had to glue several thousand pieces to a plywood backer board with CA glue. Sanding, finishing with poly, and a french cleat made the three pieces ready to hang on the wall.

Overall, the effect is stunning. While we’d love more hard data on the improvement, it certainly does sound better anecdotally. If you’re interested in more woodworking, take a look into making an inlay without a CNC. Video after the break.

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