A Look At Zweikanalton Stereo Audio And Comparison With NICAM

March 19, 2023 by Maya Posch 1 Comment

With how we take stereo sound for granted, there was a very long period where broadcast audio and television with accompanying audio track were in mono. Over the decades, multiple standards were developed that provide a way to transmit and receive two mono tracks, as a proper stereo transmission. In a recent video, [Matt] over at [Matt’s Tech Barn] takes a look at the German Zweikanalton (also known as A2 Stereo) standard, and compares it with the NICAM standard that was used elsewhere in the world.

Zweikanalton is quite simple compared to NICAM (which we covered previously), being purely analog with a second channel transmitted alongside the first. Since it didn’t really make much of a splash outside of the German-speaking countries, equipment for it is more limited. In this video [Matt] looks at the Philips PM 5588 and Rohde & Schwarz 392, analyzing the different modulations for FM, Zweikanalton and NICAM transmissions and the basic operation of the modulator and demodulator equipment.

An interesting aspect of these modulations are the visible sidebands, and the detection of which modulation is used. Ultimately NICAM’s only disadvantage compared to Zweikanalton was the higher cost of the hardware, but with increased technological development single-chip NICAM solutions like the Philips SAA7283 (1995) began to reduce total system cost and by the early 2000s NICAM was a standard feature of TV chipsets, just in time for analog broadcast television to essentially become irrelevant.

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A Single Ended Vacuum Tube Amplifier With A Modern Twist

January 3, 2023 by Jenny List 40 Comments

Despite the oldest solid state audio circuitry now qualifying for a pension and a bus pass where this is being written, the thermionic tube retains a foothold in the world of audio — cherished by enthusiasts for the warm sound it is claimed to impart. For the electronics enthusiast a tube audio amplifier makes for an interesting and unusual project, and for that reason it’s one tackled by many. [Keri Szafir] is no exception, and she’s produced a stereo tube amp with a few modern features.

Electrically it’s a relatively conventional single-ended design using a double triode and a power pentode for each channel. It follows a so-called ultra-linear circuit, with a tap on the output transformer feeding one of the pentode’s grids. The modern features come via a switched Bluetooth input and a motorized volume control, something that would have never been found on such an amp when they were the cutting edge.

We have to admit a soft spot for this type of amp, and we particularly like this one for its very period construction style using cable lacing to keep the wiring under control. We more often see these amps using the cheaper integrated triode-pentode tubes which makes them especially easy to build, so the separate preamp is a little different. We’re not sure we’d have spent extra on the fancy E88cc tubes though. Continue reading “A Single Ended Vacuum Tube Amplifier With A Modern Twist” →

Photography, The Stereo Way

December 19, 2022 by Bryan Cockfield 19 Comments

Most consumer-grade audio equipment has been in stereo since at least the 1960s, allowing the listener to experience sounds with a three-dimensional perspective as if they were present when the sound was originally made. Stereo photography has lagged a little behind the stereo audio trend, though, with most of the technology existing as passing fads or requiring clumsy hardware to experience fully. Not so with the DIY stereoscopic cameras like this one produced by this group of 3D photography enthusiasts, who have also some methods to view the photos in 3D without any extra hardware.

The camera uses two imaging sensors to produce a stereo image. One sensor is fixed, and the other is on a slider which allows the user to adjust the “amount” of 3D effect needed for any particular photo. [Jim] is using this camera mostly for macro photography, which means that he only needs a few millimeters of separation between the two sensors to achieve the desired effect, but for more distant objects more separation can be used. The camera uses dual Raspberry Pi processors, a lithium battery, and a touch screen interface. It includes a ton of features as well including things like focus stacking, but to get a more full experience of this build we’d highly recommend checking out the video after the break.

As for viewing the photographs, these stereoscopic 3D images require nothing more than a little practice to view them. This guide is available with some simple examples to get started, and while it does at first feel like a Magic Eye puzzle from the late 90s, it quickly becomes intuitive. Another guide has some more intricate 3D maps at the end to practice on as well. This is quite the step up from needing to use special glasses or a wearable 3D viewer of some sort. There are also some methods available to create 3D images from those taken with a regular 2D camera as well.

Thanks to [Bill] for the tip and the additional links to the guides for viewing these images!

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Generating Stereo FM Signals, Thanks To Python

October 19, 2022 by Dan Maloney 7 Comments

A casual understanding of how AM radio works is pretty easy to come by, and standard FM is only a little more complicated. Things can go off the tracks a bit with stereo FM, though — figuring out how they squeeze two separate audio tracks onto one radio signal is a bit of a head-scratcher. In that case, wrapping your head around the concept might be helped by mocking up a stereo FM signal with an arbitrary waveform generator and a little bit of Python.

Not that [Sebastian] of Baltic Lab was unfamiliar with multiplex FM theory, mind you. As he explains it, his goal was to generate a valid stereo FM signal with a different pure tone on each channel, 700 Hz on the left and 2,200 Hz on the right. Luckily, [Sebastian] has a nice AWG, the Siglent SDG1032X, which has an Ethernet connection that can be used to control it remotely along with PyVISA, a Python package for controlling instruments using the Virtual Instrument Software Architecture protocol.

The meat of this project, and what really helps drive home the concept of putting multiple audio signals onto an FM signal, lies in the Python code that generates the component parts. [Sebastian] does a great job explaining how he programatically generates the sum and difference signals along with the 19 kHz pilot tone, and puts them all together into one waveform. The output of the program is used to generate a series of values that are sent to the arbitrary waveform generator, which outputs the desired FM signal. Looking at the output on a spectrum analyzer, the two audio tones are clearly visible, as are the attenuated pilot tone and some other spikes a little further up.

Just add an antenna to the setup and you’d have the world’s dullest FM radio station — but at least it’d be in stereo. Or if you want to check out the origin story for FM radio, we’ve got something for that too.

Know Audio: Stereo

September 21, 2022 by Jenny List 16 Comments

In our occasional series charting audio and Hi-Fi technology we have passed at a technical level the main components of a home audio set-up. In our last outing when we looked at cabling we left you with a promise of covering instrumentation, but now it’s time instead for a short digression into another topic: stereo. It’s a word so tied-in with Hi-Fi that “a stereo” is an alternative word for almost any music system, but what does it really mean? What makes a stereo recording, and how does it arrive at your ears?

From West London Trains, To 3D Audio

A steam train passing through a station, from a distance in black and white — The driver of this Great Western Railway train had no idea that he was making audio history.

As most of you will know, a mono recording uses a single microphone and a single channel while a stereo one uses two microphones recording simultaneously a left and right channel. These are then played back through a pair of speakers, and the result is a sense of spatial field for the listener. Instruments appear to come from their relative positions when recorded, and the sense of being in the performance is enhanced.

Stereo recording as we know it was first perfected as one of the many inventions credited to Alan Blumlein, then working for EMI in London. We have one of his stereo demonstration films in “Trains at Hayes“, filmed from the EMI laboratories overlooking the Great Western Railway, and featuring a series of steam-hauled trains crossing the field of view with a corresponding stereo sound field. His work laid down the fundamentals of stereo recording, including microphone configurations and what would become the standard for stereo audio recording on disk with the channels on the opposite sides of a 45 degree groove. Continue reading “Know Audio: Stereo” →

Teensy Spectrum Analyzer Has 170 Channels

June 21, 2022 by Bryan Cockfield 14 Comments

While high-fidelity audio has come a long way in the past several decades, a lot of modern stereo equipment is still missing out on some of the old analog meters that were common on amplifiers and receivers of the 60s through the 80s. Things like VU meters don’t tend to be common anymore, but it is possible to build them back in to your sound system with the help of some microcontrollers. [Mark] shows us exactly how to reclaim some of the old-school functionality with this twin audio visualizer display.

Not only does this build include two displays, but the microcontroller is keeping up with 170 channels in real-time in order to drive the display. What’s more impressive is that it’s being done all on a Teensy 4.1. To help manage all of the data and keep the speed as fast as possible it uses external RAM soldered to the board, and a second Teensy audio board is used to do the real time FFT analysis. Most of the channels are sent to the display hosting the spectrum analyzer but two are reserved for left and right stereo VU meters on the second display.

The project from [Mark] is originally based on this software from [DIYLAB] so everything is open-source. While it was originally built for a specific piece of hardware, [Mark] has it set up with a line in and line out plus a microphone input so it can be used for virtually any audio hardware now. For another take on the classic VU meter, take a look at this design based on an Arudino instead.

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Modern Features In Classic Radio

December 7, 2021 by Bryan Cockfield 53 Comments

As consumer electronics companies chase profits on tighter and tighter margins, it seems like quality is continually harder to find for most average consumer-grade products. Luckily, we don’t have to hunt through product reviews to find well-built merchandise since we have the benefit of survivorship bias to help us identify quality products from the past that have already withstood the test of time. [Tom] has forever been fond of this particular Sony TV/radio combo from the ’70s so he finally found one and set about modernizing it in a few key ways.

Among the modifications to this 1978 Sony FX-300 include the addition of a modern color display, Bluetooth, an upgraded FM radio, and a microphone. At the center of all of this new hardware is a Teensy 4 which [Tom] has found to be quite powerful and has enough capabilities to process the audio that’s being played in order to make visual representations of the sound on the screen. He also implemented a bitcrusher filter and integrated it into the controls on the original hardware. He’s using an optimized version of this library to cram all of that processing ability into such a small chip, and the integration of all this new hardware is so polished that it looks like it could be an original Sony stereo from the modern era.

While some may complain about restomod-type builds like this, we don’t really see any need to be arbitrarily or absolutely faithful to bygone eras even if the original hardware was working properly in the first place. What works is taking the proven technology of the past and augmenting it with modern features to enjoy the best of both worlds. Much like this hi-fi stereo which blends the styles and technology of the 90s with that of the 60s in an equally impressive way.