Better 3D Scans Through A Slowed Down Turntable

3D scanners aren’t cheap, and the last thing you want to see after purchasing one is bad data. But that’s what [Dave Does] and others were getting from their Revopoint POP scanners until some communal brainstorming uncovered the reason: the motorized turntable that came with the Kickstarter edition of the product was spinning too fast for the software to accurately keep track of the object. So he decided to replace the stepper motor controller in his turntable and document the process for anyone else who’s scanner might be struggling.

Plenty of room for expansion.

In the video below, [Dave] pops open the plastic case of the turntable and reveals a pretty sparse interior. There’s an incredible amount of empty space inside, and even some mounting studs to screw down new components, should you want to get into some hardcore upgrades. But for his purposes, a generic stepper motor controller that featured a potentiometer to adjust the speed was enough. He found a suitable board online for around $5 USD, and got to designing a 3D printed bracket that mates up to the existing screw holes on the turntable.

But it’s not exactly a drop-in replacement. For one thing, you’ve got to pop a hole in the side of the enclosure for the potentiometer knob to stick out of. You’ve also got to solder wires coming from the original DC jack and power switch to the new board to get it hooked up, but at least the motor plugs right in. In the video below, you can see [Dave] demonstrate the impressively deep throttle capability of the new driver.

If you’d rather build than buy, we’ve covered some impressive DIY turntables in the past that could fit the bill nicely, from automatic models that handle camera control to fully 3D printed versions that you’ve got to crank yourself.

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Anything Becomes A Clock

Clocks are a popular project around here, and with good reason. There’s a ton of options, and there’s always a new take on ways to tell time. Clocks using lasers, words, or even ball bearings are all atypical ways of displaying time, but like a mathematician looking for a general proof of a long-understood idea this clock from [Julldozer] shows us a way to turn any object into a clock.

His build uses AA-powered clock movements that you would find on any typical wall clock, rather than reaching for his go-to solution of an Arduino and a stepper motor. The motors that drive the hands in these movements are extremely low-torque and low-power which is what allows them to last for so long with such a small power source. He uses two of them, one for hours and one for minutes, to which he attaches a custom-built lazy Suzan. The turntable needs to be extremely low-friction so as to avoid a situation where he has to change batteries every day, so after some 3D printing he has two rotating plates which can hold any object in order to tell him the current time.

While he didn’t design a clock from scratch or reinvent any other wheels, the part of this project that shines is the way he was able to utilize such a low-power motor to turn something so much heavier. This could have uses well outside the realm of timekeeping, and reminds us of this 3D-printed gear set from last year’s Hackaday prize.

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Hackaday Podcast 066: The Audio Overdub Episode; Tape Loop Scratcher, Typewriter Simulator, And Relay Adder

Hackaday editors Elliot Williams and Mike Szczys stomp through a forest full of highly evolved hardware hacks. This week seems particularly plump with audio-related projects, like the thwack-tackular soldenoid typewriter simulator. But it’s the tape-loop scratcher that steals our hearts; an instrument that’s kind of two-turntables-and-a-microphone meets melloman. We hear the clicks of 10-bit numbers falling into place in a delightful adder, and follow it up with the beeps and sweeps of a smartphone-based metal detector.

Take a look at the links below if you want to follow along, and as always, tell us what you think about this episode in the comments!

Direct download (60 MB or so.)

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DJ Scratches Out Club Music With Tape, Not Turntables

It goes without saying that not everyone has the same taste in music, and what sounds amazing to one person will be the next person’s noise. But even if you’re not into hip-hop and the whole DJ scene, it’s hard not to be impressed with what [Jeremy Bell] has done here with his homemade tape loop “scratching” rig.

Most people have probably seen a DJ in a club using dual turntables to scratch or “scrub” a vinyl record back and forth to create effects that add to the music. Part musician and part performance artist, DJs and “turntablists” tend to be real crowd-pleasers. [Jeremy]’s “ScrubBoard” uses a loop of 2″ audiotape, the kind recording studios once used for multitrack recordings. The loop is driven across a wide platen by a motor with a foot pedal control, which he can use to quickly reverse the direction of travel and control the speed of the tape. A pair of playback heads are wired into the amplifier and can be positioned anywhere on the sometimes moving, sometimes stationary tape. The sounds he can create are rhythmic, percussive, and at times frenetic, but they’re always interesting. Check it out in action in the video below.

This version of the ScrubBoard is far from the first [Jeremy] has built. You may recall his first prototype from our coverage in 2014; that one used just a few feet of 1/4″ tape fixed to a board. He was still able to get some great sounds from it, but this version should really change things for him. 

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Guitar Effect Built From An Old Record Player

With little more than a gutted record player, a light bulb, and the legendary 555 timer IC, [Jacob Ellzey] has constructed this very slick optical tremolo effect for his guitar. By modulating the volume of the input signal, the device creates the wavering effect demonstrated in the video after the break.

The key is a vinyl record with large tabs cut out of it. As the record spins, these voids alternately block and unblock a small incandescent bulb. A common GL5537 photoresistor, mounted on the arm that originally held the player’s needle, picks up the varying light levels and passes that on to the electronics underneath the deck. An important note here is that different spacing and sizing of the cutouts will change the sound produced by the effect. [Jacob] has already produced a few different designs and plans on experimenting with more now that the electronics are completed.

Under the hood there’s a voltage divider and low gain amplifier connected to the photoresistor, and also a 555 timer circuit that’s driving the incandescent bulb. Once he was done fiddling with them, the circuit was moved to a neat little protoboard. A pair of potentiometers mounted through the side of the record player allow for adjusting the depth of the effect itself, as well as the output volume. Naturally, there’s also an external foot pedal that allows keying the effect on and off without taking your hands from the guitar.

As is usually the case, everything was going well on this project until the final moments, when [Jacob] found that the circuit and bulb were both browning out when powered from the same transformer. As a quick fix, he gutted a Keurig and used its transformer to drive the light bulb by itself. With independent power supplies, he was ready to rock.

Of course this isn’t the first time we’ve seen a piece of consumer electronics modified into a guitar effect, but if you’re looking for something a bit more built for purpose, there’s plenty of high-tech options to keep you busy.

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Turntable Spins Color And Sound Together

If you can’t grow your own synesthesia, buying electronics to do it for you is fine. Such is the case with the CHROMATIC by [Xavier Gazon], an artist who turns all kinds of electronics into circuit-bent musical art pieces. His project turns an old Philips Music 5120 turntable into a colorful MIDI sequencer, inspired by older 20th century instruments such as the Optophonic Piano and the Luminaphone.

The CHROMATIC uses colored pucks placed on a converted turntable to perform a looping sequence of chords in a given musical scale, generating MIDI data as output. Where its inspirations used primitive optics as their medium, this project employs a Teensy microcontroller and two modern optical sensors to do the work. One of these is a simple infrared sensor which tracks a white spot on the edge of the turntable, generating a MIDI clock signal to keep everything quantized and in sync. The other is a color sensor mounted on the tone arm, which can tell what color it sees and the height of the arm from the turntable.

While the instrument is still in beta testing phase details on how notes are generated aren’t yet given, though the general idea is that they are dictated by the color the tone arm sees and its position above the platter. Moving the tone arm changes which pucks it tracks, and the speed of the turntable can also be adjusted, changing how the melody sounds.​

The CHROMATIC is a very interesting project, but it’s not the first optical-based turntable hack we’ve seen here. We’ve also seen a much weirder use for a color sensor, too. Check out the video of this one in action after the break.

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Printed It: Hand Cranked Photography Turntable

Even a relatively low-end desktop 3D printer will have no problems running off custom enclosures or parts for your latest project, and for many, that’s more than worth the cost of admission. But if you’re willing to put in the time and effort to become proficient with necessary CAD tools, even a basic 3D printer is capable of producing complex gadgets and mechanisms which would be extremely time consuming or difficult to produce with traditional manufacturing techniques.

Printable bearing cross-section

Once you find yourself at this stage of your 3D printing career, there’s something of a fork in the road. The most common path is to design parts which are printed and then assembled with glue or standard fasteners. This is certainly the easiest way forward, and lets you use printed parts in a way that’s very familiar. It can also be advantageous if you’re looking to meld your own printed parts with existing hardware.

The other option is to fully embrace the unique capabilities of 3D printing. Forget about nuts and bolts, and instead design assemblies which snap-fit together. Start using more organic shapes and curves. Understand that objects are no longer limited to simple solids, and can have their own complex internal geometries. Does a hinge really need to be two separate pieces linked with a pin, or could you achieve the desired action by capturing one printed part inside of another?

If you’re willing to take this path less traveled, you may one day find yourself creating designs such as this fully 3D printed turntable by Brian Brocken. Intended for photographing or 3D scanning small objects without breaking the bank, the design doesn’t use ball bearings, screws, or even glue. Every single component is printed and fits together with either friction or integrated locking features. This is a functional device that can be printed and put to use anywhere, at any time. You could print one of these on the International Space Station and not have to wait on an order from McMaster-Carr to finish it.

With such a clever design, I couldn’t help but take a closer look at how it works, how it prints, and perhaps even some ways it could be adapted or refined going forward.

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