Want to make a sweet adhesive decal with a complex design and floating elements, but all you have is a laser cutter and some tape? Good news, because that’s all you need with this method of creating adhesive tape decals on a laser cutter demonstrated by the folks at [Lasers Over Los Angeles]. The overall technique is very similar to creating vinyl decals and using tape transfer to apply them, but is geared towards laser cutters and nice, cheap tape.
The way it works is this: paper-based tape (such as blue painter’s tape) is laid down in strips on the laser cutter’s honeycomb bed, forming a nice big rectangle big enough for the intended design. Then, the laser cutter cuts vector art into the tape, resulting in an adhesive decal ready to be stuck to some other surface. Transferring is done by using good quality clear packing tape to “pick up” the decal, then move it to where it needs to be.
To do this, one lays strips of packing tape onto the top of the design on the laser bed, then lifts the design up and away. Move the design to its destination (the clear packing tape helps in eyeballing the final position), press the decal onto the final surface, and carefully peel away the clear packing tape. This works because the packing tape sticks only weakly to the back of the painter’s tape; it’s a strong enough bond to hold the decal, but weak enough that the decal will stick to a surface even better.
It’s true that painter’s tape isn’t as durable as vinyl and the color selection is a bit limited, but design-wise one can go as big as the laser bed allows, and the price is certainly right. Plus it’s easily cut by even the most anemic of diode lasers.
Not since the Audio-Technica Sound Burger, or Crosley’s semi-recent imitation, have we seen such a portable unit. But that’s not even the most notable part — this thing runs inversely to normal record players. Translation: the record stands still while the the player spins, and it sends the audio over Bluetooth to headphones or a speaker.
Inside this portable player is an Arduino Nano driving a 5 VDC motor with a worm gear box. There really isn’t too much more to this build — mostly power, a needle cartridge, and a Bluetooth audio transmitter. There’s a TTP223 touch module on the lid that allows [JGJMatt] to turn it off with the wave of a hand.
[JGJMatt] says this is a prototype/work-in-progress, and welcomes input from the community. Right now the drive system is good and the Bluetooth is stable and able, but the tone arm has some room for improvement — in tests, it only played a small section of the record and skidded and skittered across the innermost and outermost parts. Now, [JGJMatt] is trying two-part arm approach where the first bit extends and locks into position, and then a second arm extending from there and moves around freely.
Commercial record players can do more than just play records. If you’ve got an old one that isn’t even good enough for a thrift store copy of a Starship record, you could turn it into a pottery wheel or a guitar tremolo.
For me, the vinyl record player is the spiritual home of my audio listening experience, probably because I’m of the last generation to grow up when vinyl was king. The 12″ album, with its full-size sleeve and copious sleeve notes, used to be an integral part of musical enjoyment that hasn’t been adequately replicated in the age of streaming.
And like anyone who became an adult while CD players were still expensive luxury items, I started my journey into Hi-Fi with a turntable set-up that sounded pretty good. Since a new generation have in recent years rediscovered vinyl, it’s once again something that should be part of any review of audio technology.
I would have started this piece with a full run-down of the constituent parts of a good turntable, but since that’s a piece that I wrote back in 2017, it’s time to investigate some of the audiophile claims about vinyl recordings. It’s fair to say that this is an area where a lot of complete rubbish is spouted by people who should know better, and that’s something I find immensely entertaining to poke fun at. Buckle up. Continue reading “Know Audio: Get Into The Groove”→
A long time ago, there were these vinyl recording booths. You could go in there and cut a 45PM record as easily as getting a strip of four pictures of yourself in the next booth along the boardwalk. With their 2021 Hackaday Prize entry called VinyGo, [mras2an] seeks to reinvigorate this concept for private use by musicians, artists, or anyone else who has always wanted to cut their own vinyl.
VinyGo is for people looking to make a few dozen copies or fewer. Apparently there’s a polymer shortage right now on top of everything else, and smaller clients are getting the shaft from record-pressing companies. This way, people can cut their own records for about $4 a unit on top of the cost of building VinyGo, which is meant to be both affordable and accessible.
You probably know how a record player works, but how about a record cutter? As [mras2an] explains over on IO, music coming through a pair of speakers vibrates a diamond cutting head, which cuts a groove in the vinyl that’s an exact representation of the music. Once it’s been cut, a regular stylus picks up the groove and plays back the vibrations. Check it out after the break.
[mras2an] plans to enter VinyGo into the Hackaday Prize during the Wildcard round, where anything goes. Does your project defy categorization? Or are you just running a little behind? The Wildcard round runs from Monday, September 27th to Wednesday, October 27th and is your last chance to enter this year’s Prize.
Unless you’re sonically savvy, trying to sleep, or simply on edge, you probably don’t realize just how noisy common items can be. Pretty much everything makes enough racket to ruin a sound man’s day, or at the very least, their chance of picking up the dialogue between two characters. What you need on a set are noiseless but realistic versions of common noisemakers like paper bags, ice cubes, and to a lesser extent, billiard balls.
If you’ve spent any time at all on Reddit, you’ve probably seen frustratingly short GIFs of [Tim Schultz] quickly explaining how this or that noiseless prop is made. Embedded below is a compendium of prop hacks with more information worked in along the way. Talk about dream job! Problem solving and then hacking together a solution for a living sounds terrifying and delightful all at once.
Speaking of terrifying and delightful hacks, there’s still plenty of time to enter our Halloween Hackfest contest, which runs through Monday, October 11th. Halloween is the best time to go all out, so show us what you can do!
Some might look at a cheap inkjet printer and see a clunky device that costs more to replace the ink than to buy a new one. [Abhishek Verma] saw an old inkjet printer and instead saw a smooth gantry and feed mechanism, the perfect platform to build his own DIY vinyl cutter.
The printer was carefully disassembled. The feed mechanism was reworked to be driven by a stepper motor with some 3D printed adapter plates. A solenoid-based push/pull mechanism for the cutting blade was added with a 3D printed housing along with a relay module. An Arduino Uno takes in commands from a computer with the help of a CNC GRBL shield.
What we love about this build is the ingenuity and reuse of parts inside the old printer. For example, the old PCB was cut and connectors were re-used. From the outside, it’s hard to believe that HP didn’t manufacture this as a vinyl cutter.
If you’ve scrolled through the list of boot options offered on any PC’s BIOS, it reads like a history of storage technology. Up top we have the options to boot from disk, often a solid-state drive, then USB disk, optical drive, removable media, and down the bottom there’s usually an option to boot from the network. Practically no BIOS, however, has an option to boot a PC from a vinyl record — at least until now.
Clearly a project from the “Because why not?” school of hacking, [Jozef Bogin] came up with the twist to the normal booting process for an IBM-PC. As in the IBM-PC — a model 5150, with the putty-colored case, dual 5-1/4″ floppies, and one of those amazing monochrome displays with the green slow-decay phosphors. To pull off the trick, [Jozef] leverages the rarely used and little known cassette tape interface that PCs had back in the early days. This required building a new bootloader and burning it to ROM to make the PC listen to audio signals with its 8255 programmable peripheral interface chip.
Once the PC had the right bootloader, a 64k FreeDOS bootable disk image was recorded on vinyl. [Jozef] provides infuriatingly little detail about the process other than to mention that the audio was sent directly to the vinyl lathe; we’d have loved to learn more about that. Nonetheless, the resulting 10″ record, played back at 45 RPM with some equalization tweaks to adapt for the RIAA equalization curve of the preamp, boots the PC into FreeDOS just fine, probably in no more time than it would have taken to boot from floppy.