Strictly speaking, a Theremin uses a pair of antennae that act as capacitors in a specific R/C circuit. Looking at [aritrakdebnath2003]’s MIDI THEREMIN, we see it works differently, but it does play in the manner of the exotic radio instrument, so we suppose it can use the name.
The MIDI THEREMIN is purely a MIDI controller. It sends note data to a computer or synthesizer, and from there, you can get whatever sound at whatever volume you desire. The device’s brain is an Arduino Uno, and MIDI-out for the Arduino has been a solved problem for a long while now.
Wireless earbuds are notoriously tiny. Want to see inside? [MCH170] did and published a Soundcore Space A40 Teardown.
In this teardown, you’ll see inside the charging case and one of the earbuds. Starting with the case, removing the back cover revealed the charging coil and a few screws holding the PCB in place. Removing the screws allows for removing the coil. The main PCB and the magnets that hold the earbuds in place are then visible. The microcontroller is an SS881Q from Sinhmicro. The back side of the main circuit board has a handful of SMD components, including some status LEDs. The battery is a 13450 with a nominal voltage of 3.72V and a capacity of 800mAh or 2.967Wh.
Bottom of the PCB with most of the ICs. (Credit: Brian Dipert, EDN)
People think about NiMH cell chargers probably as much as they think about batteries, unless it’s time to replace the cells in whatever device they’re installed in. This doesn’t make a teardown of one of these marvels any less interesting, especially when you can get an 8-bay charger with eight included NiMH cells for a cool $25 brand new. The charger even has USB ports on it, so it’s got to be good. Cue a full teardown by [Brian Dipert] over at EDN to see what lurks inside.
Of note is that [Brian] got the older version of EBL’s charger, which requires that two cells of the same type are installed side-by-side instead of featuring per-bay charging. This is a common feature of cheaper chargers, and perhaps unsurprisingly the charger was struggling with NiMH cells that other chargers would happily charge.
Opening up the unit required hunting for plastic clips, revealing the rather sparse internals. Unsurprisingly, there wasn’t a lot to look at, with the two USB ports apparently wired directly into the AC-to-DC section. There’s a CRE6536 AC-DC power management IC, the full-bridge rectifier and an unmarked 16-pin IC that presumably contains all of the charger logic. On the positive side, the mains-powered charger didn’t catch on fire (yet), but for anyone interested in leaving battery chargers unattended for extended periods of time, perhaps look at a more reputable brand.
Your kid has a toy remote control fire truck. You have an RTL SDR. See where this is going? [Jacob] couldn’t resist tearing into the why and how of the truck’s remote control protocol.
The entire process began with a basic GNU Radio setup to determine the exact frequency of the signal. Then a little analysis suggested that it might be using amplitude shift keying. That is, the information is in the amplitude of the signal, where one possible amplitude is completely off in some cases.
Do you or a loved one suffer from distorted 3D prints? Does your laser cutter produce parallelograms instead of rectangles? If so, you might be suffering from CNC skew miscalibration, and you could be entitled to significant compensation for your pain and suffering. Or, in the reality-based world, you could simply fix the problem yourself with this machine-vision skew correction system and get back to work.
If you want to put [Marius Wachtler]’s solution to work for you, it’s probably best to review his earlier work on pressure-advance correction. The tool-mounted endoscopic camera he used in that project is key to this one, but rather than monitoring a test print for optimum pressure settings, he’s using it to detect minor differences in the X-Y feed rates, which can turn what’s supposed to be a 90-degree angle into something else.
The key to detecting these problems is the so-called ChArUco board, which is a hybrid of a standard chess board pattern with ArUco markers added to the white squares. ArUco markers are a little like 2D barcodes in that they encode an identifier in an array of black and white pixels. [Marius] provides a PDF of a ChArUco that can be printed and pasted to a board, along with a skew correction program that analyzes the ChArUco pattern and produces Klipper commands to adjust for any skew detected in the X-Y plane. The video below goes over the basics.
Weekends can be busy for a lot of us, but sometimes you have one gloriously free and full of possibilities. If that’s you, you might consider taking a gander at [Peter Shirley]’s e-book “Learning Raytracing in One Weekend”.
This gradient is the first image that the book talks you through producing. It ends with the spheres.
This is very much a zero-to-hero kind of class: it starts out defining the PPM image format, which is easy to create and manipulate using nearly any language. The book uses C++, but as [Peter] points out in the introduction, you don’t have to follow along in that language; there won’t be anything unique to C++ you couldn’t implement in your language of choice.
There are many types of ray tracers. Technically, what you should end up with after the weekend ends is a path tracer. You won’t be replacing the Blender Cycles renderer with your weekend’s work, but you get some nice images and a place to build from. [Peter] manages to cram a lot of topics into a weekend, including diffuse materials, metals, dialectrics, diffraction, and camera classes with simple lens effects.
This weekend e-book shows that ray-tracing doesn’t have to be the darkest of occult sciences; it doesn’t need oodles of hardware, either. Even an Arduino can do it..
When making a personal website, one will naturally include a personal touch. What could be more personal than creating a font from your own handwriting? That’s what [Chris Smith] has done, and it looks great on his blog, which also has a post summarizing the process.
Like most of us [Chris] tried to use open-source toolkits first, but the workflow (and thus the result) was a bit wanting. Still, he details what it takes to create a font in Inkscape or Font Forge if anyone else wants to give it a try. Instead he ended up using a web app called Calligraphr designed for this exact use case.
Above is hand written; below is the font. Aside from the lighting the difference isn’t obvious.
Fair warning: the tool is closed-source and he needed to pay to get all the features he wanted — specifically ligatures, glyphs made from two joined letters. By adding ligatures his personalized font gets a little bit of variation, as the ‘l’ in an ‘lf’ ligature (for example) need not be identical to the stand-alone ‘l’. In a case of “you get what you pay for” the process worked great and to the credit of the folks at Calligraphr, while it is Software-As-Service they offer a one-time payment for one month’s use of the “pro” features. While nobody likes SaS, that’s a much more user-friendly way to do it — or perhaps “least-user-hostile”.
All [Chris] had to do was write out and scan a few sheets that you can see above, while the software handled most of the hard work automagically. [Chris] only had to apply a few tweaks to get the result you see here. Aside from websites, we could see a personalized font like this being a nice touch to laser cut, CNC or even 3D printed projects. If you don’t want a personalized touch, the “Gorton” lettering of retro machinery might be more to your liking.
