Record Players Explained For The Streaming Generation

How do you consume your music, these days? Aside from on the radio, that is. Do you play MP3 or other files on your phone and computer, or perhaps do you stream from an online service? If you’re really at the cutting edge though you’ll do none of those things, because you’ll be playing it on vinyl.

The legendary Technics SL1200 direct-drive turntable, as used by countless DJs. Dydric [CC BY-SA 2.5)], via Wikimedia Commons.
The legendary Technics SL1200 direct-drive turntable, as used by countless DJs. Photo by Dydric CC-BY-SA 2.5
A few years ago reporting on a resurgence of sales of vinyl records was something you would never have expected to see, but consumer tastes are unpredictable. Our red-trousered and extravagantly bearded hipster friends have rediscovered the glories of the format, and as a result it’s popping up everywhere. For those of us who are old enough to have genuinely been into the format before it was cool again, the sight of Sergeant Pepper and Led Zeppelin II on 12″ at outrageous prices on a stand at the local supermarket is a source of amusement. It’s good to see your first love back in vogue again, but is it really the £20($25) per album kind of good?

With the turntable having disappeared as an integral part of the typical hi-fi setup the new vinyl enthusiast is faced with a poor choice of equipment. Often the best available without spending serious money at an audiophile store is a USB device with the cheapest possible manufacture, from which the playback will be mediocre at best. We’ve lost the body of collective knowledge about what makes a good turntable to almost thirty years of CDs and MP3s, so perhaps it’s time for a quick primer.

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Amazon S3: Out Like A Light; On Like A Bathtub

You no doubt heard about the Amazon S3 outage that happened earlier this week. It was reported far and wide by media outlets who normally don’t delve into details of the technology supporting our connected world. It is an interesting thing to think that most people have heard about The Cloud but never AWS and certainly not S3.

We didn’t report on the outage, but we ate up the details of the aftermath. It’s an excellent look under the hood. We say kudos to Amazon for adding to the growing trend of companies sharing the gory details surrounding events like this so that we can all understand what caused this and how they plan to avoid it in the future.

Turns out the S3 team was working on a problem with some part of the billing system and to do so, needed to take a few servers down. An incorrect command used when taking those machines down ended up affecting a larger block than expected. So they went out like a light switch — but turning that switch back on wasn’t nearly as easy.

The servers that went down run various commands in the S3 API. With the explosive growth of the Simple Storage Service, this “reboot” hadn’t been tried in several years and took far longer than expected. Compounding this was a backlog of tasks that built up while they were bringing the API servers back online. Working through that backlog took time as well. The process was like waiting for a bathtub to fill up with water. It must have been an agonizing process for those involved, but certainly not as bad as the folks who had to restore GitLab service a few weeks back.

[via /r/programming]

Wimshurst Machines: High Voltage From The Gods

Wimshurst machine demo
Wimshurst machine demo

The Wimshurst machine is one of the oldest and best known electrostatic machines, consisting of its iconic two counter rotating disks and two Leyden jars. Most often you see someone hand cranking it, producing sparks, though we’ve seen it used for much more, including for powering a smoke precipitator for cleaning up smoke and even for powering a laser.

It works through an interesting sequence of events. Most explanations attempt to cram it all into one picture, requiring some major mental gymnastics to visualize. This often means people give up, resigned to assume these work through some mythical mechanics that defy a mortal’s ability to understand.

So instead, let’s do a step-by-step explanation.

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Glitchy Synthesizer Meets Honeycomb LED Matrix

Don’t watch [Jason Hotchkiss]’s video if flashing lights or bleepy-bloopy synthesizer noises give you seizures. Do watch, however, if you’re interested in a big honeycomb-shaped LED matrix being driven at audio frequencies through a dedicated square-wave synthesizer that’s built in.

The LED panel in question is housed in a snazzy laser-cut, honeycomb-shaped bezel: a nice change from the standard square in our opinion. The lights are 1/2 watt (whoa!) whites, and the rows and columns are driven by transistor drivers that are in turn controlled by shift registers. We’re not entirely sure how the matrix is driven — we’d love to see a circuit diagram — but it looks like it’s some kind of strange, non-scanning mode where all of the column and row drives are on at once. Whatever, it’s art.

And it’s driven by logic chips making audio-frequency square waves. Two of these are fed into an LFSR and into an R-2R DAC and then into the shift registers. The output is chaos, but the audio and the visuals do seem to influence each other. It’s an audio-visual embodiment of some of my wildest Logic Noise fantasies. Pretty cool. Enjoy the video.

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Raiders Of The Lost OS: Reclaiming A Piece Of Polish IT History

In today’s digital era, we almost take for granted that all our information is saved and backed up, be it on our local drives or in the cloud — whether automatically, manually, or via some other service.  For information from decades past, that isn’t always the case, and recovery can be a dicey process.  Despite the tricky challenges, the team at [Museo dell’Informatica Funzionante] and [mera400.pl], as well as researchers and scientists from various museums, institutions, and more all came together in the attempt to recover the Polish CROOK operating system believed to be stored on five magnetic tapes.

MEERA-400 Tape Recovery 1

Originally stored at the Warsaw Museum of Technology, the tapes were ideally preserved, but — despite some preliminary test prep — the museum’s tape reader kept hanging at the 800 BPI NRZI encoded header, even though the rest of the tape was 1600 BPI phase encoding. Some head scratching later, the team decided to crack open their Qualstar 1052 tape reader and attempt to read the data directly off the circuits themselves!!

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Speech To Sign Language

According to the World Federation of the Deaf, there are around 70 million people worldwide whose first language is some kind of sign language. In the US, ASL (American Sign Language) speakers number from five hundred thousand to two million. If you go to Google translate, though, there’s no option for sign language.

[Alex Foley] and friends decided to do something about that. They were attending McHack (a hackathon at McGill University) and decided to convert speech into sign language. They thought they were prepared, but it turns out they had to work a few things out on the fly. (Isn’t that always the case?) But in the end, they prevailed, as you can see in the video below.

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The Best Of Both Worlds: Arduino + 555 Should Confuse Commenters

Hardly a week goes by that some Hackaday post doesn’t elicit one of the following comments:

That’s stupid! Why use an Arduino when you could do the same thing with a 555?

And:

That’s stupid! Why use a bunch of parts when you can use an Arduino?

However, we rarely see those two comments on the same post. Until now. [ZHut] managed to bring these two worlds together by presenting how to make an Arduino blink an LED in conjunction with a 555 timer. We know, we know. It is hard to decide how to comment about this. You can consider it while you watch the video, below.

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