Video Feedback Effects Make A Glorious Spectacle In HD

July 28, 2021 by Lewin Day 27 Comments

Video feedback is perhaps best known for its appearance in the film clip to Bohemian Rhapsody. It’s not a particularly popular effect that you see too often, as it’s rather messy to set up what with cameras filming screens and what not. Regardless, the effects possible are glorious, as demonstrated by [Dave Blair] and his amazing video feedback kinetic sculpture.

No computer is involved at all in the process – it’s just classic, old school video feedback. It’s produced by pointing a camera at a screen and feeding the image back to that same screen. Three cameras are combined with twin video switchers and a beam-splitting pane of glass, along with a source image via an HDMI input.

By turning and spinning the various cameras, [Dave] is able to generate beautiful curving fractal-like effects using the source imagery, with a rainbow of color melting and warping together as he interacts with the sculpture. It’s a beautiful effect and something we’re surprised we don’t see more of in the video industry.

Hopefully [Dave] is enlisted to put his machine to work on the next [Doja Cat] film clip so we can get more of this goodness. Video after the break.

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Cool WS2811 Trick Makes LED Art Installation Smooth

July 27, 2021 by Dan Maloney 19 Comments

Normally, when a project calls for addressable LEDs, we just throw a strip of WS2812s and an Arduino together, cobble together some code from the examples in the FastLED library, and call it a day. We don’t put much thought into what’s going on under the hood, unless and until we run into an LED project that’s a little more challenging.

Inventor [Leo Fernekes] found himself in such a situation recently, when he pitched in on an LED art installation. The project called for rings of LED bars around the trunks of trees on a private estate. The physical size of the project and the aesthetic requirements created significant challenges, though. One of these was finding a way to control the LED bars, each of which draws about 100 mA and needs to be very smoothly dimmed. [Leo] looked at the WS2811 LED driver, but found that the low drive current and the 8-bit PWM output failed to tick either of those boxes.

[Leo] solved both problems by using two of the three PWM channels on the chip in concert — one to control the current and one to PWM the LED. The circuit he came up with is deceptively simple — just four transistors, a Schottky diode, and a bunch of passives. The other clever bit is the data interface between LED bars, which can be configured as either single-ended or differential. This allows the same interface to be used for the short distance between bars on a tree, and the longer runs between trees.

As usual, [Leo] does a great job of explaining his design and how it works, which we find very instructional. He did something similar when he managed to dim a non-dimmable LED fixture.

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Responsive Paintings Do It With Heat And Light

July 13, 2021 by Kristina Panos 2 Comments

Art is a conversation, yes. But normally, it’s a short one: the artist makes a statement and the audience responds, each bringing their own interpretations. The hard thing about being an artist is that once you release a piece into the world, it’s sort of bound and gagged in that it can’t defend itself from comments and misinterpretation.

On the other hand, interactive art allows for a longer discussion. Pieces are responsive and no longer mute. But so much of the interactive art out there is purely digital, and lacks a certain analog warmth that comes from physicality. For this year’s Hackaday Prize, [Laura] sought to put a digital interface on an analog visual piece and make paintings that change based on data inputs.

For now, [Laura] is focusing on adding two dynamic elements to her paintings: shifting color and light patterns in response to a viewer’s presence and/or actions using an Arduino and TinyML. For the color changes, [Laura] ended up mixing thermochromic pigment powder with a transparent gel medium.

This was a bit of a journey, because the regular kind of transparent medium came out too runny, and mixing the pigments with white paint made the colors come out lighter than [Laura] wanted and left white behind when heated. But transparent gel medium was just right. You can see the difference in this picture — the colors come out darker with the gel medium, and disappear almost completely with heat.

[Laura] didn’t want to just poke LEDs through the canvas, which in this case is a 1/8″ birch panel. Instead, there’s an RGB matrix shining behind a pair of thin, diffused cutouts filled with thermoplastic.

Check out the video after the break of a painting sketch that uses both techniques. Keep your eye on the purple triangles on the right side, and watch them slowly turn blue in real time as light patterns dance behind the diffused cutouts. Stick around for the second brief video that shows an updated light animation.

We’ve seen many ways of making interactive art, like this Rube Goldberg fairy tale ball maze that you control with your phone.

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High-Tech Paperweight Shows Off Working 60s-era Thin-Film Electronics

July 12, 2021 by Donald Papp 9 Comments

[Ken Shirriff]’s analysis of a fascinating high-tech paperweight created by GE at the height of the space race is as informative as it is fun to look at. This device was created to show off GE’s thin-film electronics technology, and while it’s attractive enough on its own, there’s an added feature: as soon as the paperweight is picked up, it begins emitting a satellite-like rhythmic beep. It is very well-made, and was doubtlessly an impressive novelty for its time. As usual, [Ken] dives into what exactly makes it tick, and shares important history along the way.

Thin-film module with labels, thanks to [Ken]’s vintage electronics detective work. Click to enlarge.

In the clear area of the paperweight is a thin-film circuit, accompanied by a model of an early satellite. The module implements a flip-flop, and the flat conductors connect it to some additional components inside the compartment on the left, which contains a power supply and the necessary parts to create the beeps when it is picked up.

Thin-film electronics reduced the need for individual components by depositing material onto a substrate to form things like resistors and capacitors. The resulting weight and space savings could be considerable, and close-ups of the thin film module sure look like a precursor to integrated circuits. The inside of the left compartment contains a tilt switch, a battery, a vintage earphone acting as a small speaker, and a small block of components connected to the thin-film module. This block contains two oscillators made with unijunction transistors (UJTs); one to create the beep, and one to control each beep’s duration. The construction and overall design of the device is easily recognizable, although some of the parts are now obsolete.

If you’d like a bit more detail on exactly how this device worked, including circuit diagrams and historical context, be sure to click that first link, and pay attention to the notes and references at the end. One other thing that’s clear is that functional electronics embedded in clear plastic shapes simply never go out of style.

Jigsaw Puzzle Lights Up With Each Piece

July 1, 2021 by Bryan Cockfield 5 Comments

Putting the last piece of a project together and finally finishing it up is a satisfying feeling. When the last piece of a puzzle like that is a literal puzzle, though, it’s even better. [Nadieh] has been working on this jigsaw puzzle that displays a fireworks-like effect whenever a piece is placed correctly, using a lot of familiar electronics and some unique, well-polished design.

The puzzle is a hexagonal shape and based on a hexagonally symmetric spirograph, with the puzzle board placed into an enclosure which houses all of the electronics. Each puzzle piece has a piece of copper embedded in a unique location so when it is placed on the board, the device can tell if it was placed properly or not. If it was, an array of color LEDs mounted beneath a translucent diffuser creates a lighting effect that branches across the entire board like an explosion. The large number of pieces requires a multiplexer for the microcontroller, an ATtiny3216.

This project came out of a FabAcademy, so the documentation is incredibly thorough. In fact, everything on this project is open sourced and available on the project page from the code to the files required for cutting out the puzzle pieces and the enclosure. It’s an impressive build with a polish we would expect from a commercial product, and reminds us of an electrified jigsaw puzzle we saw in a previous build.

Thanks to [henk] for the tip!

Robotic Ball-Bouncing Platform Learns New Tricks

June 30, 2021 by Donald Papp 11 Comments

[T-Kuhn]’s Octo-Bouncer platform has learned some new tricks since we saw it last. If you haven’t seen it before, this device uses computer vision from a camera mounted underneath its thick, clear acrylic platform to track a ball in 3D space, and make the necessary (and minute) adjustments needed to control the ball’s movements with a robotic platform in real time.

We loved the Octo-Bouncer’s mesmerizing action when we saw it last, and it’s only gotten better. Not only is there a whole new custom ball detection algorithm that [T-Kuhn] explains in detail, there are also now visualizations of both the ball’s position as well as the plate movements. There’s still one small mystery, however. Every now and again, [T-Kuhn] says that the ball will bounce in an unexpected direction. It doesn’t seem to be a bug related to the platform itself, but [T-Kuhn] has a suspicion. Since contact between the ball and platform is where all the control comes from, and the ball and platform touch only very little during a bounce, it’s possible that bits of dust (or perhaps even tiny imperfections on the ball’s surface itself) might be to blame. Regardless, it doesn’t detract from the device’s mesmerizing performance.

Design files and source code are available on the project’s GitHub repository for those who’d like a closer look. It’s pretty trippy watching the demonstration video because there is so much going on at once; you can check it out just below the page break.

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The Incredible Mechanical Artistry Of François Junod

June 29, 2021 by Danie Conradie 16 Comments

The art of building purely mechanical automatons has dramatically declined with the arrival of electronics over the past century, but there are still a few craftsmen who keep the art form alive. [François Junod] is one of these masters, and the craftsmanship and intricacy on display in his automata is absolutely amazing.

[François]’ creations are all completely devoid of electronics, and are powered either by wound-up springs or weights. The mechanics of the automata are part of the display, and contain a vast array of gears, linkages, belts and tracks. Many of them also include their own soundtrack, which range from simple bells and chimes to complete melodies from mechanized wind instruments, as demonstrated in Le Champignonneur below. He also collaborates with craftsman like jewelers on works like La Fée Ondine, which we thought was CGI when we first saw it in the video after the break.

Very few people have the time, skill and patience to make these creations, but we are glad there are still a few around. Some builds, like [Patelo]’s flightless drone aren’t quite as complex, but are no less inspiring. If you don’t quite have the time and fabrication skills, you can still create mesmerizing automatons with 3D printing like [gzumwalt]. Continue reading “The Incredible Mechanical Artistry Of François Junod” →