Full Color Dot Matrix Is The Art We Need

Fans of 80s-era computer printing technology are few and far between, but Apple’s ImageWriter II was a beast of a printer. This tractor feed dot-matrix printer is nigh-indestructible. The print quality was actually pretty great. It was loud as hell, which is a mark of quality electromechanical components. It could do color, and color dot-matrix art on tractor feed paper is the aesthetic we need. If you’re not convinced yet, you can also take off the perforations from tractor feed paper and make a cool little paper snake.

[Dandu] isn’t one to let things like serial printers and obsolete color dot matrix ribbons get in his way of creating ImageWriter art. A while ago, he printed off some incredible art using some obsolete equipment, and the results are better than what you would expect.

The process for creating full-color art on a dot-matrix printer was to plug the ImageWriter into an old Mac (an LC III in this case, with 12 MB of RAM). Photoshop (version 3.0!) was used to open a JPEG, and MacPallete II used to send the data to the printer. This isn’t a process that prints all the colors all at once; first the yellow is printed, and the tractor feed paper is brought back to the beginning. Then the magenta is printed, then the cyan, then the black. The single page of art took 20 minutes to print, and you can see a sped-up version of this process below.

Yes, the ImageWriter II can print in full color, but who cares about this now? A few people apparently — a company is now remanufacturing ImageWriter II color ribbons — opening the door to retro art for all. Yes, that ImageWriter in your basement still works, so let’s see what you can do with it.

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The Embroidered Computer

By now we’ve all seen ways to manufacture your own PCBs. There are board shops who will do small orders for one-off projects, or you can try something like the toner transfer method if you want to get really adventurous. One thing we haven’t seen is a circuit board that’s stitched together, but that’s exactly what a group of people at a Vienna arts exhibition have done.

The circuit is stitched together on a sheet of fabric using traditional gold embroidery methods for the threads, which function as the circuit’s wires. The relays are made out of magnetic beads, and the entire circuit functions as a fully programmable, although relatively rudimentary, computer. Logic operations are possible, and a functional schematic of the circuit is also provided. Visitors to the expo can program the circuit and see it in operation in real-time.

While this circuit gives new meaning to the term “wearables”, it wasn’t intended to be worn although we can’t see why something like this couldn’t be made into a functional piece of clothing. The main goal was to explore some historic techniques of this type of embroidery, and explore the relationship we have with the technology that’s all around us. To that end, there have been plenty of other pieces of functional technology used as art recently as well, but of course this isn’t the first textile computing element to grace these pages.

Thanks to [Thinkerer] for the tip!

 

Both Explanation And Build For This Artwork Are Beautiful

Sometimes you encounter projects that defy description, as is the case with this one. So perhaps it’s best to start with what this project is NOT. It is not a sphere. It is not a perpetual energy device. It has neither a sloppy build nor a slapdash video. This IS a motorized rhombicuboctahedron that is a well-explained with high-quality parts and loving attention to detail by [Wolfram Glatthar]. At its heart is an exercise in building a moving device with the barest minimum of friction. Without no grinding in the mechanism, the electronics will probably wear out first. Low friction also means low power consumption, and an hour of sunlight can run the device for two-and-a-half days. Take a look at the video below the break.

Along the sides are a balancing ring with threaded screw sockets and the load-bearing magnets which suspend the bulk of the rhombicuboctahedron using repulsion. Everything is stabilized by a ceramic sphere touching a sapphire glass plate for a single point of contact between some seriously tough materials. The clear sapphire furthers the illusion that everything is floating, but genuine magnetic suspension would require much more power.

Acoustic levitation cannot be forgotten as another powered source of floating or you can cheat and use strobe light trickery.

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Years Don’t Dim The Shine Of These Curious Gadgets

[Maarten Tromp] recently took the time to document some of the unusual and creative electronic projects he received as gifts over the years. These gadgets were created in the early 2000’s and still work flawlessly today. Two of our favorites are shown here: Hardware Tetris Unit (shown in the image above) and Heap of Electronic Parts.

The “Heap of Electronic Parts” makes sounds when in sunlight.

Heap of Electronic Parts was a kind of hardware puzzle and certainly lives up to its name. It’s a bunch of parts soldered in a mystifying way to the backs of four old EPROMs — the chips with the little window through which UV is used to erase the contents. Assured that the unit really did have a function, [Maarten] eventually figured out that when placed in sunlight, the device ticks, buzzes, and squeals. [Jeroen] had figured out that the EPROMs could act like tiny solar cells when placed in sunlight, and together the four generate just enough power to drive an oscillator connected to a piezo speaker. It still chirps happily away, even today.

Hardware Tetris plays in a terminal window.

Hardware Tetris Unit was a black box intended to be plugged into a serial port. With a terminal opened using the correct serial port settings, a fully-functional Tetris game using ASCII-art graphics could be played. It was even self-powered from the serial port pins.

Inside Hardware Tetris is an AVR microcontroller with some level shifters, and the source code and schematics are available for download. 14 years later, computers no longer have hardware serial ports but [Maarten] says a USB-to-serial converter worked just fine and the device still functions perfectly.

There are a couple more devices documented on [Maarten]’s gifts page, including a Zork-inspired mini text adventure and a hardware board that does some trippy demos on an old Nokia color LCD.  [Maarten]’s friend [Jeroen Domburg] (aka Sprite_tm) had a hand in creating most of the gadgets, and he’s someone whose brilliant work we have had the good fortune to feature many times in the past.

See How Paper Maché Sculptor Uses Cloth For Tricky Spots

When is paper maché not paper maché? When it is cloth, of course. [Dan Reeder] has been putting his own spin on paper maché art since the 70s and demonstrates the technique of using cloth for tricky spots in his outstanding sculpture of an Ice Dragon. Thin strips of cloth are used just as paper would be, but give a much different structure and grant natural-looking folds to spots like eyelids, nostrils, and lips.

[Dan] feels that paper maché is an under-utilized and under-rated medium, and he puts out some stunning work on his blog as well as his YouTube channel. What’s great to see are his frank descriptions and explanations of what does and doesn’t work, and he’s not afraid to try new things and explore different ways to approach problems.

Enterprising hackers may not pick paper maché as their first choice to create creating custom enclosures, but it can be done and the accessibility and ease of use of the medium are certainly undeniable. One never knows when a tool or technique may come in handy.

‘Bit’ Installation Combines Art, Markov Chains

A Markov chain is a mathematical concept of a sequence of events, in which each future event depends only on the state of the previous events. Like most mathematical concepts, it has wide-ranging applications from gambling to the stock market, but in this case, [Jonghong Park] has applied it to art.

The installation, known simply as ‘bit’, consists of four machines. Each machine has two microswitches, which are moved around two wooden discs by a stepper motor. The microswitches read bumps on the surface of the disc as either a 0 or 1, and the two bits from the microswitches represent the machine’s “state”.

When a machine is called, the stepper motor rotates 1/240th of a revolution, and then the microswitches read the machine’s current state. Based on this state and the Markov Chain algorithm coded into the machines, a machine with the corresponding state is then called, which in turn moves, continuing the chain.

The piece is intended to reflect the idea of a deterministic universe, one in which the current state can be used to predict all future states. As an art piece, it combines its message with a visually attractive presentation of understated black metal and neatly finished wood.

We love a good art installation here at Hackaday – like this amazing snowflake install from a couple years back. Video after the break.

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Young Entrepreneurs Learn What Really Goes Into Making A Product

Just to be clear, the primary goal of the Papas Inventeurs (Inventor Dads) was to have the kids make something, have fun, and learn. In that light, they enjoyed a huge success. Four children designed, made, and sold laser-cut napkin rings from a booth at the Ottawa Maker Faire as a fun learning process (English translation, original link in French.) [pepelepoisson] documented the entire thing from beginning to end with plenty of photos. Things started at proof of concept, then design brainstorming, prototyping, manufacture, booth design, and finally sales. While adults were involved, every step was done by the kids themselves.

It all began when the kids were taken to a local fab lab at the École Polytechnique and made some laser-cut napkin holders from plywood for personal use. Later, they decided to design, manufacture, and sell them at the Ottawa Maker Faire. Money for the plywood came from piggy banks, 23 different designs made the cut, and a total of 103 rings were made. A display board and signs made from reclaimed materials rounded out the whole set.

In the end, about 20% of people who visited and showed interest made a purchase, and 60 of the 103 pieces were sold for a profit of $126. Of course, the whole process also involved about 100 hours of combined work between the kids and parents and use of a laser cutter, so it’s not exactly a recipe for easy wealth. But it was an incredibly enriching experience, at least figuratively, for everyone involved.

Possibly the biggest takeaway was the way manufacturing involved much more than just pressing “GO” on a laser cutter. Some pieces needed sanding after laser cutting, and each piece got two coats of varnish. If you missed it, [Bob Baddeley] showed how labor, and not materials, ends up being the most expensive part of a product.