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This week, the first details of BleedingTooth leaked onto Twitter, setting off a bit of a frenzy. The full details have yet to be released, but what we know is concerning enough. First off, BleedingTooth isn’t a single vulnerability, but is a set of at least 3 different CVEs (Shouldn’t that make it BleedingTeeth?). The worst vulnerability so far is CVE-2020-12351, which appears to be shown off in the video embedded after the break.
From a guitar hacking point of view, the two major parts that are interesting to us are the pickups and the volume/tone control circuit that lets you adjust the sound while playing. Today, I’ll get into the latter part and take a close look at the components involved — potentiometers, switches, and a few other passive components — and show how they function, what alternative options we have, and how we can re-purpose them altogether.
In that sense, it’s time to heat up the soldering iron, get out the screwdriver, and take off that pick guard / open up that back cover and continue our quest for new electric guitar sounds. And if the thought of that sounds uncomfortable, skip the soldering iron and grab some alligator clips and a breadboard. It may not be the ideal environment, but it’ll work.
If you are even a casual Linux user, you probably know how to use grep. Even if you aren’t a regular expression guru, it is easy to use grep to search for lines in a file that match anything from simple strings to complex patterns. Of course, grep is fine for looking, but what if you want to find things and change them. Maybe you want to change each instance of “HackADay” to “Hackaday,” for example. You might use sed, but it is somewhat hard to use. You could use awk, but as a general-purpose language, it seems a bit of overkill for such a simple and common task. That’s the idea behind ripgrep which actually has the command name rg. Using rg, you can do things that grep can do using more modern regular expressions and also do replacements.
A Note on Installing Ripgrep
Your best bet is to get ripgrep from your repositories. When I tried running KDE Neon, it helpfully told me that I could install a version using apt or take a Snap version that was newer. I usually hate installing a snap, but I did anyway. It informed me that I had to add –classic to the install line because ripgrep could affect files outside the Snap sandbox. Since the whole purpose of the program is to change files, I didn’t think that was too surprising, so I did the install.
Modern society has brought us all kinds of wonders, including rapid intercontinental travel, easy information access, and decreased costs for most consumer goods thanks to numerous supply chains. When those supply chains break down as a result of a natural disaster or other emergency, however, the disaster’s effects can be compounded without access to necessary supplies. That’s the focus of Field Ready, a nonprofit that sets up small-scale manufacturing in places without access to supply chains, or whose access has been recently disrupted.
As part of this year’s Hackaday Prize, a each of our four nonprofit partners outline specific needs that became the targets of a design and build challenge. Field Ready was one of those nonprofits, and for the challenge they focused on quality control for their distributed manufacturing system. We took a look at Field Ready back in June to explore some of the unique challenges associated with their work, which included customers potentially not knowing that a product they procured came from Field Ready in the first place, leading to very little feedback on the performance of the products and nowhere to turn when replacements are needed.
The challenge was met by a dream team whose members each received a $6,000 microgrant to work full time on the project. The’ve just made their report on an easier way of tracking all of the products produced, and identifying them even for those not in the organization. As a result, Field Ready has a much improved manufacturing and supply process which allows them to gather more data and get better feedback from users of their equipment. Join us after the break for a closer look at the system and to watch the team’s presentation video.
The piano is a bit of an oddball within the string instrument family. Apart from rarely seeing people carry one around on the bus or use its case to discretely conceal a Tommy Gun, the way the strings are engaged in the first place — by having little hammers attached to each key knock the sound of of them — is rather unique compared to the usual finger or bow movement. Still, it is a string instrument, so it’s only natural to wonder what a piano would sound like if it was equipped with guitar strings instead of piano wire. Well, [Mattias Krantz] went on to actually find out the hard way, and shows the results in this video.
After a brief encounter with a bolt cutter, the point of no return was reached soon on. Now, the average piano has 88 keys, and depending on the note, a single key might have up to three strings involved at once. In case of [Mattias]’ piano — which, in his defense, has certainly seen better days — a total of 210 strings had to be replaced for the experiment. Guitars on the other hand have only six, so not only did he need 35 packs of guitar strings, the gauge and length variety is quite limited on top. What may sound like a futile endeavor from the beginning didn’t get much better over time, and at some point, the strings weren’t long enough anymore and he had to tie them together. Along with some inevitable breakage, he unfortunately ran out of strings and couldn’t finish the entire piano, though it seems he still managed to roughly cover a guitar’s frequency range, so that’s an appropriate result.
We’re not sure if [Mattias] ever expected this to actually work, but it kinda does — there is at least some real sound. Are the results more than questionable though? Oh absolutely, but we have to admire the audacity and perseverance he showed to actually pull through with this. It took him 28 hours just to get the guitar strings on, and another good amount of time to actually get them all in tune. Did it pay off? Well, that depends how you look at it. It definitely satisfied his and other’s curiosity, and the piano produces some really unique and interesting sounds now — but check for yourself in the video after the break. But that might not be for everyone, so luckily there are less final ways to change a piano’s sound. And worst case, you can always just turn it into a workbench.
I can’t remember how exactly I came across the OrbiTouch keyboard, but it’s been on my list to clack about for a long time. Launched in 2003, the OrbiTouch is a keyboard and mouse in one. It’s designed for people who can’t keyboard regularly, or simply want a different kind of experience.
The OrbiTouch was conceived of by a PhD student who started to experience carpal tunnel while writing papers. He spent fifteen years developing the OrbiTouch and found that it could assist many people who have various upper body deficiencies. So, how does it work?
It’s Like Playing Air Hockey with Both Hands
To use this keyboard, you put both hands on the sliders and move them around. They are identical eight-way joysticks or D-pads, essentially. The grips sort of resemble a mouse and have what looks like a special resting place for your pinky.
One slider points to groups of letters, numbers, and special characters, and the other chooses a color from a special OrbiTouch rainbow. Pink includes things like parentheses and their cousins along with tilde, colon and semi-colon. Black is for the modifiers like Tab, Alt, Ctrl, Shift, and Backspace. These special characters and modifiers aren’t shown on the hieroglyphs slider, you just have to keep the guide handy until you memorize the placement of everything around the circle.
You’re gonna need a decent amount of desk space for this. Image via OrbiTouch
The alphabet is divided up into groups of five letters which are color-coded in rainbow order that starts with orange, because red is reserved for the F keys. So for instance, A is orange, B is yellow, C is green, D is blue, E is purple, then it starts back over with F at orange. If you wanted to type cab, for instance, you would start by moving the hieroglyph slider to the first alphabet group and the color slider to green.
You’re sitting at your bench, surrounded by the tools of the trade — meters and scopes, power supplies and hand tools, and a well-stocked parts bin. Your breadboard is ready, your fingers are itching to build, and you’ve got everything you need to get started, but — nothing happens. Something is missing, and if you’re like many of us, it’s the one thing you can’t get from eBay or Amazon: the creative spark that makes innovation happen.
Creativity is one of those things that’s difficult to describe, and is often noticed most when it’s absent. Hardware hacking requires great buckets of creativity, and it’s not always possible to count on it being there exactly when it’s called for. It would be great if you could somehow reduce creativity to practice and making it something as easy to source for every project as any other commodity.
His projects, though, aren’t the whole story here: it’s his process that we’re going to discuss. Leo joins us for this Hack Chat to poke at the creative process and see what can be done to remain rigorous and systematic in your approach but still make the process creative and flexible. Join us with your questions about finding the inspiration you need to turn parts and skills into finished projects that really innovate.
Click that speech bubble to the right, and you’ll be taken directly to the Hack Chat group on Hackaday.io. You don’t have to wait until Wednesday; join whenever you want and you can see what the community is talking about.
