Portable PI Powered Music Player

January 9, 2022 by Matthew Carlson 14 Comments

There was a brief time in the early 2000s when we carried cellphones, wallets, keys, and a bespoke digital media player loaded with a small selection of our music libraries. Devices like iPods, Zunes, Sandisk Sansa, and iRiver. Then as cell phones gained more storage and processing power, the two devices became one, and audio players slipped to obscurity as sports accessories. Perhaps in that vein, [BalderDragonSlayer] made his own Raspberry Pi-powered media player.

The device was cobbled together using a Raspberry Pi Zero, an Adafruit OLED bonnet, a LiPo charger, and a cheap USB DAC. The interface software is written in python, which has all your usual player controls, using the directional joystick and two pushbuttons on the bonnet. DietPi is a slimmed-down Linux that offers an impressively fast boot time, which is why it was picked for this project. The case was a simple project case with some holes dremeled into the face for the screen and buttons.

It is a wonderful little project that seems wonderful for walks in the park. This isn’t the first Pi-powered media player we’ve seen before. But we’re hoping we see more in the future.

A CMOS Ring Modulator Pedal

December 24, 2021 by Jenny List 9 Comments

Earlier this year, we featured an unusual radio receiver that took the very traditional superhetrodyne design and implemented it in an unexpected fashion without any inductors, using instead a combination of 74HC logic chips and op-amps. Its designer [acidbourbon] remarks that the circuit bears a striking resemblance to a ring modulator,so has taken it down that path by producing a 74HC based ring modulator guitar pedal.

In both circuits, a 74HC4046 phase-locked loop chip serves as an oscillator, driving a 74HC4051 analogue switch chip that performs the mixer task. The extra-op-amp filter and demodulator circuitry from the radio is omitted, and the oscillator frequency moved down to the audio range. The result can be heard in the video, and we probably agree with him that it’s not quite the same as a classic ring modulator. This lies in the type of mixer, the diodes used in a traditional circuit have a forward voltage to overcome before they start or end conducting, while the CMOS switch chip does so immediately on command.

The 4000 series CMOS and their descendants are a fascinating family with many unexpected properties that our colleague Elliot Williams has gone into detail with for his Logic Noise series. Meanwhile take a look at our coverage of the original radio.

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DIY bagpipe made from a latex glove and some straws.

Ring In The New Year With DIY Bagpipes

December 23, 2021 by Kristina Panos 14 Comments

Remember early on in the pandemic when people would don protection just short of a full hazmat suit to go out, and wore rubber gloves to the grocery store? Was that just us? The point is, we are surely not alone in having an excess of latex gloves left over, and pitifully few uses for them aside from the usual — gross jobs around the house, and making hand-shaped ice cubes.

Well, here’s something a little more fun: DIY bagpipes. No matter how you feel about the sounds they produce, the way that bagpipes work is pretty interesting. In the video embedded after the break, [Charlie Engelman] shows us how they work and compares them to saxophonist Kenny G’s little jazz mouth.

See, Mr. G can circular breathe, which means he can hold a note for as long as he wants. Basically, he is able to keep a reserve of air in his mouth for playing the thing, while at the same time inhaling new air.

If we bring this back around to bagpipes, the bladder is akin to Kenny G’s mouth. It always contains air, so it perpetually releases air through the sound pipes that stick up. In the case of the glove pipe, the glove is the bladder, and the pipes are made of drinking straws. Check it out after the break — we think the sound is far more tolerable than real bagpipes.

We’ve seen bagpipes made from common household items before (if you consider a couple of plastic recorders to be common household items), and we’ve also seen real bagpipes go electromechanical.

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Active Pickguard Makes For A Great Guitar Mod

December 13, 2021 by Lewin Day 6 Comments

Much discussion goes on in the guitar world about the best hardware to use. Whether its pickups, how they’re positioned, or even the specific breed of wood on the fretboard, it’s all up for debate. [Eli Hughes] put much of that to one side, however, with his innovative “Active Pickguard” project.

The project reimagines the electronics of an electric guitar from the ground up. Instead of typical electromagnetic pickups, six individual piezo pickups are built into the bridge – one for each individual string. The outputs of these pickups is conditioned and then read by the analog-to-digital converter of a Freescale Kinetis K40. The DSP-capable chip can then be used to apply all manner of effects. [Eli] demonstrates the guitar providing an uncanny imitation of an acoustic guitar, before demonstrating jazz and overdrive tones as well.

The Kinetis chip also features touch-sensitive inputs, which [Eli] put to good use. All the hardware is built into a pickguard-shaped PCB, complete with touch controls for things like volume, tone, and choosing different DSP patches.

Unlike a regular guitar, this one needs a power supply, which it gets via a CAT 6 cable, in place of the usual 1/4″ guitar cable. The CAT 6 also carries audio out to a converter box which allows the audio to be output to a regular guitar amplifier.

It’s a neat build, and one that shows just how modern technology can reimagine a simple 20th-century instrument. DSP really is magic, after all. Video after the break.

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DIY Analog Synth Looks Like Fun

December 10, 2021 by Rich Hawkes 11 Comments

The relative ease of building the individual components that make up an analog synth make it very tempting to DIY your own. That’s what [Albert Nyström] did and the result is this great looking, and great sounding, analog synth.

The VCOs in his monosynth are based around the AS3340 VCO chip, which is a clone of the Curtis Electromusic Specialties‘ CEM3340 chip (used in machines such as the Oberheim OB-Xa, the Roland Jupiter-6, and the Sequential Circuits Prophet-5 among others.) The voltage controlled filters are based on Moritz Klein’s VACTROL based VCF circuits, and the envelopes based on Thomas Henry’s 555 envelope circuits (Google searches will dig those up pretty quickly, as well as schematics for builds using the CEM chip.) Finally, the keyboard is a donor from an Arturia Keystep. While there are no step-by-step build instructions, or a schematic, we do have some info about the instrument. As you can see from some of the gut shots, it should be fairly easy to figure how [Albert] has put everything together. Or not.

Even if the internals are a bit wild, the end result is a great looking monophonic synth that does pretty much everything you’d need. If you feel the itch to wire a bunch of components together and make one yourself, there are messier ways to go about it. Or maybe you’d prefer to go the digital route? Either way, synths are a ton of fun to build and to play.

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Modern Features In Classic Radio

December 7, 2021 by Bryan Cockfield 53 Comments

As consumer electronics companies chase profits on tighter and tighter margins, it seems like quality is continually harder to find for most average consumer-grade products. Luckily, we don’t have to hunt through product reviews to find well-built merchandise since we have the benefit of survivorship bias to help us identify quality products from the past that have already withstood the test of time. [Tom] has forever been fond of this particular Sony TV/radio combo from the ’70s so he finally found one and set about modernizing it in a few key ways.

Among the modifications to this 1978 Sony FX-300 include the addition of a modern color display, Bluetooth, an upgraded FM radio, and a microphone. At the center of all of this new hardware is a Teensy 4 which [Tom] has found to be quite powerful and has enough capabilities to process the audio that’s being played in order to make visual representations of the sound on the screen. He also implemented a bitcrusher filter and integrated it into the controls on the original hardware. He’s using an optimized version of this library to cram all of that processing ability into such a small chip, and the integration of all this new hardware is so polished that it looks like it could be an original Sony stereo from the modern era.

While some may complain about restomod-type builds like this, we don’t really see any need to be arbitrarily or absolutely faithful to bygone eras even if the original hardware was working properly in the first place. What works is taking the proven technology of the past and augmenting it with modern features to enjoy the best of both worlds. Much like this hi-fi stereo which blends the styles and technology of the 90s with that of the 60s in an equally impressive way.

Guitar Pickguard Adds MIDI Capabilities

December 6, 2021 by Bryan Cockfield 1 Comment

For a standard that has been in use since the 1980s, MIDI is still one of the most dominant forces on the musical scene even today. It’s fast, flexible, and offers a standard recognized industry-wide over many different types of electronic instruments. Even things which aren’t instruments can be turned into musical devices like the infamous banana keyboard via the magic of MIDI, and it also allows augmentation of standard instruments with other capabilities like this guitar with a MIDI interface built into the pick guard.

[Ezra] is the creator of this unique musical instrument which adds quite a few capabilities to his guitar. The setup is fairly straightforward: twelve wires run to the pick guard which are set up as capacitive sensors and correspond with a note on the chromatic scale. Instead of using touchpads, using wires allows him to bend away the “notes” that he doesn’t need for any particular piece of music. The wires are tied back to an Adafruit Feather 32u4 microcontroller behind the neck of the guitar which also has a few selectors for changing the way that the device creates tones. He can set the interface to emit single notes or continuously play notes, change the style, can change their octave, and plenty of other features as well.

One of the goals of this project was to increase a guitar player’s versatility when doing live performances, and we would have to agree that this gives a musician a much wider range of abilities without otherwise needing a lot of complex or expensive equipment on stage. We’ve seen a few other MIDI-based builds focused on live performances lately, too, like this one which allows a band to stay in sync with each other.

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