Musical Hacks

1374 Articles

Modified Uke Keeps The Beat With A Solenoid

December 2, 2017 by 13 Comments

A classic one-man band generally features a stringed instrument or two, a harmonica in a hands-free holder, and some kind of percussion, usually a bass drum worn like a backpack and maybe some cymbals between the knees. The musician might also knock or tap the sound-boards of stringed instruments percussively with their strumming hand, which is something classical and flamenco guitarists can pull off with surprising range.

The musician usually has to manipulate each instrument manually. When it comes to percussion, [JimRD] has another idea: keep the beat by pounding the soundboard with a solenoid. He built a simple Arduino-driven MOSFET circuit to deliver knocks of variable BPM to the sound-board of a ukulele. A 10kΩ pot controls the meter and beat frequency, and the sound is picked up by a mic on the bridge. So far, it does 3/4 and 4/4 time, but [JimRD] has made the code freely available for expansion. Somebody make it do 5/4, because we’d love to hear [JimRD]  play “Take Five“.

He didn’t do this to his good uke, mind you—it’s an old beater that he didn’t mind drilling and gluing. We were a bit skeptical at first, but the resonance sweetens the electromechanical knock of the solenoid slug. That, and [JimRD] has some pretty good chops. Ax your way past the break to give it a listen.

Got a cheap ukulele but don’t know how to play it? If you make flames shoot out from the headstock, that won’t matter as much. No ukes? Just print one.

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Swarm Of Servos Plays This Robotic Glockenspiel

November 23, 2017 by 7 Comments

It’s the happiest sounding instrument in the marching band, and it’s got the best name to boot. It’s the glockenspiel, and if this robotic glockenspiel has anything to say about it, the days of human glockenspielists are numbered.

In its present prototype form, [Averton Engineering]’s “Spielatron” looks a little like something from a carousel calliope or an animatronic pizza restaurant band. Using a cast-off glockenspiel from a school music room as a base, the Spielatron uses four mallets to play all the notes. Each key is struck by a mallet secured to a base made of two servos. For lack of more descriptive mallet terminology, these servos provide pan and tilt so the mallet can strike the proper keys. The video below shows the Spielatron’s first recital.

An Arduino runs the servos and a MIDI interface; unfortunately, this version can’t play chords and is a little limited on note length, but upgrades are on the way. We’ve seen a robotic glockenspiel before with a similar design that might have some ideas for increasing performance. But if you’re looking for a more sublime sound, check out this dry ice-powered wind chime.

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Pocket Woodwind MIDI Controller Helps You Carry A Tune

November 13, 2017 by 9 Comments

It’s easy to become obsessed with music, especially once you start playing. You want to make music everywhere you go, which is completely impractical. Don’t believe me? See how long you can get away with whistling on the subway or drumming your hands on any number of bus surfaces before your fellow passengers revolt. There’s a better way, and that way is portable USB MIDI controllers.

[Johan] wanted a pocket-sized woodwind MIDI controller, but all the existing ones he found were too big and bulky to carry around. With little more than a Teensy and a pressure sensor, he created TeensieWI.  It uses the built-in cap sense library to read input from the copper tape keys, generate MIDI messages, and send them over USB or DIN. Another pair of conductive pads on the back allow for octave changes. [Johan] later added a PSP joystick to do pitch bends, modulation, and glide. This is a simple build that creates a versatile instrument.

You don’t actually blow air into the mouthpiece—just let it escape from the sides of your mouth instead. That might take some getting used to if you’ve developed an embouchure. The values are determined by a pressure sensor that uses piezoresistivity to figure out how hard you’re blowing. There’s a default breath response value that can be configured in the settings.

TeensiWI should be easy to replicate or remix into any suitable chassis, though the UV-reactive acrylic looks pretty awesome. [Johan]’s documentation on IO is top-notch and includes a user guide with a fingering chart. For all you take-my-money types out there, [Johan] sells ’em ready to rock on Tindie. Check out the short demo clips after the break.

We saw a woodwind MIDI controller a few years ago that was eventually outfitted with an on-board synthesizer. Want to build a MIDI controller ? , like this beautiful build that uses hard drive platters as jog wheels.

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Key-tar Lets You Jam At The Hackerspace

November 8, 2017 by 4 Comments

We’ve seen our share of stepper motors making music, but [Tanner Tech’s] key-tar takes it to a whole new level. Incorporating an acoustic drum to accentuate the stepper motor sounds and a preamp to feed a guitar amplifier, the key-tar is a fully playable instrument.

Moving the stepper via an Arduino at different speeds creates different notes. The user interface is an old PC keyboard. Apparently, [Tanner] recycled most of the parts in his model. The stepper came from an old printer and the keyboard was a dumpster rescue.

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A Passive Mixer’s Adventure Through Product Development

October 25, 2017 by 21 Comments

The year was 2014, and KORG’s volca line of pint-sized synthesizers were the latest craze in the music world. Cheap synths and drum machines were suddenly a reality, all in a backpack-friendly form factor. Now practically anyone could become an electronic music sensation!

I attended a jam with friends from my record label, and as was the style at the time, we all showed up with our latest and greatest gear. There was the microKORG, a MiniNova, and a couple of guitars, but all attention was on the volcas, which were just so much fun to pick up and play with.

There was just one problem. Like any game-changing low-cost hardware, sacrifices had been made. The volcas used 3.5mm jacks for audio and sync pulses, and the initial lineup came with a bassline, lead, and drum synth. Syncing was easy, by daisy chaining cables between the boxes, but if you wanted to record or mix, you’d generally need to stack adapters to get your signals in a more typical 6.5mm TS format used by other music hardware.

After mucking around, I did some research on what other people were doing. Most were suffering just like we were, trying to patch these little machines into full-sized mixing desks. It seemed like overkill — when you just want to muck around, it’s a bit much to drag out a 24 channel powered mixer. I wanted a way to hook up 3 of these machines to a single set of headphones and just groove out.

To solve this problem, we needed a mixer to match the philosophy of the volcas; simple, accessible, and compact. It didn’t need to be gold-plated or capable of amazing sonic feats, it just had to take a few 3.5mm audio sources, and mix them down for a pair of headphones.

I’d heard of people using headphone splitters with mixed results, and it got me thinking about passive mixing. Suddenly it all seemed so clear — I could probably get away with a bunch of potentiometers and some passives and call it a day! With a friend desperate to get their hands on a solution, I decided to mock up a prototype and took it round to the studio to try out.

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The Grafofon: An Optomechanical Sequencer

October 23, 2017 by 4 Comments
There are quick hacks, there are weekend projects and then there are years long journeys towards completion.  [Boris Vitazek]’s grafofon falls into the latter category. His creation can best be described as electromechanical sequencer synthesizer with a multiplayer mode.
The storage medium and interface for this sequencer is a thirteen-meter loop of paper that is mounted like a conveyor belt. Music is composed by drawing on the paper or placing objects on it. This is usually done by the audience and the fact that the marker isn’t erased make the result collaborative and incremental.
 These ‘scores’ are read by a camera and interpreted by software.This is a very vague description of this device, for a reason: the build went on over six years and both hard- and software went through several revisions in that time. It started as a trigger for MIDI notes and evolved from there.
In his write up [Boris] explains the technical aspects of each iteration. He also tells the stories of the people he met while working on the grafofon and how they influenced the build. If this look into the art world reminds you of your local hackerspace, it is because these worlds aren’t that far apart.

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MIDI And A Real Vox Humana Come To A Century-Old Melodeon

October 15, 2017 by 6 Comments

A hundred years or more of consumer-level recorded music have moved us to a position in which most of us unconsciously consider music to be a recorded rather than live experience. Over a century ago this was not the case, and instead of a hi-fi or other device, many households would have had some form of musical instrument for their own entertainment. The more expensive ones could become significant status symbols, and there was a thriving industry producing pianos and other instruments for well-to-do parlours everywhere.

One of these parlour instruments came the way of [Alec Smecher], a pump organ, also known as a harmonium, or a melodeon. He’s carefully added a MIDI capability to it, and thus replaced its broken “Vox Humana” tremolo effect intended as a 19th century simulation of a choir, with a set of genuine human sounds. There is an almost Monty Python quality to his demonstration of this real Vox Humana, as you can see in the video below.

Lest you think though that he’s gutted the organ in the process of conversion, be rest assured that this is a sensitively applied piece of work. A microswitch has been placed beneath each key, leaving the original mechanism intact and working. An Arduino Leonardo has the microswitches multiplexed into a matrix similar to a keyboard, and emulates a USB MIDI device. It’s fair to say that it therefore lacks the force sensitivity you might need to emulate a piano, but it does result in rather an attractive MIDI instrument that also doubles as a real organ.

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