Give Us One Manual For Normies, Another For Hackers

December 2, 2025 by Zoe Skyforest 67 Comments

We’ve all been there. You’ve found a beautiful piece of older hardware at the thrift store, and bought it for a song. You rush it home, eager to tinker, but you soon find it’s just not working. You open it up to attempt a repair, but you could really use some information on what you’re looking at and how to enter service mode. Only… a Google search turns up nothing but dodgy websites offering blurry PDFs for entirely the wrong model, and you’re out of luck.

These days, when you buy an appliance, the best documentation you can expect is a Quick Start guide and a warranty card you’ll never use. Manufacturers simply don’t want to give you real information, because they think the average consumer will get scared and confused. I think they can do better. I’m demanding a new two-tier documentation system—the basics for the normies, and real manuals for the tech heads out there.

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Why Do We Love Weird Old Tech?

November 22, 2025 by Elliot Williams 72 Comments

One of our newer writers, [Tyler August], recently wrote a love letter to plasma TV technology. Sitting between the ubiquitous LCD and the vanishing CRT, the plasma TV had its moment in the sun, but never became quite as popular as either of the other display techs, for all sorts of reasons. By all means, go read his article if you’re interested in the details. I’ll freely admit that it had me thinking that I needed a plasma TV.

I don’t, of course. But why do I, and probably a bunch of you out there, like old and/or odd tech? Take [Tyler]’s plasma fetish, for instance, or many people’s love for VFD or nixie tube displays. At Supercon, a number of people had hit up Apex Electronics, a local surplus store, and came away with some sweet old LED character displays. And I’ll admit to having two handfuls of these displays in my to-hack-on drawer that I bought surplus a decade ago because they’re so cute.

It’s not nostalgia. [Tyler] never had a plasma growing up, and those LED displays were already obsolete before the gang of folks who had bought them were even born. And it’s not simply that it’s old junk – the objects of our desire were mostly all reasonably fancy tech back in their day. And I think that’s part of the key.

My theory is that, as time and tech progresses, we see these truly amazing new developments become commonplace, and get forgotten by virtue of their ever-presence. For a while, having a glowing character display in your car stereo would have been truly futuristic, and then when the VFD went mainstream, it kind of faded into our ambient technological background noise. But now that we all have high-res entertainment consoles in our cars, which are frankly basically just a cheap tablet computer (see what I did there?), the VFD becomes an object of wonder again because it’s rare.

Which is not to say that LCD displays are anything short of amazing. Count up the rows and columns of pixels, and multiply by three for RGB, and that’s how many nanoscale ITO traces there are on the screen of even the cheapest display these days. But we take it for granted because we are surrounded by cheap screens.

I think we like older, odder tech because we see it more easily for the wonder that it is because it’s no longer commonplace. But that doesn’t mean that our current “boring” tech is any less impressive. Maybe the moral of the story is to try to approach and appreciate what we’ve got now with new eyes. Pretend you’re coming in from the future and finding this “old” gear. Maybe try to figure out how it must have worked.

In Praise Of Plasma TVs

November 18, 2025 by Tyler August 43 Comments

I’m sitting in front of an old Sayno Plasma TV as I write this on my media PC. It’s not a productivity machine, by any means, but the screen has the resolution to do it so I started this document to prove a point. That point? Plasma TVs are awesome.

Always the Bridesmaid, Never the Bride

An Egyptian god might see pixels on an 8K panel, but we puny mortals won’t. Image “Horus Eye 2” by [Jeff Dahl]

The full-colour plasma screens that were used as TVs in the 2000s are an awkward technological cul-de-sac. Everyone knows and loves CRTs for the obvious benefits they offer– bright colours, low latency, and scanlines to properly blur pixel art. Modern OLEDs have more resolution than the Eye of Horus, never mind your puny human orbs, and barely sip power compared to their forbearers. Plasma, though? Not old enough to be retro-cool, not new enough to be high-tech, plasma displays are sadly forgotten.

It’s funny, because I firmly believe that without plasma displays, CRTs would have never gone away. Perhaps for that I should hate them, but it’s for the very reasons that Plasma won out over HD-CRTs in the market place that I love them.

What You Get When You Get a Plasma TV

I didn’t used to love Plasma TVs. Until a few years ago, I thought of them like you probably do: clunky, heavy, power-hungry, first-gen flatscreens that were properly consigned to the dustbin of history. Then I bought a house.

The house came with a free TV– a big plasma display in the basement. It was left there for two reasons: it was worthless on the open market and it weighed a tonne. I could take it off the wall by myself, but I could feel the ghost of OSHA past frowning at me when I did. Hauling it up the stairs? Yeah, I’d need a buddy for that… and it was 2020. By the time I was organizing the basement, we’d just gone into lockdown, and buddies were hard to come by. So I put it back on the wall, plugged in my laptop, and turned it on.

I was gobsmacked. It looked exactly like a CRT– a giant, totally flat CRT in glorious 1080p. When I stepped to the side, it struck me again: like a CRT, the viewing angle is “yes”. Continue reading “In Praise Of Plasma TVs” →

“AI, Make Me A Degree Certificate”

November 10, 2025 by Jenny List 139 Comments

One of the fun things about writing for Hackaday is that it takes you to the places where our community hang out. I was in a hackerspace in a university town the other evening, busily chasing my end of month deadline as no doubt were my colleagues at the time too. In there were a couple of others, a member who’s an electronic engineering student at one of the local universities, and one of their friends from the same course. They were working on the hardware side of a group project, a web-connected device which with a team of several other students, and they were creating from sensor to server to screen.

I have a lot of respect for my friend’s engineering abilities, I won’t name them but they’ve done a bunch of really accomplished projects, and some of them have even been featured here by my colleagues. They are already a very competent engineer indeed, and when in time they receive the bit of paper to prove it, they will go far. The other student was immediately apparent as being cut from the same cloth, as people say in hackerspaces, “one of us”.

They were making great progress with the hardware and low-level software while they were there, but I was saddened at their lament over their colleagues. In particular it seemed they had a real problem with vibe coding: they estimated that only a small percentage of their classmates could code by hand as they did, and the result was a lot of impenetrable code that looked good, but often simply didn’t work.

I came away wondering not how AI could be used to generate such poor quality work, but how on earth this could be viewed as acceptable in a university.
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Share Your Projects: Imperfectionism

November 6, 2025 by Arya Voronova 39 Comments

Everyone has a standard for publishing projects, and they can get pretty controversial. We see a lot of people complain about hacks embedded in YouTube videos, social media threads, Discord servers, Facebook posts, IRC channels, different degrees of open-sourcing, licenses, searchability, and monetization. I personally have my own share of frustrations with a number of these factors.

It’s common to believe that hacking as a culture doesn’t thrive until a certain set of conditions is met, and everyone has their own set of conditions in mind. My own dealbreaker, as you might’ve seen, is open-sourcing of code and hardware alike – I think that’s a sufficiently large barrier for hacking being repeatable, and repeatability is a big part of how hacking culture spreads.

This kind of belief is often self-limiting. Many people believe that their code or PCB source file is not a good contribution to hacking culture unless it meets a certain cleanliness or completeness standard. This is understandable, and I do that, too.

Today, I’d like to argue against my own view, and show how imperfect publishing helps build hacking culture despite its imperfections. Let’s talk about open-source in context of 3D printing.

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Exploding The Mystical Craftsman Myth

October 27, 2025 by Jenny List 85 Comments

As a Hackaday writer, I see a lot of web pages, social media posts, videos, and other tips as part of my feed. The best ones I try to bring you here, assuming of course that one of my ever-vigilant colleagues hasn’t beaten me to it. Along the way I see the tropes of changing content creator fashion; those ridiculous pea-sized hand held microphones, or how all of a sudden everything has to be found in the woods. Some of them make me laugh, but there’s one I see a lot which has made me increasingly annoyed over the years. I’m talking of course about the craftsman myth.

No. The Last True Nuts And Bolts Are Not Being Made In Japan

If you don’t recognise the craftsman myth immediately, I’m sure you’ll be familiar with it even if you don’t realise it yet. It goes something like this: somewhere in Japan (or somewhere else perceived as old-timey in online audience terms like Appalachia, but it’s usually Japan), there’s a bloke in a tin shed who makes nuts and bolts.

But he’s not just any bloke in a tin shed who makes nuts and bolts, he’s a special master craftsman who makes nuts and bolts like no other. He’s about 120 years old and the last of a long line of nut and bolt makers entrusted with the secrets of nut and bolt making, father to son, since the 8th century. His tools are also mystical, passed down through the generations since they were forged by other mystical craftsmen centuries ago, and his forge is like no other, its hand-cranked bellows bring to life a fire using only the finest cedar driftwood charcoal. The charcoal is also made by a 120 year old master charcoal maker Japanese bloke whose line stretches back to the n’th century, yadda yadda. And when Takahashi-san finally shuffles off this mortal coil, that’s it for nuts and bolts, because the other nuts and bolts simply can’t compare to these special ones. Continue reading “Exploding The Mystical Craftsman Myth” →