music

453 Articles

Extremely Rare Electric Piano Restoration

December 11, 2025 by 13 Comments

Not only are pianos beautiful musical instruments that have stood the test of many centuries of time, they’re also incredible machines. Unfortunately, all machines wear out over time, which means it’s often not feasible to restore every old piano we might come across. But a few are worth the trouble, and [Emma] had just such a unique machine roll into her shop recently.

What makes this instrument so unique is that it’s among the first electric pianos to be created, and one of only three known of this particular model that survive to the present day. This is a Vivi-Tone Clavier piano which dates to the early 1930s. In an earlier video she discusses more details of its inner workings, but essentially it uses electromagnetic pickups like a guitar to detect vibrations in plucked metal reeds.

To begin the restoration, [Emma] removes the action and then lifts out all of the keys from the key bed. This instrument is almost a century old so it was quite dirty and needed to be cleaned. The key pins are lubricated, then the keys are adjusted so that they all return after being pressed. From there the keys are all adjusted so that they are square and even with each other. With the keys mostly in order, her attention turns to the action where all of the plucking mechanisms can be filed, and other adjustments made. The last step was perhaps the most tedious, which is “tuning” the piano by adjusting the pluckers so that all of the keys produce a similar amount or volume of sound, and then adding some solder to the reeds that were slightly out of tune.

With all of those steps completed, the piano is back in working order, although [Emma] notes that since these machines were so rare and produced so long ago there’s no real way to know if the restoration sounds like what it would have when it was new. This is actually a similar problem we’ve seen before on this build that hoped to model the sound of another electric instrument from this era called the Luminaphone.

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A Touchscreen MIDI Controller For The DIY Set

December 7, 2025 by 6 Comments

MIDI controllers are easy to come by these days. Many modern keyboards have USB functionality in this regard, and there are all kinds of pads and gadgets that will spit out MIDI, too. But you might also like to build your own, like this touchscreen design from [Nick Culbertson].

The build takes advantage of a device colloquially called the Cheap Yellow Display. It consists of a 320 x 240 TFT touchscreen combined with a built-in ESP32-WROOM-32, available under the part number ESP32-2432S028R.

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The PDP-1 Can Sound Hauntingly Beautiful

October 21, 2025 by 13 Comments

The chiptune music scene is largely rooted in the sounds of the original Nintendo Game Boy and the Commodore 64, while still welcoming a wide range of other hardware under its general umbrella. Still, few chip musicians show up to a gig hauling a PDP-1. That’s perhaps a shame, given that the 1950s era machine can produce beautiful music—as demonstrated by [Peter Samson] and [Joe Lynch].

The video demonstration was recorded at the Computer History Museum in Mountain View, California. [Peter Samson] is operating the PDP-1, which is running the Harmony Compiler—which allows the machine to play four individual voices. This is achieved by taking advantage of the PDP-1’s program flags, which are visible as six light bulbs on the control panel. Instructions can be used to turn these bulbs on and off. The Harmony Compiler works by switching the bulbs on and off fast enough to create audible square waves when the light bulb outputs are wired to a simple audio amplifier.

Using Harmony Compiler, [Joe] and [Peter] worked together to transcribe the song Olson by Boards of Canada to play on the PDP-1. The song is encoded on paper tape, and fed into the machine—which dutifully plays back the hauntingly beautiful melody.

If you’re interested in the code that achieved this, it’s blessedly available via Github. If you love stories about old computers playing music, we’ve got those too. Video after the break.

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Bringing Bluetooth To The Zune

September 27, 2025 by 10 Comments

The Zune might have joined the portable media player game too late to ever really be competition for the iPod, but that doesn’t mean it didn’t pick up some devoted fans along the way. Some of them are still breathing new life into the device, such as [The Director of Legal Evil Emeritus] at the Louisville Hackerspace, with this project that gives it Bluetooth capability.

As far as media players go, there’s still some solid reasons to rock a Zune. Compared to other devices of the era, it offers a better DAC, an FM tuner, and no iTunes reliance. The goal of this project was to bring a bit of modern functionality without having to do any modification of the Zune itself. As the player supported docks with IR remotes, this build involves using an ESP32 to listen to the Bluetooth signal coming from the speakers, interpret any button presses, and forward them along to the Zune’s dock.

There is a dedicated scene for these old music players, but this build is unique for not needing to crack open the case and splice in a Bluetooth module. Even then, those typically don’t have the ability to interact with things like this speaker with its integrated control buttons.

We don’t often seen Zune hacks come our way — the last time Microsoft’s player graced these pages was in 2010, when the Open Zune Development Kit was released.

Thanks to [JAC_101] for the tip!

Give Your Band The Music Of The Bands

September 18, 2025 by 3 Comments

The way to get into radio, and thence electronics, in the middle years of the last century, was to fire up a shortwave receiver and tune across the bands. In the days when every country worth its salt had a shortwave station, Cold War adversaries boomed propaganda across the airwaves, and even radio amateurs used AM that could be listened to on a consumer radio, a session in front of the dial was sure to turn up a few surprises. It’s a lost world in the 21st century, as the Internet has provided an easier worldwide medium and switch-mode power supplies have created a blanket of noise. The sounds of shortwave are thus no longer well known to anyone but a few enthusiasts, but that hasn’t stopped [gnd buzz] investigating their potential in electronic music.

There’s very little on the air which couldn’t be used in some form by the musician, but the samples are best used as the base for further processing. One example takes a “buzzer” signal and turns it into a bass instrument. The page introduces the different types of things which can be found on the bands, for which with the prevalence of WebSDRs there has never been a lower barrier to entry.

If you’re too young to have scanned the bands, a capable receiver can now be had for surprisingly little.

Radio dial header: Maximilian Schönherr, CC BY-SA 3.0.

Rediscovering Microsoft’s Oddball Music Generator From The 1990s

August 14, 2025 by 8 Comments

There has been a huge proliferation in AI music creation tools of late, and a corresponding uptick in the number of AI artists appearing on streaming services. Well before the modern neural network revolution, though, there was an earlier tool in this same vein. [harke] tells us all about Microsoft Music Producer 1.0, a forgotten relic from the 1990s.

The software wasn’t ever marketed openly. Instead, it was a part of Microsoft Visual InterDev, a web development package from 1997. It allowed the user to select a style, a personality, and a band to play the song, along with details like key, tempo, and the “shape” of the composition. It would then go ahead and algorithmically generate the music using MIDI instruments and in-built synthesized sounds.

As [harke] demonstrates, there are a huge amounts of genres to choose from. Pick one, and you’ll most likely find it sounds nothing like the contemporary genre it’s supposed to be recreating. The more gamey genres, though, like “Adventure” or “Chase” actually sound pretty okay. The moods are hilariously specific, too — you can have a “noble” song, or a “striving” or “serious” one. [harke] also demonstrates building a full song with the “7AM Illusion” preset, exporting the MIDI, and then adding her own instruments and vocals in a DAW to fill it out. The result is what you’d expect from a composition relying on the Microsoft GS Wavetable synth.

Microsoft might not have cornered the generative music market in the 1990s, but generative AI is making huge waves in the industry today.

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A Modern Version Of Famous, Classic Speaker

July 25, 2025 by 12 Comments

Modern musicians may take for granted that a wide array of musical instruments can either be easily connected to a computer or modeled entirely in one, allowing for all kinds of nuanced ways of creating unique sounds and vivid pieces of music without much hardware expense. Not so in the 1930s. Musicians of the time often had to go to great lengths to generate new types of sounds, and one of the most famous of these was the Leslie speaker, known for its unique tremolo and vibrato. Original Leslies could cost thousands now, though, so [Levi Graves] built a modern recreation.

The Leslie speaker itself got its characteristic sound by using two speakers. The top treble speaker was connected to a pair of horns (only one of which produced sound, the other was used for a counterweight) on a rotating platform. The second speaker in the bottom part of the cabinet faced a rotating drum. Both the horns and drum were rotated at a speed chosen by the musician and leading to its unique sound. [Levi] is actually using an original Leslie drum for his recreation but the sound is coming out of a 100-watt “mystery” speaker, with everything packaged neatly into a speaker enclosure. He’s using a single-speed Leslie motor but with a custom-built foot switch can employ more fine-tuned control over the speed that the drum rotates.

Even though modern technology allows us to recreate sounds like this, often the physical manipulation of soundwaves like this created a unique feeling of sound that can’t be replicated in any other way. That’s part of what’s driven the popularity of these speakers throughout the decades, as well as the Hammond organs they’re often paired with. The tone generators on these organs themselves are yet another example of physical hardware providing a unique, classic sound not easily replicated.

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