Cassette Tape Plays MP3s

Cassette tapes were a major way of listening to (and recording) music througout the 1980s and 1990s and were in every hi-fi stereo, boom box, and passenger vehicle of the era. Their decline was largely as a result of improvements in CD technology and the rise of the MP3 player, and as a result we live in a world largely absent of this once-ubiquitous technology. There are still a few places where these devices crop up, and thanks to some modern technology their capabilities as a music playback device can be greatly enhanced.

The build starts, as one might expect, by disassembling the cassette and removing the magnetic tape from the plastic casing. With the interior of the cassette empty it’s capable of holding a small battery, USB-C battery charger, and a Bluetooth module. The head of an old tape deck can be wired to the audio output of the Bluetooth module and then put back in place in the housing in place of the old tape. With the cassette casing reassembled, there’s nothing left to do but pair it to a smartphone or other music-playing device and push play on the nearest tape deck.

As smartphones continue to lose their 3.5 mm headphone jacks, builds like this can keep lots of older stereos relevant and usable again, including for those of us still driving older vehicles that have functioning tape decks. Of course, if you’re driving a classic antique auto with a tape technology even older than the compact cassette, there are still a few Bluetooth-enabled options for you as well.

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The Math Behind The Music Of The 80s

Although there might have been other music produced or recorded in the 1980s, we may never know of its existence due to the cacophony of all of the various keytars, drum machines, and other synthesized music playing nonstop throughout the decade. There was perhaps no more responsible synthesizer than the Yamaha DX7 either; it nearly single-handedly ushered in the synth pop era. There had been other ways of producing similar sounds before but none were as unique as this keyboard, and for ways beyond just its sound as [Kevin] describes in this write-up.

Part of the reason the DX7 was so revolutionary was that it was among the first accessible synthesizers that was fully digital, meaning could play more than one note at a time since expensive analog circuitry didn’t need to be replicated for multiple keys. But it also generated its tones by using frequency modulation of sine waves in a way that allowed many signals to be combined to form different sounds. While most popular musicians of the 80s used one of the preset sounds of the synthesizer, it could produce an incredible range of diverse sounds if the musician was willing to dig a bit into the programming of this unique instrument.

There were of course other reasons this synthesizer took off. It was incredibly robust, allowing a musician to reliably carry it from show to show without much worry, and it also stood on the shoulders of giants since musicians had been experimenting with various other types of synthesizers for the previous few decades. And perhaps it was at the right place and time for the culture as well. For a look at the goings on inside the chip that powered the device, [Ken Shirriff] did a deep dive into one a few years ago.

Minichord Wants To Help You Find Rad Chord Progressions

If you’re good at music theory, you can probably find all the chords and progressions you need just by using your fingers and a suitable instrument. For a lot of musicians, though, remembering huge banks of chords can be difficult, and experimenting with combinations can quickly become tedious and tiring. Enter the minichord, a tiny version of the Omnichord synth designed by [Benjamin] that offers to help out by putting all the chords you need a mere button press away.

The minichord is based around the Teensy 4.0, a capable microcontroller platform if ever there was one. It’s paired with a bunch of tactile buttons which are used to tell the Teensy which chord you desire to play. Various combinations of buttons can be used to play more advanced chords, too. There are potentiometers on board as well for volume control, as well as a touch pad for “strumming” arpeggios and other fine control tasks. An online interface allows modifying the presets onboard, too.

[Benjamin] hopes to get the minichord into production; it’s currently in a Seeedstudio competition that could see that happen, based on likes on the project video. The minichord isn’t the only player in this space, of course. The Orchard synth has been making similar waves this week. We’ve seen [Benjamin’s] work before, too. Video after the break. Continue reading “Minichord Wants To Help You Find Rad Chord Progressions”

Laser Sound Visualizations Are Not Hard To Make

You might think that visualizing music with lasers would be a complicated and difficult affair. In fact, it’s remarkably simple if you want it to be, and [byte_thrasher] shows us just how easy it can be.

At heart, what you’re trying to do is make a laser trace out waveforms of the music you’re listening to, right? So you just need a way to move the laser’s beam along with the sound waves from whatever you’re listening to. You might be thinking about putting a laser on the head of a servo-operated platform fed movement instructions from a digital music file, but you’d be way over-complicating things. You already have something that moves with the music you play — a speaker!

[byte_thrasher’s] concept is simple. Get a Bluetooth speaker, and stick it in a bowl. Cover the bowl with a flexible membrane, like plastic wrap. Stick a small piece of mirror on the plastic. When you play music with the speaker, the mirror will vibrate and move in turn. All you then have to do is aim a safe laser in a safe direction such that it bounces off the mirror and projects on to a surface. Then, the laser will dance with your tunes, and it’ll probably look pretty cool!

We’ve seen some beautiful laser visual effects before, too. Just be careful and keep your power levels safe and your beams pointing where they should be.

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A Parts Bin MIDI Controller In 24 Hours

Part of the reason MIDI has hung on as a standard in the musical world for so long is that it is incredibly versatile. Sure, standard instruments like pianos and drums can be interfaced with a computer fairly easily using this standard, but essentially anything can be converted to a MIDI instrument with the right wiring and a little bit of coding. [Jeremy] needed to build a MIDI controller in a single day, and with just a few off-the-shelf parts he was able to piece together a musical instrument from his parts bin.

The build is housed in an off-brand protective case from a favorite American discount tool store, but the more unique part of the project is the choice to use arcade buttons as the instrument’s inputs. [Jeremy] tied eight of these buttons to an Arduino Uno to provide a full octave’s worth of notes, and before you jump to the comments to explain that there are 12 notes in an octave, he also added a button to the side of the case to bend any note when pressed simultaneously. An emergency stop button serves as a master on/off switch and a MIDI dongle on the other side serves as the interface point to a computer.

After a slight bit of debugging, the interface is up and running within [Jeremy]’s required 24-hour window. He’s eventually planning to use it to control a custom MIDI-enabled drum kit, but for now it was fun to play around with it in some other ways. He’s also posted the project code on a GitHub page. And, if this looks a bit familiar, this was not [Jeremy]’s first MIDI project. He was also the creator of one of the smallest MIDI interfaces we’ve ever seen.

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Digital Audio Workstation In A Box

Although it’s still possible to grab a couple of friends, guitars, and a set of drums and start making analog music like it’s 1992 and there are vacant garages everywhere yearning for the sounds of power chords, the music scene almost demands the use of a computer now. There are a lot of benefits, largely that it dramatically lowers the barrier to entry since it greatly reduces the need for expensive analog instruments. It’s possible to get by with an impressively small computer and only a handful of other components too, as [BAussems] demonstrates with this tiny digital audio workstation (DAW).

The DAW is housed inside a small wooden box and is centered around a Behringer JT-4000 which does most of the heavy lifting in this project. It’s a synthesizer designed to be as small as possible, but [BAussems] has a few other things to add to this build to round out its musical capabilities. A digital reverb effects pedal was disassembled to reduce size and added to the DAW beneath the synthesizer. At its most basic level this DAW can be used with nothing but these components and a pair of headphones, but it’s also possible to add a smartphone to act as a sequencer and a stereo as well.

For a portable on-the-go rig, this digital audio workstation checks a lot of the boxes needed including MIDI and integration with a computer. It’s excellent inspiration for anyone else who needs a setup like this but doesn’t have access, space, or funds for a more traditional laptop- or desktop-centered version. For some other small on-the-go musical instruments we recently saw a MIDI-enabled keyboard not much larger than a credit card.

Digital Bumper Sticker Tells Everyone What You’re Listening To

Bumper stickers are usually political, crude, or otherwise inflammatory. Rather a more fun example is this digital creation from [Guy Dupont], who made a bumper sticker that broadcasts what he’s listening to on the stereo.

[Guy] found a nice wide 11-inch bar LCD that was the right aspect ratio to suit the “bumper sticker” aesthetic. It had an HDMI interface, so he decided to drive it with a Raspbery Pi Zero 2W. Power for the system was derived from 12-volt lines going to his vehicle’s rear view camera. For an enclosure, he simply stuck the Pi and a buck converter on the back of the display and heat shrinked the whole thing. He also threw some magnets in there to stick it to the car.

How does the screen know what song to display? Well, [Guy] already has his Spotify listens scrobbling to Last.fm. Thus, he just made a script that scrapes his Last.fm page, which runs on a Particle Boron microcontroller, which has a cellular connection of its own. The Boron gets the song data, and spits it over to the Pi via Bluetooth. Then the Pi generates an image for the display.

Oh, and there’s also a neat Easter Egg. In honor of brat summer, the background changes to #8ACE00 green if the system detects you’re listening to Charli XCX. Neat.

It’s a neat build with a lot of moving parts. We’re surprised we haven’t seen anything like this before though, it’s really rather fun. Also, how’s about that taste of the old Internet—when was the last time you heard somebody mention scrobbling? Gosh, we’re getting old.

We’ve featured some of [Guy’s] works before, too, like the amusing Mailblocks project. Video after the break.

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