music

445 Articles

When Wireless MIDI Has Latency, A Hardwired Solution Saves The Day

June 7, 2025 by 14 Comments

[Moby Pixel] wanted to build a fun MIDI controller. In the end, he didn’t build it just once, but twice—with the aim of finding out which microcontroller was most fit for this musical purpose. Pitted against each other? The ESP32 and Raspberry Pi Pico.

The MIDI controller itself is quite fetching. It’s built with a 4 x 4 array of arcade buttons to act as triggers for MIDI notes or events. They’re assembled in a nice wooden case with a lovely graphic wrap on it. The buttons themselves are wired to a microcontroller, which is then responsible for sending MIDI data to other devices.

At this point, the project diverges. Originally, [Moby Pixel] set the device up to work with an ESP32 using wireless MIDI over Bluetooth. However, he soon found a problem. Musical performance is all about timing, and the ESP32 setup was struggling with intermittent latency spikes that would ruin the performance. Enter the Raspberry Pi Pico using MIDI over USB. The hardwired solution eliminated the latency problems and made the controller far more satisfying to use.

There may be solutions to the latency issue with the wireless ESP32 setup, be they in code, hardware configuration, or otherwise. But if you want to play with the most accuracy and the minimum fuss, you’ll probably prefer the hardwired setup.

Latency is a vibe killer in music as we’ve explored previously.

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Unreleased Amiga Hardware Plays MP3s

May 25, 2025 by 33 Comments

The MP3 file type has been around for so long, and is supported by essentially all modern media software and hardware, that it might be surprising to some to learn that it’s actually a proprietary format. Developed in the late 80s and early 90s, it rose to prominence during the Napster/Limewire era of the early 00s and became the de facto standard for digital music, but not all computers in these eras could play this filetype. This includes the Amigas of the early 90s, with one rare exception: this unreleased successor to the A3000 with a DSP chip, which now also has the software to play back these digital tunes.

The AA3000, developed as a prototype by Commodore, was never released to the general public. Unlike the original A3000 this one would have included a digital signal processing chip from AT&T called the DSP3210 which would have greatly enhanced its audio capabilities. A few prototype boards did make it out into the hands of the public, and the retrocomputing scene has used them to develop replicas of these rare machines. [Wrangler] used one to then develop the software needed for the MPEG layer 2 and 3 decoder using this extra hardware, since the original Amiga 3000 was not powerful enough on its own to play these files back.

If you want to follow along with the community still developing for this platform there’s a form post with some more detail for this specific build (although you may need to translate from German). [Wrangler] additionally points out that there are some limitations with this implementation as well, so you likely won’t get Winamp-level performance with this system, but for the Amiga fans out there it’s an excellent expansion of this computer’s capabilities nonetheless.

Thanks to [Andy] for the tip!

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3D Print (and Play!) The Super Mario Tune As A Fidget Toy

April 4, 2025 by 34 Comments

[kida] has a highly innovative set of 3D-printable, musical fidget toys that play classic video game tunes. Of course there’s the classic Super Mario ditty, but there’s loads more. How they work is pretty nifty, and makes great use of a 3D printer’s strengths.

To play the device one uses a finger to drag a tab (or striker) across the top, and as it does so it twangs vertical tines one-by-one. Each tine emits a particular note — defined by how tall the thicker part is — and plays a short tune as a result. Each one plays a preprogrammed melody, with the tempo and timing up to the user. Listen to them in action in the videos embedded just under the page break!

There are some really clever bits to the design. One is that the gadget is made in two halves, which effectively doubles the notes one can fit into the space. Another is that it’s designed so that holding it against something like a tabletop makes it louder because the surface acts like a sounding board. Finally, the design is easily modified so making new tunes is easy. [kida]’s original design has loads of non-videogame tunes (like the Jeopardy! waiting theme) as well as full instructions on making your very own versions.

Fidget toys are a niche all their own when it comes to 3D printed devices. The fidget knife has a satisfying snap action to it, and this printable linear toggle design is practically a fidget toy all on its own.

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Laser Harp Sets The Tone

March 20, 2025 by 16 Comments

In many ways, living here in the future is quite exiting. We have access to the world’s information instantaneously and can get plenty of exciting tools and hardware delivered to our homes in ways that people in the past with only a Sears catalog could only dream of. Lasers are of course among the exciting hardware available, which can be purchased with extremely high power levels. Provided the proper safety precautions are taken, that can lead to some interesting builds like this laser harp which uses a 3W laser for its strings.

[Cybercraftics]’ musical instrument is using a single laser to generate seven harp strings, using a fast stepper motor to rotate a mirror to precise locations, generating the effect via persistence of vision. Although he originally planned to use one Arduino for this project, the precise timing needed to keep the strings in the right place was getting corrupted by adding MIDI and the other musical parts to the project, so he split those out to a second Arduino.

Although his first prototype worked, he did have to experiment with the sensors used to detect his hand position on the instrument quite a bit before getting good results. This is where the higher power laser came into play, as the lower-powered ones weren’t quite bright enough. He also uses a pair of white gloves which help illuminate a blocked laser. With most of the issues ironed out, [Cybercraftics] notes that there’s room for improvement but still has a working instrument that seems like a blast to play. If you’re still stuck in the past without easy access to lasers, though, it’s worth noting that there are plenty of other ways to build futuristic instruments as well.

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An image showing an original grey and blue Sony Walkman with the text "1970" below it, and an arrow pointing to the right of it at a much smaller blue Walkman with the text "2000" underneath it, and a final arrow pointing to the right to a bright orange cassette player by We Are Rewind in a man's hand with the text "now" beneath it.

Why Are Cassette And CD Players So Big Now?

March 1, 2025 by 65 Comments

The early 2000s were the halcyon days of physical media. While not as svelte as MP3 players became, why are those early 2000s machines smaller than all the new models popping up amidst the retro audio craze?

We’ve bemoaned the end of the electromechanical era before, and the Verge recently interviewed the people at We Are Rewind and Filo to get the skinny on just why these newer cassette and CD players aren’t as small as their predecessors. It turns out that all currently produced cassette players use the same mechanism with some small tweaks in materials (like metal flywheels in these higher quality models) because the engineering required to design a smaller and better sounding alternative isn’t warranted by the niche nature of the cassette resurgence.

A similar fate has befallen the laser head of CD mechanisms, which is why we don’t have those smooth, rounded players anymore. Economies of scale in the early 2000s mean that even a cheap player from that era can outperform a lot of the newer ones, although you won’t have newer features like Bluetooth to scandalize your audiophile friends. A new Minidisc player is certainly out of the question, although production of discs only ended this February.

If you’re looking to get back into cassettes, this masterclass is a good place to start. If you don’t fancy any of the players the Verge looked at, how about rolling your own incarnation with the guts from a vintage machine or just going for the aesthetic if cassettes aren’t your jam?

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Taking Cues From A Gramophone To Make A Better Marble Music Machine

February 25, 2025 by 13 Comments

[Martin] of [Wintergatan] is on a quest to create the ultimate human-powered, modern marble music machine. His fearless mechanical exploration and engineering work, combined with considerable musical talent, has been an ongoing delight as he continually refines his designs. We’d like to highlight this older video in which he demonstrates how to dynamically regulate the speed of a human-cranked music machine by taking inspiration from gramophones: he uses a flyball governor (or centrifugal governor).

The faster the shaft turns, the harder the disk brake is applied.

These devices are a type of mechanical feedback system that was invented back in the 17th century but really took off once applied to steam engines. Here’s how they work: weights are connected to a shaft with a hinged assembly. The faster the shaft spins, the more the weights move outward due to centrifugal force. This movement is used to trigger some regulatory action, creating a feedback loop. In a steam engine, the regulator adjusts a valve which keeps the engine within a certain speed range. In a gramophone it works a wee bit differently, and this is the system [Wintergatan] uses.

To help keep the speed of his music machine within a certain narrow range, instead of turning a valve the flyball governor moves a large disk brake. The faster the shaft spins, the harder the brake is applied. Watch it in action in the video (embedded below) which shows [Wintergatan]’s prototype, demonstrating how effective it is.

[Wintergatan]’s marble machine started out great and has only gotten better over the years, with [Martin] tirelessly documenting his improvements on everything. After all, when every note is the product of multiple physical processes that must synchronize flawlessly, it makes sense to spend time doing things like designing the best method of dropping balls.

One final note: if you are the type of person to find yourself interested and engaged by these sorts of systems and their relation to obtaining better results and tighter tolerances, we have a great book recommendation for you.

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Hearing What The Bats Hear

February 11, 2025 by 9 Comments

[Iftah] has been exploring the sounds beyond what we can hear, recording ultrasound and pitching it down. He made a short video on the practice, and it’s like a whole new world of sounds exists just outside of our hearing.

For instance, a dropped toothpick sounds like you’ve just dropped a piece of lumber, a broken lightbulb sounds like a shattered window, and a blackbird sounds like a blue whale. Besides simply sounding super, [Iftah] speculates that there’s some regularity here: that as you slow down the sound it sounds like it came from sources that are physically bigger. He follows this up in a second video, but if you just think about the basic physics, it makes sense.

If you’re interested in recording your own ultrasound, there are a bunch of options on the market. With modern audio processors running up to 192 kHz or even 384 kHz out of the box, all that’s missing is the high-frequency-capable microphone. Those aren’t unobtainable anymore either with many MEMS mics performing well above their rated frequency response specs. Recording ultrasound sounds like a fun and not-too-expensive project to us!

Of course, most of the ultrasound recording we’ve seen has been about the bats. Check out the Pipistrelle or this pair of DIY bat detectors for some good background. But after watching [Iftah]’s video, we’re no longer convinced that the cute little insectivores are the coolest thing going on in the ultrasound.

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