How To Restore A Musical Amiga

Despite the huge strides in computing power and functionality that have been achieved in the past few decades, there are still some things that older computers can do which are basically impossible on modern machines. This doesn’t just include the ability to use older hardware that’s now obsolete, either, although that is certainly a perk. In this two-part restoration of an Amiga 500, [Jeremy] shows us some of these features like the ability to directly modify the audio capabilities of this retro machine.

The restoration starts by fixing some damage and cleaning up the rest of the machine so it could be powered up for the first time in 30 years. Since it was in fairly good shape he then started on the fun part, which was working with this computer’s audio capabilities. It includes a number of amplifiers and filters in hardware that can be switched on or off, so he rebuilt these with new op-amps and added some new controls so that while he is using his MIDI software he can easily change how it sounds. He also restored the floppy disk drives and cleaned up the yellowing on the plastic parts to improve the overall appearance, as well as some other general improvements.

These old Amigas have a lot going for them, but since [Jeremy] is a musician he mostly focused on bringing back some of the musical functionality of his childhood computer, although he did build up a lot of extra features in this machine as well. These types of audio circuits are not something found in modern computers, though, so to get a similar sound without using original hardware you’ll need to build something like this NES audio processing unit programmed in Verilog.

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Kids’ Jukebox Based On Arduino With RFID

Consumer electronics aimed at young children tend to be quite janky and cheap-looking, and they often have to be to survive the extreme stress-testing normal use in this situation. You could buy a higher quality item intended for normal use, but this carries the risk of burning a hole in the pockets of the parents. To thread the needle on this dilemma for a child’s audiobook player, [Turi] built the Grimmboy for a relative of his.

Taking its name from the Brothers Grimm, the player is able of playing a number of children’s stories and fables in multiple languages, with each physically represented by a small cassette tape likeness with an RFID tag hidden in each one. A tape can be selected and placed in the player, and the Arduino at the center of it will recognize the tag and play the corresponding MP3 file stored locally on an SD card. There are simple controls and all the circuitry to support its lithium battery as well. All of the source code that [Turi] used to build this is available on the project’s GitHub page.

This was also featured at the Arudino blog as well, and we actually featured a similar project a while ago with a slightly different spin. Both are based on ideas from Tonuino, an open source project aimed at turning Arduinos into MP3 players. If you’re looking to build something with a few more features, though, take a look at this custom build based on the RP2040 microcontroller instead.

Nanoaetherphone Is A Special MIDI Controller

MIDI controllers can be simple straightforward keyboards, or wild magical devices that seem to snatch notes from the very aether itself. As you might expect from the name, the Nanoaetherphone II is one of the latter.

The device is inspired by the Theremin, and was built to celebrate its 100th anniversary. The Nanoaetherphone II is all about using sensors to capture data from wireless hand-wavey interactions, and turn it into MIDI messages. To this end, it has an LDR sensor for detecting light levels, which determines volume levels. This is actuated by the user’s thumb, blocking the sensor or allowing ambient light to reach it. At the front of the handheld unit, there is also an ultrasonic range sensor. Depending on how close the sensor is to the user’s hand or other object determines the exact note sent by the device. As a MIDI controller, it is intended to be hooked up to an external synthesizer to actually generate sound.

The overall concept isn’t too complicated, and the design makes it easy to pickup and play. We imagine it could even be foolproofed by programming it only to play notes from a given scale or mode, allowing for easy soloing without too many of those ill-tempered blue notes. Jazz enthusiasts might prefer it to just spit out any and all notes, of course.

We love a good MIDI controller around these parts, and we’ve seen everything from knitted models to those made out of old phones. Video after the break.

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PDP-8 Plays Period Popcorn Piece

[Kyle Owen], collector of antique tech, decided to try his hand at music arrangement — for the PDP-8 computer, that is (listen to the video below the break). He’s using a program submitted by Richard Wilson to the Digital Equipment Corporation Users Society (DECUS) in 1976, appropriately named MUSIC. It runs on OS/8 and is written in the PDP-8 assembly language PAL8. Using the syntax of MUSIC, [Kyle] arranged Gershon Kingsley’s famous Moog synthesizer hit “Popcorn” (the Hot Butter version from 1972).

You might notice the lack of a disk or tape drive in his setup. That’s because [Kyle] is using an RK05 disk emulator he wrote back in 2014. It’s running on a Raspberry Pi and connects over serial, which he says is slower than an RK05 but faster than a tape drive. He has connected up a Cordovox amplifier cabinet for this demonstration, but the original means of listening to the MUSIC output was an AM radio held near the computer (hear the second video below the break). This worked by executing the PDP-8 CAF instruction at a desired frequency, say 440 Hz.

Thus, when this instruction is executed, logic all over the computer goes “zap”, clearing out various registers. Now, if a radio is held close to the computer, it will pick up some of this energy, and at 440 times a second, will deliver a pulse to the speaker. The result is that you will hear a tone from the radio — as a matter of fact, you will hear an A.

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I’ve Got Two Turntables And A Laser Engraver

Digital media provides us with a lot of advantages. For something like recording and playing back music, digital copies don’t degrade, they can have arbitrarily high quality, and they can be played in a number of different ways including through digital streaming services. That being said, a number of people don’t feel like the digital experience is as faithful to the original sound as it could be and opt for analog methods instead. Creating analog copies of music is a much tougher matter though, as [Marco] demonstrates by using a laser engraver to produce vinyl records.

[Marco] started this month-long project by assembling and calibrating the laser engraver. It has fine enough resolution to encode analog data onto a piece of vinyl, but he had to create the software. The first step was to generate the audio sample, then process it through a filter to remove some of the unwanted frequencies. From there, the waveform gets made into a spiral, accounting for the changing speed of the needle on the record as it moves to the center. Then the data is finally ready to be sent to the laser engraver.

[Marco] did practice a few times using wood with excellent success before moving on to vinyl, and after some calibration of the laser engraver he has a nearly flawless 45 rpm record ready to hit the turntable. It’s an excellent watch if not for anything than seeing a working wood record. We’ve actually seen a similar project before (without the wood prototyping), and one to play records from an image, but it’s been quite a while.

Thanks to [ZioTibia81] for the tip!

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A baguette sits diagonally across a wooden cutting board. Above it sits an Arduino and an electronics breadboard.

Theremin Baguette Brings New Meaning To Breadboarding

Theremins are a bit of an odd instrument to begin with, but [AphexHenry] decided to put one where no theremin has gone before: into a baguette.

The “baguetophone” is a theremin and piezo-percussion instrument inside a hollowed-out baguette. Starting with a DIY theremin tutorial from Academy of Media Arts Cologne, [AphexHenry] added some spice with a piezo pickup inside the baguette to function as a percussion instrument. One noted downside of squeezing the instrument into such an unusual enclosure is that the antenna doesn’t respond as well as it might with a more conventional arrangement. Outputs from the piezo and antenna are run through Max/MSP on a computer to turn the bread into a MIDI controller. Like many DIY theremins, it appears that this build neglects the volume antenna, but there’s no reason you couldn’t add one. Maybe disguised as a piece of cheese?

Outside smuggling an instrument into a French café for a flash mob performance, this could also prove handy if you’re someone who gets hungry while playing music. We don’t recommend snacking on the Arduino even if it is ROHS compliant though.

If you want to learn more about how theremins work, check out Theremin in Detail. After that, you might want to browse all of our theremin articles or look at this project where they used a 555 instead.

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Arduino Lo-Fi Orchestra closeup thumbnail

Lo-Fi Orchestra Learns Tubular Bells

Hardware projects often fall into three categories: Those that flash lights, those that make sounds and those that move. This virtuoso performance by [Kevin]’s “Lo-Fi Orchestra” manages all three, whilst doing an excellent job of reproducing the 1973 musical classic Tubular Bells by Mike Oldfield.

Producing decent polyphonic sounds of different timbres simultaneously is a challenge for simple microcontroller boards like Arduinos, so [Kevin] has embraced the “More is more” philosophy and split up the job of sound generation in much the same way as a traditional orchestra might. Altogether, 11 Arduino Nanos, 6 Arduino Unos, an Arduino Pro Mini, an Adafruit Feather 32u4, and a Raspberry Pi running MT32-Pi make up this electronic ensemble.

Arduino servo drumkit
Arduino Servo & Relay Drumkit

The servo & relay drumkit is a particular highlight, providing some physical sounds to go along with the otherwise solid-state generation.

The whole project is “conducted” over MIDI and the flashing sequencer in the middle gives a visual indication of the music that is almost hypnotic. The performance is split into two videos (after the break), and will be familiar to fans of 70’s music and classic horror movies alike. We’re astonished how accurately [Kevin] has captured the mood of the original recording.

If this all looks slightly familiar, it may be because we have covered the Lo-Fi Orchestra before, when it entertained us with a rousing rendition of Gustav Holst’s Planets Suite. If you’re more interested in real Tubular Bells than synthesized ones, then check out this MIDI-controlled set from 2013. Continue reading “Lo-Fi Orchestra Learns Tubular Bells