What Does Your Necklace Say?

February 17, 2020 by Brian McEvoy 2 Comments

If we write about sound reproduction, there is a good chance we found a home-made amplifier or an upcycled speaker system. In this case, you don’t use your ears to appreciate the sound; you use your hands or eyes. [ElatisEagles] converted an amplitude sound graph into a wearable bead. Even without much background it should be immediately recognizable for what it is. Presumably, they converted a sound wave to vectors, then used the “Revolve” function in Rhino, their software of choice. Sometimes this is called a “lathe” function. Resin printers should be able to build these without supports and with incredible fidelity.

Some tattoos put a sound wave on the skin, and use an app to play it back, but if you want to wear a sound bite from your favorite show and not get branded as the “Pickle Rick” gal/guy at the office, maybe swap out the color and sound wave before it goes stale. We would wear a bead that says, “drop a link in our tip line,” but you can probably think of something more clever.

We have other high-tech ornamentation that leverages motion instead of sound, or how about a necklace that listens instead.

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Play That Funky 3D Printer…

January 19, 2020 by Al Williams 16 Comments

Human brains are wired for music. Scientists think the oldest musical instruments were flutes that date back somewhere between 67,000 and 37,000 years ago. We assume though that people were banging on wood or their thighs, or knocking two rocks together long before that. Almost anything can be a musical instrument. A case in point: [elifer5000] walked into a room containing a lot of running 3D printers, and thought it seemed musical. Next thing you know, he harnessed 3D printers as a MIDI instrument.

At a hackathon, he found some software that converts a MIDI file to GCode. The only problem is a common printer has three axes and, therefore, can only produce (at most) three notes at once. The obvious answer to this problem is to use more printers, and that’s what he did, as you can see below.

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An Arduino-Based Flute Playing Machine

January 11, 2020 by Sharon Lin 9 Comments

It’s one thing to be able to transcribe music from a flute, and it’s another to be able to make a flute play pre-written music. The latter is what [Abhilash Patel] decided to pursue in the flute player machine, an Arduino-based project that uses an air flow mechanism and PVC pipes to control the notes produced by a makeshift flute. It’s currently able to play 17 notes, just over two octaves starting from the lowest frequency of E.

In order to play songs, the tones have to either be directly coded and uploaded to the Arduino, composed with a random note generator, or detected from a microphone. While a real flute can be used for the machine, [Patel] uses a PVC flute, constructed with some knowledge of flute playing.

The resonant frequency is based on the effective length, hole sizes, and pipe diameter, so it is fairly difficult to correctly tune a homemade flute. Nevertheless, calculating the length as c/2f where c is the speed of sound (~345 m/s) and f is the frequency of the note can help with identifying the location of the holes. [Patel] cut the PVC pipe and sealed off one end, drilling a blowing hole at 1.5 x the pipe diameter. After playing the flute, the end of the pipe was filled until the frequency exactly matched the desired note.

The hole covering uses cuttings of pipe attached to a cable connecting to a servo. The motors are isolated inside a box to keep the wires clear and area all able to be powered with 5 V. As for the software, the code is primarily used to control when the fan is blowing and which holes are covered to produce a note.

Listen to the flute play “My Heart Will Go On” from Titanic in the video below. Now the next step might just be making the flute playing machine automatically play sheet music – imagine the possibilities!

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Fabric(ated) Drum Machine

January 7, 2020 by Brian McEvoy 3 Comments

Some folks bring out an heirloom table runner when they have company, but what if you sewed your own and made it musical? We’d never put it away! [kAi CHENG] has an Instructable about how to recreate his melodic material, and there is a link to his website, which describes his design process, not just the finished product. We have a video below showing a jam session where he exercises a basic function set.

GarageBand is his DAW of choice, which receives translated MIDI from a Lilypad. If you don’t have a Lilypad, any Arduino based on the ATmega328P chip should work seamlessly. Testing shows that conductive threads in the soft circuit results in an occasional short circuit, but copper tape makes a good conductor at the intersections. Wide metallic strips make for tolerant landing pads beneath modular potentiometers fitted with inviting foam knobs. Each twist controls a loop in GarageBand, and there is a pressure-sensitive pad to change the soundset. Of course, since this is all over MIDI, you can customize to your heart’s content.

MIDI drums come in all shapes and sizes, from a familiar game controller to hand rakes.

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The Hacker History Of Music Technologies

January 6, 2020 by Lewin Day 7 Comments

Music throughout history has been inspired and changed by hackers and makers, and never moreso than in the 20th century. Helen Leigh is one such hacker, who brought a talk to Supercon to give us a crash course in the history of recording, electronics and music, and what the maker movement is doing in the music world today.

The tape recorder was an invention that kicked off a golden period of exploration in sound. Beginning in World War II, the Nazi propaganda machine cut and spliced recorded materials and disseminated them across broadcasting stations in Europe. To the astonishment of the Allies, certain German officials appeared to be making broadcasts from different studios at the same time, due to the high quality of the recording hardware. After the war, this technology was discovered by a group of Parisian recording artists who began to experiment with an art that became known as musique concrète, using tape hardware in weird and wonderful ways to create new sounds heretofore unheard in nature.

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Turning Sounds From A Flute Into Sheet Music

December 29, 2019 by Sharon Lin 12 Comments

Composing music can be quite difficult – after all, you have to keep in mind all of the elements of musical theory, from time signature and key signature to the correct length for all of the notes. A team of students from Cornell University’s Designing with Microcontrollers class developed a solution for this problem by transcribing sounds from a flute into sheet music.

The project doesn’t simply detect the notes played – it is able to convert the raw audio into a standardized music score complete with accurate note timings and beats per minute. Before transcribing the music, some audio processing was necessary. The team chose to use a Sallen-Key filter to amplify the raw audio input due to its complex conjugate poles. They then used a fast Fourier Transform (FFT) to determine the frequency for the input note, converting the signal from the time domain to the frequency domain.

The algorithm samples the data to generate an input signal, using the ADC on the microcontroller to receive input from the microphone. It takes the real and imaginary components of the sampled signals and outputs a pair of real and imaginary amplitude components corresponding to the sampled frequency, evenly spaced from 0 to the Nyquist rate (half the sampling rate). The spacing of these bins and the bin with the largest amplitude are used to convert the signal back to a real frequency and a MIDI note.

The system uses a PIC32 for the logic. The circuitry for the microphone amplification uses a non-inverting op-amp with a gain of 50 to increase the microphone output signal amplitude from 15 mV to 750 mV to use by the microcontroller’s ADC. The signal is then sent to the anti-aliasing Sallen-Key filter, with a pole at 2.5 kHz and a Q of 1. The frequency was chosen since the FFT samples at 8 kHz and the frequency corresponds to a note out of the range of a flute. As for the filters, only the low pass filter was implemented in hardware. While a bandpass filter could have been implemented in hardware, the team decided on a cleaner software approach.

The project is well-documented on the team’s project page, and it’s certainly worth checking out for more detailed discussions on the keypad controls and the software side of the audio processing. If you want to learn more about the FFT, check out this 2016 Hackaday Prize entry for an FFT spectrum analyezer.

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Need Hackable Melodies? Here’s The TETRIS Theme And More

December 25, 2019 by Donald Papp 3 Comments

[Robson Couto] started to get interested in musical projects and as a side effect created downloadable code with simple notation for a good variety of themes, songs, and melodies. They are all for the Arduino and use only the built-in tone() function, but don’t let that distract you. If you look past that, you’ll see that each sketch is a melody that consists of single notes and durations; easily adapted to other purposes or simply used as-is. After all, [Robson] wanted the source of each tune to be easily understood, easily modified, and to have no external dependencies.

All that may sound a bit like MIDI, but MIDI has much more in common with hardware events than music notation because it includes (among other things) note starts and note ends as separate elements. Converting MIDI into a more usable format was a big part of a project that fed Bach music to a neural network and got surprisingly good results.

When doing music projects, sometimes having a recognizable melody represented very simply as notes and durations with only one note at a time can be an awfully handy resource, and you can find them on GitHub. There’s a brief video of the Tetris theme (actual name: Korobeiniki) being played after the break.

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