Affordable 3D printers let us turn ideas into physical reality without a big expensive workshop, but with their power came some disadvantages. The nature of FDM printers impart layer lines and nozzle ridges in the parts they produce. They can be minimized with optimized print settings, but never eliminated. [Emily Velasco] loves the power of 3D printing but not how the parts look. So she put in the effort to make 3D-printed plastic look like distressed metal and showed us how she did it. (Video also embedded after the break.)
This video is a follow-up to her Pet Eye project in response to feedback on Twitter. She had mentioned that the salvaged metal box for Pet Eye wasn’t quite big enough to hold everything, so she had to extend its internal volume with a 3D print box on the back. It fit in so well that the offhand comment surprised many people who wanted to know more about how it was done. So she designed a demonstration cube covered with mechanical characteristics, and gave us this walkthrough of its transformation.
Continue reading “Give 3D Printed Plastic A Well-Worn Metal Look”
[Thomas Sanladerer] has a filament-based 3D printer and a resin one. Can the two types of raw material combine to make something better? [Thomas] did some experiments using some magnets to suspend the parts and a hot air soldering gun to heat things up.
The trick turns out to be cutting the resin with alcohol. Of course, you also need to use a UV light for curing.
The parts looked pretty good, although he did get different results depending on a few factors. To see how it would work on a practical part, he took a very large printed alien egg. The problem is, the egg won’t fit in the curing station. A few minutes with a heat sink, a drill press, and an LED module was all it took to build a handheld UV curing light.
The good news is you don’t need a resin printer to take advantage of the process — just the resin. He also points out that if you had parts which needed to maintain their dimensions because they mate with something else, you could easily mask the part to keep the resin away from those areas.
If this video (and the results it shows) has you interested, then you’ll love the in-depth account that [Donald Papp] wrote up last year about his own attempts to smooth 3D printed parts with UV resin.
Continue reading “Finishing FDM Prints With SLS Resin”
Vinyl has the audiophiles to keep it relevant, and CDs still have the people who are scared of streaming music, but who mourns for the cassette tape? Yesterday we would have said nobody, but now that [Igor Afanasyev] has unleashed his latest creation onto an unsuspecting world, we aren’t so sure anymore. A portable tape player that started as a $5 find from the Goodwill is now an outrageously gorgeous piece of electronic art thanks to 3D printing and a liberal application of LEDs.
After freeing the tape mechanism from the original enclosure and extraneous electronics like the AM/FM tuner, [Igor] got to work designing a retro styled enclosure for the hardware which would show off the complex electromechanical bits which would traditionally be hidden. With the addition of a clever 3D printed holder, he was even able to add microswitches under the original player’s buttons so he could detect the player’s current state without having to modify the electronics. This lets the finished player change the color of the RGB LEDs based on what it’s currently doing.
[Igor] came up with a very clever way of integrating light-up icons into the case by placing bright LEDs behind specially crafted thin sections of the print. It looked awesome in his tests, but after the considerable sanding, priming, and painting it took to turn the 3D printed parts into a production-quality enclosure, the LEDs are no longer visible on the final product. Even though they didn’t work in this particular case, we think it’s a brilliant technique worthy of
stealing further research.
The detail that [Igor] but into this build is phenomenal. Seeing all the individual components he had to design and print to make the final product come together is really nothing short of inspirational. Projects like these are where 3D printing really shines, as trying to replicate this build with traditional manufacturing techniques would be an absolute nightmare.
If you can’t quite shake the feeling that you’ve seen this name or attention to detail before, it’s for good reason. Last year we covered another build showing the knack [Igor] has for turning the ordinary into the extraordinary.
Continue reading “The Only Cassette Player Worth Owning In 2019”
Arguably one of the most difficult aspects of 3D printing is trying to make the finished product look like it wasn’t 3D printed. It can take a lot of time and work to cover up the telltale layer lines (or striations, if you want to get fancy), especially if your 3D printer isn’t perfectly calibrated. While there aren’t many shortcuts to achieve a glass-like finish on 3D printed parts, if your end goal is to make something that looks like stone, [Wekster] has a tip for you.
He demonstrates the technique by building a gorgeous recreation of the main gate from Jurassic Park. The process gives the relatively smooth plastic the gnarled look of rough-hewn stone with very little in the way of manual work. While it’s true there’s no overabundance of projects this stone-look finish will work for, it’s definitely something we’ll be filing away mentally.
So what’s the secret? [Wekster] first coats the 3D printed parts with common wood filler, the sort of stuff available at any hardware store. He then wraps them in clear plastic wrap, allowing the wrap to bunch up rather than trying to pull it taught. For extra detail, he digs into the plastic wrap here and there to create what will appear to be gaps and cracks on the finished piece. The wood filler is then left to dry; a process which normally only takes a few minutes, but now will take considerably longer as the plastic wrap will be keeping the air from it.
Once its hardened and unwrapped, [Wekster] sprays it with a base coat of color, and follows up with a few washings with watered down black and gray paints. This technique is well known to anyone who’s done miniature or model painting; serving to highlight the surface texture and give the finish more depth. With this method, anything that resembles a layer line in the print is long gone, and the surface looks so complex and detailed that at first glance few would believe it’s plastic.
[Wekster] also used wood filler during the finishing process for his Fallout 4 “Thirst Zapper” replica. In the past we’ve shown how you can smooth out 3D printed parts with epoxy and taken a very scientific look at using UV resin as a conformal coating, but maybe it’s time we give wood filler a shot.
Continue reading “Texture Trick For 3D Prints From The Stone Age”
As a gamer, [Lexie Dostal] dreamed of a smartphone that was a viable gaming platform: something with enough power to run the games and emulators he was interested in, with the controls to make playing them feel natural. So when he got his hands on an early version of Kite, the modular open hardware platform designed to be hacked and customized, that’s exactly what he decided to build. The Kite kit would provide the touch screen and Android-equipped motherboard, he just needed to design a case and integrate controls to make it a real gaming device.
The case design [Lexie] came up with is inspired by the bottom half of the Nintendo 3DS, and ended up only a few centimeters wider than the stock case from the Kite kit. Unfortunately, his delta 3D printer wasn’t large enough to fit the device’s case, so he ended up having to break it into five separate pieces and glue them together. With the case in one piece he worked his way from 220 to 400 grit sand paper, filling any voids in the print with glue as he went. A few coats of primer, more sanding, and a final matte texture spray give the final case a very professional-looking finish.
Not only was the Nintendo 3DS an inspiration for the device, it was also a donor for some of the parts. The directional pad, analog “nub”, and buttons are replacement 3DS hardware, which is interfaced to the KiteBoard with an Arduino Nano. When he couldn’t find springs small enough to use for the shoulder buttons, he bought some thin music wire and wound them himself. Talk about attention to detail.
There’s quite a bit of gear packed into the case, but [Lexie] thinks there’s probably still room to make some improvements. He could free up some room by dropping the connectors and soldering everything directly, and says he’d like to come up with a custom PCB to better interface with the 3DS’s hardware to cut down on some of the wiring required. With the extra room he thinks the battery, currently a 3200 mAh pack designed for the LG V20 smartphone, could probably be replaced with something even bigger.
Readers may recall that the Kite is currently in the running for the 2018 Hackaday prize. Seeing Kite already delivering on the promise of making it easier to develop powerful Android devices is very exciting, and we can’t wait to see what else hackers will be able to do with it.
It’s easy to get professional-quality finishes on your prints and prototypes if you take the right steps. In the final installment of his series about building with Bondo, product designer [Eric Strebel] shows us how it’s done no matter what the substrate.
How does he get such a smooth surface? A few key steps make all the difference. First, he always uses a sanding block of some kind, even if he’s just wrapping sandpaper around a tongue depressor. For instance, his phone holder has a round indent on each side. We love that [Eric] made a custom sanding block by making a negative of the indent with—you guessed it—more Bondo and a piece of PVC. The other key is spraying light coats of both primer and paint in focused, sweeping motions to allow the layers to build up.
If you need to get the kind of surface that rivals a baby’s behind, don’t expect to prime once, paint once, and be done with it. You must seek and destroy all imperfections. [Eric] likes to smooth them over with spot putty and then wet sand the piece back to smooth before applying more primer. Then it’s just rinse and repeat with higher grits until satisfied.
There’s more than one way to smooth a print, of course. Just a few weeks ago, our own [Donald Papp] went in-depth on the use of UV resin.
Continue reading “How To Put The ‘Pro’ In Prototype”
I print something nearly every day, and over the last few years, I’ve created hundreds of practical items. Parts to repair my car, specialized tools, scientific instruments, the list goes on and on. It’s very difficult for me to imagine going back to a time where I didn’t have the ability to rapidly create and replicate physical objects at home. I can say with complete honesty that it has been an absolutely life-changing technology for me, personally.
But to everyone else in my life, my friends and family, 3D printers are magical boxes which can produce gadgets, weapons, and characters from their favorite games and movies. Nobody wants to see the parts I made to get my girlfriend’s 1980’s Honda back on the road before she had to go to work in the morning, they want to see the Minecraft block I made for my daughter. I can’t get anyone interested in a device I made to detect the algal density of a sample of water, but they all want me to run off a set of the stones from The Fifth Element for them.
As I recently finished just such a project, a 3D printed limpet mine from Battlefield 1, I thought I would share some thoughts on the best practices for turning fiction into non-fiction.
Continue reading “Bringing Fiction To Life With 3D Printing”