If you’ve ever seen an old movie or TV show where there was a radio announcer, you’ve probably seen a ribbon microphone. The RCA 44 (see Edmund Lowe, on right) had exceptional sound quality and are still valued today in certain applications. The name ribbon microphone is because the sound pickup is literally a thin strip of aluminum or other conductive material.
Unlike other common microphones, ribbons pick up high frequencies much better due to the high resonant frequency of the metallic ribbon. This is not only better in general, but it means the ribbon mic has a flatter frequency response even at lower frequencies. Another unique feature is that the microphone is bidirectional, hearing sounds from the front or back equally well. It is possible to build them with other directional patterns, although you rarely see that in practice.
In the early 1920s, Walter Schottky and Erwin Gerlach developed the ribbon microphone (and, coincidentally, the first ribbon loudspeaker). Harry Olson at RCA developed a ribbon mic that used coils and permanent magnets which led to the RCA Photophone Type PB-31 in 1931. Because of their superior audio response, they were instant hits and Radio City Music Hall started using the PB-31 in 1932. A newer version appeared in 1933, the 44A, which reduced reverberation.
Continue reading “Blue Ribbon Microphone”
The Internet of Things is getting to be a big business. Google’s Nest brand is part of the trend, and they’re building a product line that fills niches and looks good doing it, including the Nest Protect smoke and CO detector. It’s nice to get texts and emails if your smoke alarm goes off, but if you’d rather not spend $99USD for the privilege, take a look at this $10 DIY smoke alarm interface.
The secret to keeping the cost of [Team SimpleIOThings’] interface at a minimum is leveraging both the dirt-cheap ESP8266 platform and the functionality available on If This Then That. And to keep the circuit as simple and universal as possible, the ESP8266 dev board is interfaced to an existing smoke detector with a simple microphone sensor. From what we can see it’s just a sound level sensor, and that should work fine with the mic close to the smoke detector. But with high noise levels in your house, like those that come with kids and dogs, false alarms might be an issue. In that case, we bet the software could be modified to listen for the Temporal-Three pattern used by most modern smoke detectors. You could probably even add code to send a separate message for a CO detector sounding a Temporal-Four pattern.
Interfacing to a smoke detector is nothing new, as this pre-ESP8266 project proves. But the versatile WiFi SoC makes interfaces like this quick and easy projects.
Continue reading “Audio-coupled Smoke Alarm Interface Sends Texts, Emails”
There’s an old proverb algebra teachers often recite: You have to use what you know to find out what you don’t know. The same could be said about sensors. For example, analog to digital converters use something computers are good at finding (like time) and use it to determine something they aren’t good at finding (like voltage). So how do you detect rainfall? If you are [lowflyerUK], you use the microphone in your web camera and a Raspberry Pi.
The idea was to reduce irrigation usage based on rainfall, so an exact measurement isn’t necessary. The Python code that analyzes the audio input is calibrated with three configuration parameters and attempts to remove wind noise. Even so, it needs to be in a room that gets a lot of noise from rainfall and ambient noise can throw the reading off.
The weather service is never going to adopt this system. Still, it is a great example of taking something you know and using it to get something you don’t know. If you want a more complete weather station, we have a few options for you.
[Rulof Maker] has a penchant for making nifty projects out of old electronics. The one that has caught our eye is a microphone made from parts of an old hard drive. The drive’s arm and magnet were set aside while the aluminum base was diagonally cut into two pieces. One piece was later used to reassemble the hard drive’s magnet and arm onto a wooden platform.
The drive’s arm and voice coil actuator are the key parts of this project. It was modified with a metal extension so that a paper cone cut from an audio speaker could be attached, an idea used in microphone projects we’ve previously featured. Copper wire scavenged from the speaker was then soldered to voice coil on the arm as well as an audio jack. In the first version of the Hard Drive Microphone, the arm is held upright with a pair of springs and vibrates when the cone catches sound.
While the microphone worked, [Rulof] saw room for improvement. In the second version, he replaced the mechanical springs with magnets to keep the arm aloft. One pair was glued to the sides of the base, while another pair recovered from an old optical drive was affixed to the arm. He fabricated a larger paper cone and added a pop filter made out of pantyhose for good measure. The higher sound quality is definitely noticeable. If you are interested in more of [Rulof’s] projects, check out his YouTube channel.
Continue reading “Make a Microphone Out of a Hard Drive”
Anyone into audio recording knows that recording drums is a serious pain. Mic setup and positioning can make or break a recording session. One particular hurdle is getting a great sound out of the bass drum. To overcome this, [Mike] has built a microphone using an 8″ woofer in an attempt to capture the low-end frequencies of his bass drum. Using a speaker as a microphone isn’t a new idea and these large diaphragm bass drum mics have taken commercial form as the DW Moon Mic and the now-discontinued Yamaha SubKick.
The project is actually quite simple. The speaker’s positive terminal is connected to Pin 2 of a 3-pin XLR microphone connector. The speaker’s negative terminal is connected to the connector’s Pin 1. [Mike] made a bracket to connect the woofer to a mic stand, which in turn was cut down to position the woofer at bass drum height. The setup is then plugged into a mixer or pre-amp just like any other regular microphone.
[Mike] has since made some changes to his mic configuration. It was putting out way too hot of a signal to the preamp so he added an attenuation circuit between the speaker and XLR connector. Next, he came across an old 10″ tom shell and decided to transplant his speaker-microphone from the open-air metal rack to the aesthetically pleasing drum shell. Check out [Mike’s] project page for some before and after audio samples.
Morse code used to be widely used around the globe. Before voice transmissions were possible over radio, Morse code was all the rage. Nowadays, it’s been replaced with more sophisticated technologies that allow us to transmit voice, or data much faster and more efficiently. You don’t even need to know Morse code to get an amateur radio license any more. That doesn’t mean that Morse code is dead, though. There are still plenty of hobbyists out there practicing for the fun of it.
[Dan] decided to take a shortcut and use some modern technology to make it easier to translate Morse code back into readable text. His project log is a good example of the natural progression we all make when we are learning something new. He started out with an Arduino and a simple microphone. He wrote a basic sketch to read the input from the microphone and output the perceived volume over a Serial monitor as a series of asterisks. The more asterisks, the louder the signal. He calibrated the system so that a quiet room would read zero.
He found that while this worked, the Arduino was so fast that it detected very short pulses that the human ear could not detect. This would throw off his readings and needed to be smoothed out. If you are familiar with button debouncing then you get the idea. He ended up just averaging a few samples at a time, which worked out nicely.
The next iteration of the software added the ability to detect each legitimate beep from the Morse code signal. He cleared away anything too short. The result was a series of long and short chains of asterisks, representing long or short beeps. The third iteration translated these chains into dots and dashes. This version could also detect longer pauses between words to make things more readable.
Finally, [Dan] added a sort of lookup table to translate the dots and dashes back into ASCII characters. Now he can rest easy while the Arduino does all of the hard work. If you’re wondering why anyone would want to learn Morse code these days, it’s still a very simple way for humans to communicate long distances without the aid of a computer.
[Craig] recently built himself a version of the “hassler” circuit as a sort of homage to Bob Widlar. If you haven’t heard of Bob Widlar, he was a key person involved in making analog IC’s a reality. We’ve actually covered the topic in-depth in the past. The hassler circuit is a simple but ingenious office prank. The idea is that the circuit emits a very high frequency tone, but only when the noise level in the room reaches a certain threshold. If your coworkers become too noisy, they will suddenly notice a ringing in their ears. When they stop talking to identify the source, the noise goes away. The desired result is to get your coworkers to shut the hell up.
[Craig] couldn’t find any published schematics for the original circuit, but he managed to build his own version with discrete components and IC’s. Sound first enters the circuit via a small electret microphone. The signal is then amplified, half-wave rectified, and run through a low pass filter. The gain from the microphone is configurable via a trim pot. A capacitor converts the output into a flat DC voltage.
The signal then gets passed to a relaxation oscillator circuit. This circuit creates a signal whose output duty cycle is dependent on the input voltage. The higher the input voltage, the longer the duty cycle, and the lower the frequency. The resulting signal is sent to a small speaker for output. The speaker is also controlled by a Schmitt trigger. This prevents the speaker from being powered until the voltage reaches a certain threshold, thus saving energy. The whole circuit is soldered together dead bug style and mounted to a copper clad board.
When the room is quiet, the input voltage is low. The output frequency is high enough that it is out of the range of human hearing. As the room slowly gets louder, the voltage increases and the output frequency lowers. Eventually it reaches the outer limits of human hearing and people in the room take notice. The video below walks step by step through the circuit. Continue reading “Annoy Your Enemies with the Hassler Circuit”