Turning Television Into A Simple Tapestry

Teleknitting, the brainchild of Moscow artist [vtol], is an interesting project. On one hand, it doesn’t knit anything that is useful in a traditional sense, but on the other, it attempts the complex task of deconstructing broadcasted media into a simpler form of information transmission.

Teleknitting’s three main components are the processing and display block — made up of the antenna, Android tablet, and speaker — the dyeing machine with its ink, sponges, actuators, and Arduino Uno, and the rotating platform for the sacrificial object. A program running on the tablet analyzes the received signal and — as displayed on its screen — gradually halves the number of pixels in the image until there is only one left with a basic representation of the picture’s colour. From there, thread passes over five sponges which dye it the appropriate colour, with an armature that responds to the broadcast’s volume directing where the thread will bind the object.

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Hacked Television Uses No Power In Standby Mode

How much effort do you put into conserving energy throughout your daily routine? Diligence in keeping lights and appliances turned off are great steps, but those selfsame appliances likely still draw power when not in use. Seeing the potential to reduce energy wasted by TVs in standby mode, the [Electrical Energy Management Lab] team out of the University of Bristol have designed a television that uses no power in standby mode.

The feat is accomplished through the use of a chip designed to activate at currents as low as 20 picoamps.  It, and a series of five photodiodes, is mounted in a receiver which attaches to the TV. The receiver picks up the slight infrared pulse from the remote, inducing a slight current in the receiving photodiodes, providing enough power to the chip which in turn flips the switch to turn on the TV. A filter prevents ambient light from activating the receiver, and while the display appears to take a few seconds longer to turn on than an unmodified TV, that seems a fair trade off if you aren’t turning it on and off every few minutes.

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Transmitting Analog TV, Digitally

If you want to really understand a technology, and if you’re like us, you’ll need to re-build it yourself. It’s one thing to say that you understand (analog) broadcast TV by reading up on Wikipedia, or even by looking at scope traces. But when you’ve written a flow graph that successfully transmits a test image to a normal TV using just a software-defined radio, you can pretty easily say that you’ve mastered the topic.

9944491474271463115_thumbnail[Marble] wrote his flow for PAL, but it should be fairly easy to modify it to work with NTSC if you’re living in the US or Japan. Sending black and white is “easy” but to transmit a full color image, you’ll need to read up on color spaces. Check out [marble]’s project log.

Hackaday has another hacker who’s interested in broadcasting to dinosaur TVs: [CNLohr]. Check out his virtuoso builds for the ATtiny and for the ESP8266.

(Yes, the headline image is one of his earlier trials with black and white from Wikipedia — we just like the look.)

Retrotechtacular: An Unexpected Meeting With Philo T Farnsworth

It is not often that you look for one of your heroes on the Internet and by chance encounter another from a completely different field. But if you are a fan of the inimitable silent movie star [Buster Keaton] as well as being the kind of person who reads Hackaday then that could have happened to you just as it did here.

Our subject today is a 1957 episode of CBS’s TV game show I’ve Got a Secret! in which [Keaton] judges a pie-eating contest and is preceded first by a young man with a penchant for snakes and then rather unexpectedly by a true giant of twentieth century technology.

[Philo T Farnsworth] was a prolific engineer who is probably best known as the inventor of electronic television, but whose work touched numerous other fields. Surprisingly this short segment on an entertainment show was his only appearance on the medium to which his invention helped give birth. In it he baffles the panel who fail to guess his claim to fame, before discussing his inventions for a few minutes. He is very effacing about his achievement, making the point that the development of television had been a cumulative effort born of many contributors. He then goes on to discuss the future of television, and talks about 2000-line high-definition TV with a reduced transmission bandwidth, and TV sets like picture frames. All of which look very familiar to us nearly sixty years later in the early 21st century.

The full show is below the break, though [Farnsworth]’s segment is only from 13:24 to 21:24. It’s very much a show of its time with its cigarette product placement and United Airlines boasting about their piston-engined DC-7 fleet, but it’s entertaining enough.

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Retrotechtacular: TV Troubleshooting

As technology advances, finding the culprit in a malfunctioning device has become somewhat more difficult. As an example, troubleshooting an AM radio is pretty straightforward. There are two basic strategies. First, you can inject a signal in until you can hear it. Then you work backwards to find the stage that is bad. The other way is to trace a signal using a signal tracer or an oscilloscope. When the signal is gone, you’ve found the bad stage. Of course, you still need to figure out what’s wrong with the stage, but that’s usually one or two transistors (or tubes) and a handful of components.

A common signal injector was often a square wave generator that would generate audio frequencies and radio frequency harmonics. It was common to inject at the volume control (easy to find) to determine if the problem was in the RF or audio sections first. If you heard a buzz, you worked backwards into the RF stages. No buzz indicated an audio section problem.

A signal tracer was nothing more than an audio amplifier with a diode demodulator. Starting at the volume control was still a good idea. If you heard radio stations through the signal tracer, the RF section was fine. Television knocked radio off of its pedestal as the primary form of information and entertainment in most households, and thus the TV repair industry was created.

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Color TV Broadcasts are ESP8266’s Newest Trick

The ESP8266 is well known as an incredibly small and cheap WiFi module. But the silicon behind that functionality is very powerful, far beyond its intended purpose. I’ve been hacking different uses for the board and my most recent adventure involves generating color video from the chip. This generated video may be wired to your TV, or you can broadcast it over the air!

I’ve been tinkering with NTSC, the North American video standard that has fairly recently been superseded by digital standards like ATSC. Originally I explored pumping out NTSC with AVRs, which lead to an entire let’s learn, let’s code series. But for a while, this was on the back-burner, until I decided to see how fast I could run the ESP8266’s I2S bus (a glorified shift register) and the answer was 80 MHz. This is much faster than I expected. Faster than the 1.41 MHz used for audio (its intended purpose), 2.35 MHz used for controlling WS2812B LEDs or 4 MHz used to hopefully operate a reprap. It occasionally glitches at 80 MHz, however, it still works surprisingly well!

The coolest part of using the chip’s I2S bus is the versatile DMA engine connected to it. Data blocks can be chained together to seamlessly shift the data out, and interrupts can be generated upon a block’s completion to fill it in with new data. This allows the creation of a software defined bitstream in an interrupt.

Why NTSC? If I lived in Europe, it would have been PAL. The question you’re probably thinking is: “Why a dead standard?” And there’s really three reasons.

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Why Aren’t We Arguing More about Mr Robot?

Editor’s note: Thar be spoilers below.

Showing any sort of ‘hacking’ on either the big screen or the small often ends in complete, abject failure. You only need to look at Hackers with its rollerblading PowerBooks, Independance Day where the aliens are also inexplicably using PowerBooks, or even the likes of Lawnmower Man with a VR sex scene we keep waiting for Oculus to introduce. By design, Mr Robot, a series that ended its first season on USA a month ago, bucks this trend. It does depressed, hoodie-wearing, opioid-dependant hackers right, while still managing to incorporate some interesting tidbits from the world of people who call themselves hackers.

Desktop Environments

In episode 0 of Mr Robot, we’re introduced to our hiro protagonist [Elliot], played by [Rami Malek], a tech at the security firm AllSafe. We are also introduced to the show’s Macbeth, [Tyrell Wellick], played by Martin Wallström]. When these characters are introduced to each other, [Tyrell] notices [Elliot] is using the Gnome desktop on his work computer while [Tyrell] says he’s, “actually on KDE myself. I know [Gnome] is supposed to be better, but you know what they say, old habits, they die hard.”

[Elliot], running Kali with Gnome
[Elliot], running Kali with Gnome
While this short exchange would appear to most as two techies talking shop, this is a scene with a surprisingly deep interpretation. Back in the 90s, when I didn’t care if kids stayed off my lawn or not, there was a great desktop environment war in the land of Linux. KDE was not free, it was claimed by the knights of GNU, and this resulted in the creation of the Gnome.

Subtle, yes, but in one short interaction between [Elliot] and [Tyrell], we see exactly where each is coming from. [Elliot] stands for freedom of software and of mind, [Tyrell] is simply toeing the company line. It’s been fifteen years since message boards have blown up over the Free Software Foundation’s concerns over KDE, but the sentiment is there.

Biohacking

There’s far more to a hacker ethos than having preferred Linux desktop environments. Hacking is everywhere, and this also includes biohacking, In the case of one Mr Robot character, this means genetic engineering.

In one episode of Mr Robot, the character Romero temporarily gives up his power in front of a keyboard and turns his mind to genetics. He “…figured out how to insert THC’s genetic information code into yeast cells.” Purely from a legal standpoint, this is an interesting situation; weed is illegal, yeast is not, and the possibilities for production are enormous. Yeast only requires simple sugars to divide and grow in a test tube, marijuana actually requires a lot of resources and an experienced staff to produce a good crop.

Life imitates art, but sometimes the reverse is true. Just a few weeks after this episode aired, researchers at  Hyasynth Bio announced they had genetically modified yeast cells to produce THC and cannabidiol.

The promise of simply genetically modifying yeast to produce THC is intriguing; a successful yeast-based grow room could outproduce any plant-based operation, with the only input being sugar. Alas, the reality of the situation isn’t quite that simple. Researchers at Hyasynth Bio have only engineered yeast to turn certain chemical precursors into THC. Making THC from yeast isn’t yet as simple as home brewing an IPA, but it’s getting close, and a great example of how Mr Robot is tapping into hacking, both new and old.

Why Aren’t We Arguing More About This?

The more we ruminate on this show, the more there is to enjoy about it. It’s the subtle background that’s the most fun; the ceiling of the chapel as it were. We’re thinking of turning out a series of posts that works through all the little delights that you might have missed. For those who watched and love the series, what do you think? Perhaps there are other shows worthy of this hacker drill-down, but we haven’t found them yet.