What Does Your Necklace Say?

February 17, 2020 by Brian McEvoy 2 Comments

If we write about sound reproduction, there is a good chance we found a home-made amplifier or an upcycled speaker system. In this case, you don’t use your ears to appreciate the sound; you use your hands or eyes. [ElatisEagles] converted an amplitude sound graph into a wearable bead. Even without much background it should be immediately recognizable for what it is. Presumably, they converted a sound wave to vectors, then used the “Revolve” function in Rhino, their software of choice. Sometimes this is called a “lathe” function. Resin printers should be able to build these without supports and with incredible fidelity.

Some tattoos put a sound wave on the skin, and use an app to play it back, but if you want to wear a sound bite from your favorite show and not get branded as the “Pickle Rick” gal/guy at the office, maybe swap out the color and sound wave before it goes stale. We would wear a bead that says, “drop a link in our tip line,” but you can probably think of something more clever.

We have other high-tech ornamentation that leverages motion instead of sound, or how about a necklace that listens instead.

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Sequence Your Beats With The Magic Of Magnets

February 15, 2020 by Lewin Day 10 Comments

Typically, when we think of a music sequencer, we envisage LEDs and boards covered in buttons. Of course, there are naturally other ways to build such a device. MesoTune takes a different tack entirely, relying on magnets and rotating mechanisms to get the job done.

MesoTune acts as a MIDI controller, and is designed to be hooked up to a computer or other MIDI synthesizer device. The heart of MesoTune is a set of eight magnet wheels, rotating together on a common shaft. The rotational speed of the shaft, dictated by the requested tempo in beats per minute, is controlled by an Arduino. Each magnet wheel has 16 slots into which the user can place a spherical magnet. Every time a magnet on the wheel passes a hall sensor, it sends a MIDI message to the attached computer which is then responsible for using this to synthesize the relevant sound.

There are other useful features, too. Each of the eight magnet wheels, or channels, gets its own fader, which can be used to control volume or other parameters. There’s also a handy tempo display, and a 16-button touchpad for triggering other events. These additions make it more practical to use in a compositional context, where it’s nice to have extra controls to make changes on the fly.

Made out of 3D printed parts and readily available off the shelf components, it’s a fun alternative sequencer design that we’re sure many makers could whip up in just a weekend. We’d love to see other remixes of the design – if you’ve got one, hit us up at the tipline. We’ve seen other great sequencer builds before, too. Video after the break.

Music Player Erected From Floppy Disks

February 7, 2020 by Kristina Panos 26 Comments

Holding on to a cache of old floppies because nostalgia? Us too, and this might be the coolest possible use for ’em. While it’s fun to imagine that he wrote a compression algorithm to fit a lossless copy of Coltrane’s Blue Train on a 1.44Mb coaster, or somehow rolled his own mini-disc, [Dino Fizzotti]’s Diskplayer uses floppies to serve up Spotify albums.

What’s actually on the floppy, then? The corresponding Spotify album URL. He just pops a disk in the drive, and the Pi does the rest — it detects the floppy event and executes a script that starts an open-source Spotify client. There’s no track skipping and no shuffle, just the entire album as intended, take it or eject it. If you think about it, he’s actually managed to improve on the vinyl experience, since all the songs are on one side. Demo is queued up after the break, and it includes [Dino]’s simple web interface for writing the Spoti-floppies.

When this project started seven months ago, [Dino] intended to bring his vinyl collection into the 21st century with RFID tags, but we’re glad that he decided to involve a fairly obsolete medium. Don’t have a drive or a heap of floppies gathering dust in a closet? Neither did [Dino]. But he found plenty of people selling pretty-colored floppies on ebay, and Amazon has tons of cheap external drives. We think the album art stickers are a nice touch, as is matching album cover color to floppy. He’s right to lock those bad boys up.

Got a bunch of floppy drives? Build a Floppotron and make your own music!

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Writing Dance Bangers Like It’s 1990 Again

February 4, 2020 by Lewin Day 14 Comments

Dance and house music exploded in a big way at the end of the 1980s. Typically the product of well-equipped studios with samplers and mixers worth thousands of dollars, it was difficult for the home gamer to get involved. That was, until the advent of the glorious Amiga, as [cTrix] ably demonstrates.

Sampling on your Amiga often meant sneaking off with the family hi-fi.

The video explains the history of both the music and the hardware, and highlights just why the Amiga was so special. Packing stereo audio and a four-channel sound chip, it had the grunt to pump out the tunes. All it was lacking was an audio input – which is where third-party hardware stepped in. Parallel-port analog-to-digital converters hit the market in a big way, letting users sample audio on their home computer without breaking the bank.

[cTrix] then proceeds to demonstrate how one would go about producing a dance track on an Amiga way back in 1990. A home stereo is used to play records, hooked up to a Stereo Master parallel port sampler. With a bunch of drum, piano, and synth samples recorded and saved on disk, a tracker is then used to assemble the track. It’s then compared with other music from the era as a great example of how things used to be done.

Overall, the Amiga will long have a legacy as the machine that brought real multimedia capabilities to the home computer. It’s one of our favourites, though keeping them going can be tough sometimes. Video after the break.

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Nifty Soundbender Built From EBay Modules

February 4, 2020 by Lewin Day 5 Comments

Custom audio greeting cards are a trifling gimmick, and a hefty investment compared to their paper-based colleagues. However, the technology inside can be twisted and hacked towards more interesting ends, as [lonesoulsurfer] demonstrates with his sound-bending build.

Rather then go to the trouble and expense of gutting a greeting card, [lonesoulsurfer] simply purchases the sound recording module off eBay which often turns out cheaper anyway. It’s hacked with a couple extra buttons and a speed control, and then wired up with a reverb module that itself gets tweaked to add an echo mode. It’s all bundled up with a speaker and microphone and installed in a case that formerly held an ignition tuning analyzer from the 1970s.

The final result is quite handsome, with a wooden panel holding the speaker and a smattering of knobs, buttons, and switches to play with. After recording an audio sample, it’s possible to speed it up, slow it down, and add echo and reverb until you’re left with something unrecognizable and weird. We’ve actually seen similar projects before, like this author’s first ever article for these hallowed pages. Video after the break.

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Harmonicade Is A High-Scoring MIDI Controller

January 29, 2020 by Kristina Panos 12 Comments

When [KOOP Instruments] started learning the piano, he wasn’t prepared for the tedium of learning chords and their relationships on the standard keyboard layout. But instead of killing his desire to tickle the ivories, it inspired him to explore alternative layouts that are easier to play. He converted to Isomorphism, started building MIDI controllers, and hasn’t looked back.

The latest incantation is Harmonicade, a dual-decked number arranged Wicki-Hayden style. Both decks have 5½ octaves, are (electrically) identical, and run off a single Teensy 3.6. We admire [KOOP]’s use of DB25 connectors to wrangle the wiring between the decks and the Teensy — quite a neat solution. Almost as neat as his beautifully-commented code.

Although the button decks and control boxes are all printed and open source, they are designed to be easily made from acrylic or plywood instead. [KOOP] is going to keep iterating until he’s totally happy with the control locations and layout, and the ease of breakdown and reassembly. We’ve got a double shot of videos for you after the break — one of [KOOP] playing Harmonicade, and a longer one exploring and playing its precursor, the Melodicade.

Tired of conventional-looking MIDI controllers? We hear your bellows and offer this MIDI controller in a concertina.

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One Chip Does It All In This MacGuyver Synth

January 27, 2020 by Kristina Panos 33 Comments

When you think of simple synths, what components come to mind? All you really need to make one is an oscillator, an amplifier, and some kind of input such that you can play different notes. Our favorite go-to for churning out square waves is probably the 40106 IC, which has six inverting Schmitt triggers, and then usually a 386 to amplify the output.

But it’s possible to go even simpler than that, and school is in session with [Jule] giving the lesson. [Jule]’s little analog synth uses a single IC for both the oscillator and the amplifier — a TL072 op-amp. The rest is made of purely discrete components.

[Jule] says those momentary switches are sub-par, and will add a vibrato effect if properly wiggled while pressed. To us, the buttons looks pretty nice, and much easier to jam out with than the ones with 1/8″ diameter actuators. Plus, whenever you press multiple buttons, the additive resistance unlocks the synth’s inner R2D2 voice. We really see no downsides here.

By default, this is an eight-button synth tuned to C major. But there’s a surprise — you can plug different capacitors into a piece of header and change the octave on the fly. Check it out after the break.

Making pitch-correct frequencies requires weird resistor values, which we can usually satisfy with two resistors in series. But wait, what’s up with resistor values, anyway? And why do they have a color code?

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