Laser Cut Cardboard Robot Construction Kit Eases Learning And Play

It has never been easier to put a microcontroller and other electronics into a simple project, and that has tremendous learning potential. But when it comes to mechanical build elements like enclosures, frames, and connectors, things haven’t quite kept the same pace. It’s easier to source economical servos, motors, and microcontroller boards than it is to arrange for other robot parts that allow for cheap and accessible customization and experimentation.

That’s where [Andy Forest] comes in with the Laser Cut Cardboard Robot Construction Kit, which started at STEAMLabs, a non-profit community makerspace in Toronto. The design makes modular frames, enclosures, and basic hardware out of laser-cut corrugated cardboard. It’s an economical and effective method of creating the mechanical elements needed for creating robots and animatronics while still allowing easy customizing. The sheets have punch-out sections for plastic straws, chopstick axles, SG90 servo motors, and of course, anything that’s missing can be easily added with hot glue or cut out with a knife. In addition to the designs being open sourced, there is also an activity guide for educators that gives visual examples of different ways to use everything.

Cardboard makes a great prototyping material, but what makes the whole project sing is the way the designs allow for easy modification and play while being easy to source and produce.

Sonic Robots Don’t Play Instruments, They Are The Instruments

[Moritz Simon Geist]’s experiences as both a classically trained musician and a robotics engineer is clearly what makes his Techno Music Robots project so stunningly executed. The robotic electronic music he has created involves no traditional instruments of any kind. Instead, the robots themselves are the instruments, and every sound comes from some kind of physical element.

A motor might smack a bit of metal, a hard drive arm might tap out a rhythm, and odder sounds come from stranger devices. If it’s technological and can make a sound, [Moritz Simon Geist] has probably carefully explored whether it can be turned into one of his Sonic Robots. The video embedded below is an excellent example of his results, which is electronic music without a synthesizer in sight.

We’ve seen robot bands before, and they’re always the product of some amazing work. The Toa Mata Lego Band are small Lego units and Compressorhead play full-sized instruments on stage, but robots that are the instruments is a different direction that still keeps the same physical element to the music.

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These Twenty Projects Won The Musical Instrument Challenge In The Hackaday Prize

The Hackaday Prize is the greatest hardware competition on the planet. It’s the Academy Awards of Open hardware, and over the past few months we’ve challenged makers and artists to create the Next Big Thing. All things must come to an end, though, and last week we wrapped up the final challenge in the Hackaday Prize. The results were fantastic, with over one hundred entries to the Musical Instrument Challenge. Now, we’re ready to announce the winners.

Over the past few months, we’ve been running a series of five challenges, and picking the best twenty projects to come out of these challenges. The Musical Instrument Challenge was the final challenge in The Hackaday Prize, and now we’re happy to announce the winners. These projects have been awarded a $1,000 cash prize, and they’re moving onto the final round where one lucky winner will receive the Grand Prize of $50,000. Here are the winners of the Musical Instrument Challenge, in no particular order:

Musical Instrument Challenge Hackaday Prize finalists:

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The Incredible Judges Of The Hackaday Prize

The last challenge of The Hackaday Prize has ended. Over the past few months, we’ve gotten a sneak peek at over a thousand amazing projects, from Open Hardware to Human Computer Interfaces. This is a contest, though, and to decide the winner, we’re tapping some of the greats in the hardware world to judge these astonishing projects.

Below are just a preview of the judges in this year’s Hackaday Prize. In the next few weeks, we’ll be sending the judging sheets out to them, tallying the results, and in just under a month we’ll be announcing the winners of the Hackaday Prize at the Hackaday Superconference in Pasadena. This is not an event to be missed — not only are we going to hear some fantastic technical talks from the hardware greats, but we’re also going to see who will walk away with the Grand Prize of $50,000.



Sherry Huss

Sherry Huss is the former vice president of Maker Media, and oversees the publishing of Make Magazine and Maker Faires across the globe. Sherry is a major advocate of ‘all things maker’ in the global community, and her vision and passion for the maker movement was instrumental in growing the Make: brand within the maker ecosystem. Under her guidance, the largest Maker Faires, the Bay Area and World Maker Faire in New York, have grown from just a few thousand people in 2006 to events with over 200,000 attendees each year. Sherry is a giant in the Maker world, and an unending advocate of maker, DIY, and everyone who makes, whether that’s through wood, code, metal, solder, or fabric.

Anool Mahidharia

Anool is an electrical engineer, and works in Test & Measurement at Lumetronics. He’s part of WyoLum, an international group of hardware nerds who are consistently pumping out projects that push the limits of how blinky, glowey, and interesting a thing can be. They’re behind some projects you may have caught at random hacker meetups, and the creators of an absurd RGB LED cube that’s also a die. Anool is, by every account, an extremely capable hardware engineer, a longtime writer for Hackaday, and is constantly travelling the world presenting the latest developments in electronics to the public.

Danielle Applestone

Before founding Other Machine Co., now Bantam Tools, makers of tiny desktop milling machines that make fantastic circuit boards, Danielle Applestone worked with DARPA to develop high-precision machines that were effectively made out of kitchen cutting boards. HDPE, it turns out, is extraordinarily mechanically stable, cuts and machines easily, and can make very rigid components. Danielle spun this research out into the Othermill, an actual successful hardware startup. Danielle talked about this experience at the Hackaday Superconference, and we’re thrilled to have her on board judging other makers in their efforts to create the next big hardware thing.

Kwabena Agyeman

Kwab is one of the leading experts in computer vision and machine learning applications, and specializes in FPGA and Chip design. His greatest contribution to Open Hardware is the OpenMV, a platform for Computer Vision, ‘at the edge’, or basically a very high performance microcontroller and camera module on a single board, that’s running computer vision algorithms. This project began as a Hackaday Prize project that was then bootstrapped into a successful business. Formerly of Planet Labs where he spent his time pulling off Apollo 13-level hacks on space assets, Kwab is among the most successful designers in the world of Open Hardware.

These are just a few of the amazingly accomplished judges we have lined up to determine the winner of this year’s Hackaday Prize. The winner will be announced on November 3rd at the Hackaday Superconference. There are still tickets available, but if you can’t make it, don’t worry. We’re going to be live streaming everything, including the prize ceremony, where one team will walk away with the grand prize of $50,000. It’s not an event to miss.

Listen To A Song Made From Custom Nintendo LABO Waveform Cards

[Hunter Irving] has been busy with the Nintendo LABO’s piano for the Nintendo Switch. In particular he’s been very busy creating his own custom waveform cards, which greatly expands the capabilities of the hackable cardboard contraption. If this sounds familiar, it’s because we covered his original method of creating 3D printed waveform cards that are compatible with the piano, but he’s taken his work further since then. Not only has he created new and more complex cards by sampling instruments from Super Nintendo games, he’s even experimented with cards based on vowel sounds in an effort to see just how far things can go. By layering the right vowel sounds just so, he was able to make the (barely identifiable) phrases I-LIKE-YOU, YOU-LIKE-ME, and LET’S-A-GO.

Those three phrases make up the (vaguely recognizable) lyrics of a song he composed using his custom waveform cards for the Nintendo LABO’s piano, appropriately titled I Like You. The song is at the 6:26 mark in the video embedded below, but the whole video is worth a watch to catch up on [Hunter]’s work. The song is also hosted on soundcloud.

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The Solution To DJs Playing Their MacBooks

The greatest invention relating to music in the 20th century was multi-track recording, for which we have Les Paul to thank. The second greatest? Non-linear editing and Pro Tools. For some bizarre reason, we have Ricky Martin to thank for that because Livin’ La Vida Loca was the first #1 single to be recorded and mixed entirely in Pro Tools.

The third greatest invention in recording since Edison is the plugin. If you’ve already got a computer sitting in front of you, you’ve got every instrument ever made. All you need is a plugin. [Jan] was working on his live setup recently, and didn’t want to look like a DJ playing the MacBook. Instead, he built a box that combines those powerful plugins into a single, easy to use box that sits right on top of his keyboard.

Inside this box is a modern Windows machine with a PCI Express audio interface. The display is not a touchscreen, because [Jan] originally thought a touchscreen wouldn’t be good for a live performance. He’s reconsidering that now. Other than that, you’re looking in effect at a microATX motherboard and a 10″ LCD in a box, but that’s where this build gets interesting.

The mechanical design of this build is of paramount importance, so [Jan] is using two mod wheels on the side, a bunch of silicone buttons on the bottom, and a few rotary encoders. These are MIDI controls, able to change whatever variables are available in the custom VSTs. That in itself is a pretty interesting build, with circuit bent MIDI controllers and off-the-shelf buttons.

The completed build attaches right to the Nord Stage master keyboard, and eight VST instrument channels are right at [Jan]’s fingertips. You can check out a video of this build in action below.

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An Open Source Toy Synth

If you thought the future of electronic musical instruments was massive Emerson-class modular synths, giant MPCs with pads the size of Dance Dance Revolution machines, or hilariously expensive polysynths, you couldn’t be more wrong. The future is, effectively, toys. Those tiny little Korgs you can stuff in your pocket are selling like hot cakes, and Pocket Operators are king of the hill. One of the more interesting musical toys is the Organelle, an aluminum enclosure with maple buttons laid out in a keyboard configuration. It’s a synth, it’s a sound engine, and it does produce some interesting noises. All the software is Open Source, but the hardware isn’t. That leaves it up to someone else to make the hardware for the rest of us. That’s exactly what [mitchell] is doing for his Hackaday Prize entry.

The core of this build is a Nanopi Neo Core, or basically an Allwinner H3 breakout board with 256 MB of RAM running at 1.2 GHz. This runs the basic Organelle scripts, and has all the drivers to become a MIDI device. Added to that, there’s a DAC, a small TFT screen, an STM32F103 for reading the buttons, encoders, and pots, a sound card, a USB hub IC, and a battery torn from a Kindle.

The idea for this project is to have something along the lines of the Teenage Engineering OP-1, another of the very fancy ‘toy’ synths, but also to build something that anyone else can build. [mitchell] is just about there, and the prototype PCB he made actually works. There’s still a lot more work to do, but this is an exceptionally interesting project we can’t wait to see hit prime time.