The Seductive Pull Of An Obsolete Home Movie Format

It’s dangerous for a hardware hacker to go into a second-hand store. I was looking for a bed frame for my new apartment, but of course I spent an age browsing all the other rubbish treasures on offer. I have a rough rule of thumb: if it’s not under a tenner and fits in one hand, then it has to be exceptional for me to buy it, so I passed up on a nice Grundig reel-to-reel from the 1960s and instead came away with a folding Palm Pilot keyboard and a Fuji 8mm home movie camera after I’d arranged delivery for the bed. On those two I’d spent little more than a fiver, so I’m good. The keyboard is a serial device that’s a project for a rainy day, but the camera is something else. I’ve been keeping an eye out for one to use for a Raspberry Pi camera conversion, and this one seemed ideal. But once I examined it more closely, I was drawn into an unexpected train of research that shed some light on what must of been real objects of desire for my parents generation.

A Thrift Store Find Opens A Whole New Field

One f the surprises comes in just how small this thing is.
One of the surprises comes in just how small this thing is.

The Fuji P300 from 1972 is typical among consumer movie cameras of the day. It takes the form of a film magazine with a zoom lens assembly on its front, a reflex viewfinder on its side, and a handle with a shutter trigger button on it protruding vertically below the magazine and also housing the batteries.

Surprisingly it still has a mercury cell that would have powered its light meter; a minor annoyance to dispose of this correctly. Sometimes these devices had clockwork motors, but this one has an electric motor. It also has a light sensor that is coupled to some kind of electromechanical aperture. It would have been an expensive camera when it was new, probably as much of a purchase as an SLR or a decent mirrorless camera here in 2021.

The surprise came when I opened it up, for it looked like no other 8mm camera I had seen. I’m familiar wit the two reels of a Standard 8 or the boxy cassette of Super 8, but this one used something different. That film magazine is made to fit a compact twin-reel cartridge whose film fits in a metal film gate. This is a Single 8 camera, Fuji’s entry in the all-in-one 8 mm film market, and a format I never knew existed. To explain my unexpected discovery it was necessary to delve into the world of home movie formats in the decade before videotape arrived and drove them out. Continue reading “The Seductive Pull Of An Obsolete Home Movie Format”

Robot with glowing eyes

Spatial AI And CV Hack Chat

Join us on Wednesday, December 1 at noon Pacific for the Spatial AI and CV Hack Chat with Erik Kokalj!

A lot of what we take for granted these days existed only in the realm of science fiction not all that long ago. And perhaps nowhere is this more true than in the field of machine vision. The little bounding box that pops up around everyone’s face when you go to take a picture with your cell phone is a perfect example; it seems so trivial now, but just think about what’s involved in putting that little yellow box on the screen, and how it would not have been plausible just 20 years ago.

Erik Kokalj

Perhaps even more exciting than the development of computer vision systems is their accessibility to anyone, as well as their move into the third dimension. No longer confined to flat images, spatial AI and CV systems seek to extract information from the position of objects relative to others in the scene. It’s a huge leap forward in making machines see like we see and make decisions based on that information.

To help us along the road to incorporating spatial AI into our projects, Erik Kokalj will stop by the Hack Chat. Erik does technical documentation and support at Luxonis, a company working on the edge of spatial AI and computer vision. Join us as we explore the depths of spatial AI.

join-hack-chatOur Hack Chats are live community events in the Hackaday.io Hack Chat group messaging. This week we’ll be sitting down on Wednesday, December 1st at 12:00 PM Pacific time. If time zones have you tied up, we have a handy time zone converter.

Super 8 Camera Brought Back To Life

The Super 8 camera, while a groundbreaking video recorder in its time, is borderline unusable now. Even if you can get film for it (and afford its often enormous price), it still only records on 8mm film which isn’t exactly the best quality of film around, not to mention that a good percentage of these cameras couldn’t even record audio. They were largely made obsolete by camcorders in the late ’80s and early ’90s, although some are still used for niche artistic purposes. If you’d rather not foot the bill for the film, though, you can still put one of these to work with the help of a Raspberry Pi.

[befinitiv] has a knack for repurposing antique analog equipment like this while preserving its aesthetic. While the bulk of the space inside of this camera would normally be used for housing film, this makes a perfect spot to place a Raspberry Pi Zero, a rechargeable battery, and a power converter circuit all in a 3D printed enclosure that snaps into the camera just as a film roll would have. It uses the Pi camera module but still makes use of the camera’s built in optics which include a zoom function. [befinitiv] also incorporated the original record button so that from the outside this looks like a completely unmodified Super 8 camera.

The camera can connect to a WiFi network and can stream live video to a computer, or it can record video files to an internal SD card. As a bonus, thanks to the power converter circuit, it is also capable of charging a cell phone. [befinitiv] notes that many of the aesthetic properties of 8 mm film seem to be preserved when using this method, and he has several theories as to why but no definitive answer. If you’d like to take a look at some of his other projects like this, check out this analog camera that is now able to take digital pictures. Continue reading “Super 8 Camera Brought Back To Life”

Printed Adapter Puts Vintage Lens Back To Work

While browsing through an antiques shop, [Nick Morganti] came across a Kodak slide projector with an absolutely massive lens hanging off the front. Nearly a foot long and with a front diameter of approximately four inches, the German-made ISCO optic was a steal for just $10. The only tricky part was figuring out how to use it on a modern DSLR camera.

After liberating the lens from the projector, [Nick] noted the rear seemed to be nearly the same diameter as the threaded M42 mount that was popular with older film cameras. As luck would have it, he already had an adapter that let him use an old Soviet M42 lens on his camera. The thread pitch didn’t match at all, but by holding the lens up to the adapter he was able to experiment a bit with the focus and take some test shots.

Encouraged by these early tests, [Nick] went about designing a 3D printed adapter. His first attempt was little more than a pair of concentric cylinders, and was focused like an old handheld spyglass. This worked, but it was quite finicky to use with the already ungainly lens. His second attempt added internal threads to the mix, which allowed him to more easily control focus. After he was satisfied with the design, he glued a small ring over the adapter so the lens could no longer be unscrewed all the way and accidentally fall out.

To us, this project is a perfect application of desktop 3D printing.[Nick] was able to conceptualize a one-of-a-kind design, test it, iterate on it, and arrive on a finished product, all without having to leave the comfort of his own home. To say nothing of the complex design of the adapter, which would be exceedingly difficult to produce via traditional means. Perhaps some people’s idea of a good time is trying to whittle a lens bayonet out of wood, but it certainly isn’t ours.

So it’s probably little surprise we’ve seen a number of similar projects over the years. From monstrous anamorphic adapters to upgraded optics for the Game Boy Camera, it seems there’s a healthy overlap between the 3D printing and photography communities.

Everything You Always Wanted To Know About Radioactive Lenses

We think of radioactive material as something buried away in bunkers with bombs, power plants, and maybe some exotic medical equipment. But turns out, there are little bits of radiation in the water, our soil, bananas, granite countertops, smoke detectors, and even some camera lenses. Camera lenses? A few decades ago, camera companies added rare elements like thorium to their glass to change the optical properties in desirable ways. The downside? Well, it made the lenses somewhat radioactive.  A post by [lenslegend] explains it all.

Exotic elements such as Thorium, Lanthanum and Zirconium are added to glass mixtures to create the high refractive indexes necessary in sophisticated lens designs. Selection of premium quantities of glass from the large glass pots, stringent spectrophotometric tests after stress and strain checks provide the valuable raw glass for ultimate use in lens elements.
Konica Hexanon Lens Guide, Konica Camera Company, 1972

According to [lenslegend] the practice started in 1945 with Kodak. However, by the 1980s, consumer distaste for radioactive things and concern for factory workers ended the production of hot camera lenses.

Continue reading “Everything You Always Wanted To Know About Radioactive Lenses”

Raspberry Pi Crammed Into Old Film Camera

If you wanted an expensive film camera when you were a kid, you are in luck. Used film SLRs are super cheap now that everyone wants digital cameras. Of course, in reality, you want a digital camera, too. So do what [befinitiv] did. Make a film cartridge out of a Raspberry Pi that can convert your camera to digital. (Video, embedded below.)

In theory, this sounds like a genius idea. The practical aspect isn’t perfect, though. For one thing, the small image sensor used means that the camera is zoomed in quite a bit. Also, the shutter button isn’t integrated, so the shutter is open all the time. You may think that doesn’t matter, but don’t forget that the way an SLR works means if the shutter is open, there’s no viewfinder.

Continue reading “Raspberry Pi Crammed Into Old Film Camera”

Scanning Medium Format Film On A 35mm Scanner

Scanning film is great for archival purposes as well as sharing said photos digitally. However, if you’re scanning 120 film, aka medium format, it can be expensive to get the requisite hardware. 35mm scanners are comparatively more common, so [Christian Chapman] decided to modify one to suit medium film instead.

The hack is for the Plustek 8100, and requires modifying the scanner in two ways. Firstly, the driver has to be scanned to sweep a longer range to take into account the bigger film. Secondly, a part of the film carriage has to be replaced so it doesn’t show up in the scanners field of view.

The former is achieved by using the sane-genesys scanner software backend, which can be easily modified to adjust the scan length values appropriately. The latter is achieved via 3D printing replacement components that fit without blocking the requisite area.

It’s a tidy hack and one that allows [Christian] to both scan medium format film as well as overscan 35mm film to capture details from the sprocket hole area. We’ve seen fully custom film scanner builds before, too. If you’ve built your own scanner, be sure to drop us a line!