Adversarial IR Hoodie Lets You Own The Night In Anonymity

If you’re in the market for something to obfuscate your nefarious nocturnal activities, rejoice — this adversarial infrared hoodie may be just what you’re looking for.

Not that we condone illegal activities, of course, and neither does artist [Mac Pierce], who created “The Camera-Shy Hoodie.” His purpose seems to be exploring the nature of the surveillance state, or rather to perplex it in the name of anonymity. The idea is simple — equip a standard hoodie with a ring of super-bright IR LEDs, and control them with an RP2040.

We’ve seen blinding hoodies before, but here the LEDs strobe on and off in one of three different patterns, all of which are timed to confound the autoexposure mechanism in just about any surveillance camera by not giving it time to adjust to the rapidly and drastically changing light level. The result is near-total obfuscation of the wearer’s facial features, at least when the camera is in night-vision mode. Check out the results in the video below.

There are some nice touches to [Mac]’s approach, like aluminum PCBs for the LEDs and the use of soldered-on fabric snaps to attach them to the inside of the hoodie, making them easy to remove for laundering. With the LEDs peeking through holes in the fabric, the hoodie looks pretty run-of-the-mill — until, of course, night falls and the USB battery bank in the hoodie’s pocket powers up the light show.

Granted, this won’t exactly help you avoid detection — the big ball of light around your head will be instantly seen by even the most casual observer. But at least it makes it easier to keep your face to yourself. And it won’t help much in daylight — for that, you might want something a little more like this passive adversarial ugly sweater.

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A Medium Format Camera From Scratch

Film photography may now be something so outdated as to be unknown to our younger readers, but as an analogue medium it has enjoyed a steady enthusiast revival. There is still a bonanza of second-hand cameras from the days when it was king to be found, but for some photographers it’s preferable to experiment with their own designs. Among them is Reddit user [elelcoolbeenz], who has produced their own medium format camera for 120 roll film.

The camera has a plastic 3D printed body and a single meniscus lens, and perhaps most interestingly, a 3D printed shutter too. It’s heavily reminiscent of the Holga and Lomo plastic cameras that have carved a niche for themselves, and it gives the same photographic effects from its dubious quality optics.

There’s a snag of course, that the STLs are not yet available We say not yet, because this comes with a detailed explanation in that further work is required on the shutter and a more commonly available lens is found rather than a one-off. We still think it’s worthy of featuring at this stage though, because it serves to illustrate that building a camera is not impossible. We’d love to see more of them, though we expect few of them to go to the lengths this aluminium one did.

An Instant Camera Using E-Paper As Film

The original Polaroid cameras were a huge hit not just for their instant delivery, but for the convenient size of the permanent images they delivered. It’s something that digital cameras haven’t been able to replicate, which drew [Cameron] to produce a modern alternative. In the place of the chemical film of the original, it uses a removable e-paper display in a frame. The image is stored in the pixels of the e-paper, which can be kept as a digital version of the photograph until reattached and replaced with another freshly taken picture.

At its heart is an ESP32 with a camera, and the “film” is a Waveshare NFC e-paper module. The device is 3D printed, and manages a very creditable early-1970s aesthetic redolent of the more upmarket Polaroids of the day. Using it is as simple as pressing the button and deciding whether you like what’s on the screen. You can see it in action in the video below the break.

We like his project for its aesthetics, as well as for the very idea of using e-paper as a medium. There’s also something to be said for not having to put a Polaroid print in a clip under your armpit while it develops. Meanwhile if you do hanker for the real thing, it’s a subject we’ve looked at in the past.

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Weatherproof Raspberry Pi Camera Enclosure, In A Pinch

The Raspberry Pi is the foundation of many IoT camera projects, but enclosures are often something left up to the user. [Mare] found that a serviceable outdoor enclosure could be made with a trip to the hardware store and inexpensive microscopy supplies.

A suitably-sized plastic junction box is a good starting point, but it takes more than that to make a functional enclosure.

The main component of the enclosure is a small plastic junction box, but it takes more than a box to make a functional outdoor enclosure. First of all, cable should be run into the box with the help of a cable fitting, and this fitting should be pointed toward the ground when the enclosure is mounted. This helps any moisture drip away with gravity, instead of pooling inconveniently.

All wire connections should be kept inside the enclosure, but if that’s not possible, we have seen outdoor-sealed wire junctions with the help of some 3D-printing and silicone sealant. That may help if cable splices are unavoidable.

The other main design concern is providing a window through which the camera can see. [Mare] found that the small Raspberry Pi camera board can be accommodated by drilling a hole into the side of the box, cleaning up the edges, and securing a cover slipĀ  (or clover glass) to the outside with an adhesive. Cover slips are extremely thin pieces of glass used to make microscope slides; ridiculously cheap, and probably already in a citizen scientist’s parts bin. They are also fragile, but if the device doesn’t expect a lot of stress it will do the job nicely.

[Mare] uses the Raspberry Pi and camera as part of Telraam, an open-source project providing a fully-automated traffic counting service that keeps anonymized counts of vehicle, pedestrian, and bicycle activity. Usually such a device is mounted indoors and aimed at a window, but this enclosure method is an option should one need to mount a camera outdoors. There’s good value in using a Raspberry Pi as a DIY security camera, after all.

Film Is Dead. Long Live Film, Say Pentax

If your answer to the question “When did you last shoot a roll of film” is “Less than two decades ago”, the chances are that you’re a camera enthusiast, and that the camera you used was quite old. Such has been the switch from film to digital, that the new film camera is a rarity. Pentax think there may be an opening in the older format though, as they’ve announced in the videos below the break that they’re working on a fresh range of film cameras to serve the enthusiast market.

We don’t know the economics of the camera business, but we’re certainly interested to see what they come up with. In a world that’s still awash with cheap film cameras from a few decades ago, whatever they produce will have to be good, but given that it’s Pentax who are making the announcement we’re guessing the quality will be of a high standard.

Perhaps more interesting in the revival of interest in film is that it comes at a point when designing and making your own camera has almost never been easier. If you’re bored waiting for the new Pentax, make your own!

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Photography, The Stereo Way

Most consumer-grade audio equipment has been in stereo since at least the 1960s, allowing the listener to experience sounds with a three-dimensional perspective as if they were present when the sound was originally made. Stereo photography has lagged a little behind the stereo audio trend, though, with most of the technology existing as passing fads or requiring clumsy hardware to experience fully. Not so with the DIY stereoscopic cameras like this one produced by this group of 3D photography enthusiasts, who haveĀ also some methods to view the photos in 3D without any extra hardware.

The camera uses two imaging sensors to produce a stereo image. One sensor is fixed, and the other is on a slider which allows the user to adjust the “amount” of 3D effect needed for any particular photo. [Jim] is using this camera mostly for macro photography, which means that he only needs a few millimeters of separation between the two sensors to achieve the desired effect, but for more distant objects more separation can be used. The camera uses dual Raspberry Pi processors, a lithium battery, and a touch screen interface. It includes a ton of features as well including things like focus stacking, but to get a more full experience of this build we’d highly recommend checking out the video after the break.

As for viewing the photographs, these stereoscopic 3D images require nothing more than a little practice to view them. This guide is available with some simple examples to get started, and while it does at first feel like a Magic Eye puzzle from the late 90s, it quickly becomes intuitive. Another guide has some more intricate 3D maps at the end to practice on as well. This is quite the step up from needing to use special glasses or a wearable 3D viewer of some sort. There are also some methods available to create 3D images from those taken with a regular 2D camera as well.

Thanks to [Bill] for the tip and the additional links to the guides for viewing these images!

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Printed Film Camera Gets 10 Seconds Out Of A 35mm Roll

When the British budget electronics brand Amstrad released their first budget VHS camcorder in the mid 1980s, they advertised it as making a filmmaker out of everyone. Now everyone truly is a filmmaker of sorts with their always-handy mobile phones, even though possessing a camera does not give you the talent of Steven Spielberg.

Such easy access to video hasn’t dimmed the allure of old-style film though, and there is a band of enthusiasts who seek out the older medium. [Joshua Bird] is one, and he’s produced a rather special 3D printed camera that can capture short videos on a standard roll of 35mm camera film. The downside is that, at the going rate, filming your masterpiece comes out to approximately $600 USD for each 10 minutes of footage. Better keep that dense exposition to a minimum.

The two most important mechanisms in a movie camera are the shutter and the film advance. The first is a disc that spins once a frame with an arc-shaped aperture over a section of it to let the light through, while the second is a hook that engages with the film once a frame after the shutter aperture has passed, to advance it to the next frame. Designing these to work in printed form is no easy task, and [Joshua] takes the reader through the various twists and turns in their development. Beyond that he takes a novel approach to a through-the-lens viewfinder, eschewing a split prism for an angled mirror on the shutter disk.

With each frame taking a fraction of the 35mm frame it’s clear from the video below that this doesn’t deliver the highest quality image. But that’s not the point of a device like this, above all it’s a working movie camera that he made himself. Since some of us have interests in that direction, dare we say we’re envious? Meanwhile, this isn’t the first 3D printed movie camera we’ve brought you.

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