Good Lighting On A Budget With Cordless Tool Batteries

It’s perhaps not fair, but even if you have the best idea for a compelling video, few things will make people switch off than poor lighting. Good light and plenty of it is the order of the day when it comes to video production, and luckily there are many affordable options out there. Affordable, that is, right up to the point where you need batteries for remote shoots, in which case you’d better be ready to open the purse strings.

When [Dane Kouttron] ran into the battery problem with his video lighting setup, he fought back with these cheap and clever cordless tool battery pack adapters. His lights were designed to use Sony NP-F mount batteries, which are pretty common in the photography trade but unforgivably expensive, at least for Sony-branded packs. Having access to 20 volt DeWalt battery packs, he combined an off-the-shelf battery adapter with a 3D printed mount that slips right onto the light. Luckily, the lights have a built-in DC-DC converter that accepts up to 40 volts, so connecting the battery through a protection diode was a pretty simple exercise. The battery pack just slots right in and keeps the lights running for portable shoots.

Of course, if you don’t already have DeWalt batteries on hand, it might just be cheaper to buy the Sony batteries and be done with it. Then again, there are battery adapters for pretty much every cordless tool brand out there, so you should be able to adapt the design. We’ve also seen cross-brand battery adapters which might prove useful, too.

The 1987 Videonics Editing System

Videonics: The Dawn Of Home Video Editing, Revisited

Here’s a slice of history that will make any retro-tech fan grin: before TikTok and iMovie, there was a beast called the Videonics DirectED Plus. This early attempt at democratizing video editing saved enthusiasts from six-figure pro setups—but only barely. Popular Science recently brought this retro marvel back to life in a video made using the very system that inspired it. Picture it: 1987, VHS at its peak, where editing your kid’s jazz recital video required not just love but the patience of a saint, eight VCRs, three Videonics units, two camcorders, and enough remotes to operate a space shuttle.

The Videonics DirectED Plus held promise with a twist. It offered a way to bypass monstrous editing rigs, yet mastering its panel of buttons felt like deciphering hieroglyphs. The ‘Getting Started’ tape was the analog era’s lifeline, often missing and leaving owners hunting through second-hand stores, forgotten basements, and enthusiast forums. Fast forward to today, and recreating this rig isn’t just retro fever—it’s a scavenger hunt.

The 1987 Videonics Editing SystemOnce assembled, the system resembled a spaghetti junction of cables and clunky commands. One wrong button press could erase precious minutes of hard-won footage. Still, the determination of DIY pioneers drove the machine’s success, setting the stage for the plug-and-play ease we now take for granted.

These adventures into retro tech remind us of the grit behind today’s seamless content creation. Curious for more? Watch the full journey by Popular Science here.

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Doing 1080p Video, Sort Of, On The STM32 Microcontroller

When you think 1080p video, you probably don’t think STM32 microcontroller. And yet! [Gabriel Cséfalvay] has pulled off just that through the creative use of on-chip peripherals. Sort of.

The build is based around the STM32L4P5—far from the hottest chip in the world. Depending on the exact part you pick, it offers 512 KB or 1 Mbyte of flash memory, 320 KB of SRAM, and runs at 120 MHz. Not bad, but not stellar.

Still, [Gabriel] was able to push 1080p at a sort of half resolution. Basically, the chip is generating a 1080p widescreen RGB VGA signal. However, to get around the limited RAM of the chip, [Gabriel] had to implement a hack—basically, every pixel is RAM rendered as 2×2 pixels to make up the full-sized display. At this stage, true 1080p looks achievable, but it’ll be a further challenge to properly fit it into memory.

Output hardware is minimal. One pin puts out the HSYNC signal, another handles VSYNC. The same pixel data is clocked out over R, G, and B signals, making all the pixels either white or black. Clocking out the data is handled by a nifty combination of the onboard DMA functionality and the OCTOSPI hardware. This enables the chip to hit the necessary data rate to generate such a high-resolution display.

There’s more work to be done, but it’s neat to see [Gabriel] get even this far with such limited hardware. We’ve seen others theorize similar feats on chips like the RP2040 in the Pi Pico, too. Video after the break.

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Shoot Smooth Video From Your Phone With The Syringe Slider

We love the idea [Btoretsukuru] shared that uses a simple setup called the Syringe Slider to take smoothly-tracked video footage of small scenes like model trains in action. The post is in Japanese, but the video is very much “show, don’t tell” and it’s perfectly clear how it all works. The results look fantastic!

Suited to filming small subjects.

The device consists of a frame that forms a sort of enclosed track in which one’s mobile phone can slide horizontally. The phone butts up against the plunger of an ordinary syringe built into the frame. As the phone is pushed along, it depresses the plunger which puts up enough resistance to turn the phone’s slide into a slow, even, and smooth glide. Want to fine-tune the resistance and therefore the performance? Simply attach different diameter tips to the syringe.

The results speak for themselves, and it’s a fantastically clever bit of work. There are plenty of DIY slider designs (some of which get amazingly complex) but they are rarely small things that can be easily gotten up close and personal with small subjects like mini train terrain.

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Supercon 2023: Ben Combee And The Hacker’s Guide To Audio/Video Formats

Media formats have come a long way since the early days of computing. Once upon a time, the very idea of even playing live audio was considered a lofty goal, with home computers instead making do with simple synthesizer chips instead. Eventually, though, real audio became possible, and in turn, video as well.

But what of the formats in which we store this media? Today, there are so many—from MP3s to MP4s, old-school AVIs to modern *.h264s. Senior software engineer Ben Combee came down to the 2023 Hackaday Supercon to give us all a run down of modern audio and video formats, and how they’re best employed these days.

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Is That Antenna Allowed? The Real Deal On The FCCs OTARD Rule

The Hackaday comments section is generally a lively place. At its best, it’s an endless wellspring of the combined engineering wisdom of millions of readers which serves to advance the state of the art in hardware hacking for all. At its worst — well, let’s just say that at least it’s not the YouTube comments section.

Unfortunately, there’s also a space between the best and the worst where things can be a bit confusing. A case in point is [Bryan Cockfield]’s recent article on a stealth antenna designed to skirt restrictions placed upon an amateur radio operator by the homeowners’ association (HOA) governing his neighborhood.

Hiding an antenna in plain sight.

Putting aside the general griping about the legal and moral hazards of living under an HOA, as well as the weirdly irrelevant side-quest into the relative combustibility of EVs and ICE cars, there appeared to be a persistent misapprehension about the reality of the US Federal Communications Commission’s “Over-the-Air Reception Devices” rules. Reader [Gamma Raymond] beseeched us to clarify the rules, lest misinformation lead any of our readers into the unforgiving clutches of the “golf cart people” who seem to run many HOAs.

According to the FCC’s own OTARD explainer, the rules of 47 CFR § 1.400 are intended only to prevent “governmental and nongovernmental restrictions on viewers’ ability to receive video programming signals” (emphasis added) from three distinct classes of service: direct satellite broadcasters, broadband radio service providers, and television broadcast services.

Specifically, OTARD prevents restrictions on the installation, maintenance, or use of antennas for these services within limits, such as dish antennas having to be less than a meter in diameter (except in Alaska, where dishes can be any size, because it’s Alaska) and restrictions on where antennas can be placed, for example common areas (such as condominium roofs) versus patios and balconies which are designated as for the exclusive use of a tenant or owner. But importantly, that’s it. There are no carve-outs, either explicit or implied, for any other kind of antennas — amateur radio, scanners, CB, WiFi, Meshtastic, whatever. If it’s not about getting TV into your house in some way, shape, or form, it’s not covered by OTARD.

It goes without saying that we are not lawyers, and this is not to be construed as legal advice. If you want to put a 40′ tower with a giant beam antenna on your condo balcony and take on your HOA by stretching the rules and claiming that slow-scan TV is a “video service,” you’re on your own. But a plain reading of OTARD makes it clear to us what is and is not allowed, and we’re sorry to say there’s no quarter for radio hobbyists in the rules. This just means you’re going to need to be clever about your antennas. Or, you know — move.

Original Game Boy Gets Display “Upgrade”

Before LCD and LED screens were ubiquitous, there was a time when the cathode ray tube (CRT) was essentially the only game in town. Even into the early 2000s, CRTs were everywhere and continuously getting upgrades, with the last consumer displays even having a semi-flat option. Their size and weight was still a major problem, though, but for a long time they were cutting edge. Wanting to go back to this time with their original Game Boy, [James Channel] went about replacing their Game Boy screen with a CRT.

The CRT itself is salvaged from an old video conferencing system and while it’s never been used before, it wasn’t recently made. To get the proper video inputs for this old display, the Game Boy needed to be converted to LCD first, as some of these modules have video output that can be fed to other displays. Providing the display with power was another challenge, requiring a separate boost converter to get 12V from the Game Boy’s 6V supply. After getting everything wired up a few adjustments needed to be made, and with that the CRT is up and running.

Unfortunately, there was a major speed bump in this process when [James Channel]’s method of automatically switching the display to the CRT let the magic smoke out of the Game Boy’s processor. But he was able to grab a replacement CPU from a Super Game Boy, hack together a case, and fix the problem with the automatic video switcher. Everything now is in working order for a near-perfect retro display upgrade. If you’d like to do this without harming any original hardware, we’ve seen a similar build based on the ESP32 instead.

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