video

358 Articles

Running Video Through A Guitar Effects Pedal

March 4, 2026 by 1 Comment

Guitar pedals are designed to take in a sound signal, do fun stuff to it, and then spit it out to your amplifier where it hopefully impresses other people. However, [Liam Taylor] decided to see what would happen if you fed video through a guitar pedal instead. 

The device under test is a Boss ME-50 multi-effects unit. It’s capable of serving up a wide range of effects, from delay to chorus to reverb, along with compression and distortion and a smattering of others. [Liam] hooked up the composite video output from an old Sony camcorder from the 2000s to a 3.5 mm audio jack, and plugged it straight into the auxiliary input of the ME-50 (notably, not the main guitar input of the device).

The multi-effects pedal isn’t meant to work with an analog video signal, but it can pass it through and do weird things to it regardless. Using the volume pedal on the ME-50 puts weird lines on the signal, while using a wah effect makes everything a little wobbly. [Liam] then steps through a whole range of others, like ring modulation, octave effects, and reverb, all of which do different weird things to the visuals. Particularly fun are some of the periodic effects which create predictable variation to the signal. True to its name, the distortion effect did a particularly good job of messing things up overall.

It’s a fun experiment, and recalls us of some of the fantastic analog video synths of years past. Video after the break.

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FLOSS Weekly Episode 863: Opencast: That Code Is There For A Reason

February 4, 2026 by 1 Comment

This week Jonathan chats with Olaf Andreas Schulte and Lars Kiesow about Opencast, the video management system for education. What does Opencast let a school or university accomplish, how has that changed over the last decade, and what exciting new things are coming? Watch to find out!

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How Big Is Your Video Again? Square Vs Rectangular Pixels

December 8, 2025 by 11 Comments

[Alexwlchan] noticed something funny. He knew that not putting a size for a video embedded in a web page would cause his page to jump around after the video loaded. So he put the right numbers in. But with some videos, the page would still refresh its layout. He learned that not all video sizes are equal and not all pixels are square.

For a variety of reasons, some videos have pixels that are rectangular, and it is up to your software to take this into account. For example, when he put one of the suspect videos into QuickTime Player, it showed the resolution was 1920×1080 (1350×1080). That’s the non-square pixel.

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Converting A 1980s Broadcast Camera To HDMI

December 1, 2025 by 14 Comments

Although it might seem like there was a sudden step change from analog to digital sometime in the late 1900s, it was actually a slow, gradual change from things like record players to iPods or from magnetic tape to hard disk drives. Some of these changes happened slowly within the same piece of hardware, too. Take the Sony DXC-3000A, a broadcast camera from the 1980s. Although it outputs an analog signal, this actually has a discrete pixel CCD sensor capturing video. [Colby] decided to finish the digitization of this camera and converted it to output HDMI instead of the analog signal it was built for.

The analog signals it outputs are those that many of us are familiar with, though: composite video. This was an analog standard that only recently vanished from consumer electronics, and has a bit of a bad reputation that [Colby] thinks is mostly undeserved. But since so many semi-modern things had analog video outputs like these, inspiration was taken from a Wii mod chip that converts these consoles to HDMI. Unfortunately his first trials with one of these had confused colors, but it led him to a related chip which more easily outputted the correct colors. With a new PCB in hand with this chip, a Feather RP2040, and an HDMI port the camera is readily outputting digital video that any modern hardware can receive.

Besides being an interesting build, the project highlights a few other things. First of all, this Sony camera has a complete set of schematics, a manual meant for the end user, and almost complete user serviceability built in by design. In our modern world of planned obsolescence, religious devotion to proprietary software and hardware, and general user-unfriendliness this 1980s design is a breath of fresh air, and perhaps one of the reasons that so many people are converting old analog cameras to digital instead of buying modern equipment.

Divining Air Quality With A Cheap Computer Vision Device

October 5, 2025 by 10 Comments

There are all kinds of air quality sensors on the market that rely on all kinds of electro-physical effects to detect gases or contaminants and report them back as a value. [lucascreator] has instead been investigating a method of determining air quality that is closer to divination than measurement—using computer vision and a trained AI model.

The system relies on an Unihiker K10—a microcontroller module based around the ESP32-S3 at heart. The chip is running a lightweight convolutional neural network (CNN) trained on 12,000 images of the sky. These images were sourced from a public dataset; they were taken in India and Nepal, and tagged with the relevant Air Quality Index at the time of capture. [lucascreator] used this data to train their model to look at an image taken with a camera attached to the ESP32 and estimate the air quality index based on what it has seen in that existing dataset.

It might sound like a spurious concept, but it does have some value. [lucascreator] cites studies where video data was used for low-cost air quality estimation—not as a replacement for proper measurement, but as an additional data point that could be sourced from existing surveillance infrastructure. Performance of such models has, in some cases, been remarkably accurate.

[lucascreator] is pragmatic about the limitations of their implementation of this concept, noting that their very compact model didn’t always perform the best in terms of determining actual air quality. The concept may have some value, but implementing it on an ESP32 isn’t so easy if you’re looking for supreme accuracy. We’ve featured some other great air quality projects before, though, if you’re looking for other ways to capture this information. Video after the break.

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Hackaday Links: September 14, 2025

September 14, 2025 by 1 Comment

Is it finally time to cue up the Bowie? Or was the NASA presser on Wednesday announcing new findings of potential Martian biosignatures from Perseverance just another in a long line of “We are not alone” teases that turn out to be false alarms? Time will tell, but from the peer-reviewed paper released simultaneously with the news conference, it appears that biological activity is now the simplest explanation for the geochemistry observed in some rock samples analyzed by the rover last year. There’s a lot in the paper to unpack, most of which is naturally directed at planetary scientists and therefore somewhat dense reading. But the gist is that Perseverance sampled some sedimentary rocks in Jezero crater back in July of 2024 with the SHERLOC and PIXL instruments, extensive analysis of which suggests the presence of “reaction fronts” within the rock that produced iron phosphate and iron sulfide minerals in characteristic shapes, such as the ring-like formations they dubbed “leopard spots,” and the pinpoint “poppy seed” formations.

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Crossing Commodore Signal Cables On Purpose

April 29, 2025 by 19 Comments

On a Commodore 64, the computer is normally connected to a monitor with one composite video cable and to an audio device with a second, identical (although uniquely colored) cable. The signals passed through these cables are analog, each generated by a dedicated chip on the computer. Many C64 users may have accidentally swapped these cables when first setting up their machines, but [Matthias] wondered if this could be done purposefully — generating video with the audio hardware and vice versa.

Getting an audio signal from the video hardware on the Commodore is simple enough. The chips here operate at well over the needed frequency for even the best audio equipment, so it’s a relatively straightforward matter of generating an appropriate output wave. The audio hardware, on the other hand, is much less performative by comparison. The only component here capable of generating a fast enough signal to be understood by display hardware of the time is actually the volume register, although due to a filter on the chip the output is always going to be a bit blurred. But this setup is good enough to generate large text and some other features as well.

There are a few other constraints here as well, namely that loading the demos that [Matthias] has written takes so long that the audio can’t be paused while this happens and has to be bit-banged the entire time. It’s an in-depth project that shows mastery of the retro hardware, and for some other C64 demos take a look at this one which is written in just 256 bytes.

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