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360 Articles

NoiseCloud: Storing Data On YouTube

May 24, 2026 by 47 Comments

Storage is expensive these days, whether you’re looking at the prices of spinning rust or magic little sticks of silicon. But what if there was some benevolent overlord that you could trick into giving you unlimited storage? That’s where Noisecloud comes in.

Created by [Lucas], Noisecloud is a tool that lets you use YouTube as a form of effectively-unlimited file storage. It works by taking whatever file data you have on hand, and turns it into frames of digital noise that can be stored and transported as an MP4 file and uploaded to YouTube. The encoding process involves first compressing the data with gzip, then packaging it into a high-constrast series of video frames that are then encoded with FFmpeg. Video containers can be produced in various resolutions, all the way down to 640×360 @ 30 fps. There’s also a special “TikTok mode” which is optimised to best preserve data on short form sites that use vertical orientation as default. More commentary from the creator is available via the supporting article on Github.

It’s probably not a practical way to store your files, given the fussy encoding and decoding required to actually use the data. However, it’s an interesting proof of concept that explores how data can be stashed in unexpected places via publicly-accessible services. We’ve explored similar work before, too.

How Commodore Made A Sync Splitter

May 8, 2026 by 5 Comments

Recently we featured an unusual Commodore 8-bit computer on the bench of [Tynemouth Software] — a Commodore 64 in a PET case. One of the unique parts it had was a board which took the composite output from the mainboard and split out the sync pulses for the monitor, and now they’re back to give it a full reverse engineer.

Perhaps the first surprise is why this board is necessary at all, after all one might expect an 8-bit machine to have those signals already at hand. It seems that the VIC chip inside the 64 did the combination to composite internally, so no such luck for the Commodore engineers. The board they designed then is a complete and very well-engineered sync splitter.

The technology of a video signal has its origins in the 1930s, so it’s not hard to extract both vertical and horizontal sync pulses with little more than a few passive components and a couple of transistors. The trouble with such a simple approach is that the output will work, but it will be messy and crucially, not have quite the required timing. The Commodore board uses the same approach as a simple discrete circuit of having a pair of filters with a time constant selected to catch the relevant sync, but extends it with extra logic. There are one-shots designed to provide clean pulses of exactly the right length, and gates that provide blanking to remove the chance of pulses ending up where they shouldn’t. The video path is the only part which might differ from a conventional sync splitter, because as the output from the 64 is all-digital, it takes a TTL-level through a gate rather than a more conventional analogue path.

You can see the rest of the machine in our original write-up, and we’re reminded that the boards haven’t been cleaned at their owner’s request, to preserve their patina.

Running Video Through A Guitar Effects Pedal

March 4, 2026 by 1 Comment

Guitar pedals are designed to take in a sound signal, do fun stuff to it, and then spit it out to your amplifier where it hopefully impresses other people. However, [Liam Taylor] decided to see what would happen if you fed video through a guitar pedal instead. 

The device under test is a Boss ME-50 multi-effects unit. It’s capable of serving up a wide range of effects, from delay to chorus to reverb, along with compression and distortion and a smattering of others. [Liam] hooked up the composite video output from an old Sony camcorder from the 2000s to a 3.5 mm audio jack, and plugged it straight into the auxiliary input of the ME-50 (notably, not the main guitar input of the device).

The multi-effects pedal isn’t meant to work with an analog video signal, but it can pass it through and do weird things to it regardless. Using the volume pedal on the ME-50 puts weird lines on the signal, while using a wah effect makes everything a little wobbly. [Liam] then steps through a whole range of others, like ring modulation, octave effects, and reverb, all of which do different weird things to the visuals. Particularly fun are some of the periodic effects which create predictable variation to the signal. True to its name, the distortion effect did a particularly good job of messing things up overall.

It’s a fun experiment, and recalls us of some of the fantastic analog video synths of years past. Video after the break.

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FLOSS Weekly Episode 863: Opencast: That Code Is There For A Reason

February 4, 2026 by 1 Comment

This week Jonathan chats with Olaf Andreas Schulte and Lars Kiesow about Opencast, the video management system for education. What does Opencast let a school or university accomplish, how has that changed over the last decade, and what exciting new things are coming? Watch to find out!

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How Big Is Your Video Again? Square Vs Rectangular Pixels

December 8, 2025 by 11 Comments

[Alexwlchan] noticed something funny. He knew that not putting a size for a video embedded in a web page would cause his page to jump around after the video loaded. So he put the right numbers in. But with some videos, the page would still refresh its layout. He learned that not all video sizes are equal and not all pixels are square.

For a variety of reasons, some videos have pixels that are rectangular, and it is up to your software to take this into account. For example, when he put one of the suspect videos into QuickTime Player, it showed the resolution was 1920×1080 (1350×1080). That’s the non-square pixel.

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Converting A 1980s Broadcast Camera To HDMI

December 1, 2025 by 14 Comments

Although it might seem like there was a sudden step change from analog to digital sometime in the late 1900s, it was actually a slow, gradual change from things like record players to iPods or from magnetic tape to hard disk drives. Some of these changes happened slowly within the same piece of hardware, too. Take the Sony DXC-3000A, a broadcast camera from the 1980s. Although it outputs an analog signal, this actually has a discrete pixel CCD sensor capturing video. [Colby] decided to finish the digitization of this camera and converted it to output HDMI instead of the analog signal it was built for.

The analog signals it outputs are those that many of us are familiar with, though: composite video. This was an analog standard that only recently vanished from consumer electronics, and has a bit of a bad reputation that [Colby] thinks is mostly undeserved. But since so many semi-modern things had analog video outputs like these, inspiration was taken from a Wii mod chip that converts these consoles to HDMI. Unfortunately his first trials with one of these had confused colors, but it led him to a related chip which more easily outputted the correct colors. With a new PCB in hand with this chip, a Feather RP2040, and an HDMI port the camera is readily outputting digital video that any modern hardware can receive.

Besides being an interesting build, the project highlights a few other things. First of all, this Sony camera has a complete set of schematics, a manual meant for the end user, and almost complete user serviceability built in by design. In our modern world of planned obsolescence, religious devotion to proprietary software and hardware, and general user-unfriendliness this 1980s design is a breath of fresh air, and perhaps one of the reasons that so many people are converting old analog cameras to digital instead of buying modern equipment.

Divining Air Quality With A Cheap Computer Vision Device

October 5, 2025 by 10 Comments

There are all kinds of air quality sensors on the market that rely on all kinds of electro-physical effects to detect gases or contaminants and report them back as a value. [lucascreator] has instead been investigating a method of determining air quality that is closer to divination than measurement—using computer vision and a trained AI model.

The system relies on an Unihiker K10—a microcontroller module based around the ESP32-S3 at heart. The chip is running a lightweight convolutional neural network (CNN) trained on 12,000 images of the sky. These images were sourced from a public dataset; they were taken in India and Nepal, and tagged with the relevant Air Quality Index at the time of capture. [lucascreator] used this data to train their model to look at an image taken with a camera attached to the ESP32 and estimate the air quality index based on what it has seen in that existing dataset.

It might sound like a spurious concept, but it does have some value. [lucascreator] cites studies where video data was used for low-cost air quality estimation—not as a replacement for proper measurement, but as an additional data point that could be sourced from existing surveillance infrastructure. Performance of such models has, in some cases, been remarkably accurate.

[lucascreator] is pragmatic about the limitations of their implementation of this concept, noting that their very compact model didn’t always perform the best in terms of determining actual air quality. The concept may have some value, but implementing it on an ESP32 isn’t so easy if you’re looking for supreme accuracy. We’ve featured some other great air quality projects before, though, if you’re looking for other ways to capture this information. Video after the break.

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