Look inside a science fiction computer, and you’ll probably see tubes and cubes that emit light. Of course, it’s for effect, but the truth is, people do think light computing may be the final frontier of classical computing power. Engineers at the University of Southern California Information Sciences Institute and the University of Wisconsin-Madison are showing off a workable photonic latch — a memory element that uses light.
The device uses a commercial process (GlobalFoundries (GF) Fotonix Silicon Photonics platform) and, like a DRAM, regenerates periodically to prevent loss of the memory contents.
This is one of those fun hacks that come about from finding a product and going “I wonder if I could…” — in this case, artist/YouTuber [Wesley Treat] found out his favourite vendor makes spray cans in CYMK colours– that is the Cyan, Yellow, Magenta and blacK required for subtractive printing. Which got him wondering: can I make full-colour prints with this paint?
The MDF-based print, with naive half-tone dots.
His answer was “yes”, and the process to do so is fairly simple. First, split the image into colour channels, generate a half-tone pattern for each one, and carve it out of MDF on the laser. Then spray the MDF with the appropriate colour spray paint. Press the page against each block in turn, and voila! A full colour print block print, albeit at very low DPI compared to your average inkjet.
Now, you might be wondering, why half-tone instead of mixing? Well, it turns out that these CYMK paints are too opaque for that to work in a block-printing process. At least with a naive spray technique; [Weseley] does admit a very fine mist might be able to make that work. The second question is why not just hook the rattle cans into a CNC machine for a paint-based mega inkjet? That’s a great question and we hope someone tries it, but [Weseley] evidently likes block-printing so he tried that first.
The Mylar stencil print, with a more artistic half-tone pattern.
Laser-ablating enough MDF away to make decent print blocks took too long for [Weseley]’s tastes, however, so he switched to using mylar stencils. Instead of spraying a block and pressing onto it, the paint is sprayed through the stencil. The 10 mil Mylar not only cuts faster, but can support finer detail. Though the resulting prints lose some of the artistic flair the inconsistencies block printing brings, it probably looks better.
If you prefer to skip the manual paint-can-handling, perhaps we can interest you in a spray-can plotter. If you do like manually flinging paint, perhaps you could try this dot-painting spray can attachment, for a more self-directed half-tone.
Synthesizing sounds from scratch is all well and good, you just use a bit of maths. However, the latest build from [Daisy] eschews such boring concepts as additive or subtractive synthesis, instead going for a sample-based approach.
This build is based around the Daisy Seed microcontroller platform. It was actually inspired by an earlier project to create a ribbon synth, which we covered previously. In this case, the ribbon potentiometer has been repurposed, being used to control the playback position of a lengthy recorded sample. In this build, the Daisy Seed is running its audio playback system at a rate of 48,000 samples per second. It’s capable of storing up to 192,000 samples in memory, so it has a total of 4 seconds of sample storage. The Daisy Seed uses an analog-to-digital input to record two seconds of audio into the sample buffer. It can then be replayed by placing a finger on the ribbon at various points. Playback is via granular synthesis, where small sections of the overall sample buffer are used to synthesize a new tone. The video explains how the granular synthesis algorithm is implemented using the Plugdata framework. Design files are available for those eager to replicate the build.
Although Robert F. Kennedy gets the credit for popularizing it, George Bernard Shaw said: “Some men see things as they are and say, ‘Why?’ I dream of things that never were and say, ‘Why not?'” Well, [Hadz] didn’t wonder why there weren’t many GPU debuggers. Instead, [Hadz] decided to create one.
It wasn’t the first; he found some blog posts by [Marcell Kiss] that helped, and that led to a series of experiments you’ll enjoy reading about. Plus, don’t miss the video below that shows off a live demo.
It seems that if you don’t have an AMD GPU, this may not be directly useful. But it is still a fascinating peek under the covers of a modern graphics card. Ever wonder how to interact with a video card without using something like Vulkan? This post will tell you how.
Writing a debugger is usually a tricky business anyway. Working with the strange GPU architecture makes it even stranger. Traps let you gain control, but implementing features like breakpoints and single-stepping isn’t simple.
We’ve used things like CUDA and OpenCL, but we haven’t been this far down in the weeds. At least, not yet. CUDA, of course, is specific to NVIDIA cards, isn’t it?
I love first builds! They say so much about a person, because you see what’s paramount to them in a keyboard. You can almost feel their frustration at other keyboards come through their design choices. And the Lobo by [no-restarts] is no exception to any of this.
There’s just something about this Corne-like object with its custom case and highly-tappable and variously tilted keycaps. The list of reasons for being begins innocently enough with [no-restarts] wanting a picture of their dog on the case.
Image by [no-restarts] via redditFrom there, things get really personal. You may notice the thumb cluster is slightly different — [no-restarts] doesn’t like the thumb tuck required by the Corne to reach the innermost keys. I really dig the homing bumps on the middle thumb keys. Another difference is the splayed layout, as [no-restarts] is especially prone to pinky splay. Finally, there are a pair of OLEDs hiding on the inner sides of the case, which are designed to be visible when tented.
Overall, [no-restarts] is happy with it, but has some ideas for revision. Yep, that sounds about right. The Lobo is all hand-wired, and there’s a PCB with hot swap sockets in its future. If you’re interested in the case files, GitHub is your friend.
When the Tamagotchi first launched all those decades ago, it took the world by storm. It was just a bunch of simple animations on a monochrome LCD, but it had heart, and people responded to that. Modern technology is capable of so much more, so [CiferTech] set out to build a virtual pet that can sniff out WiFi networks.
The build employs an ESP32-S3, perhaps the world’s favorite microcontroller that has WiFi baked right in from the factory. It’s paired with a 240×240 TFT LCD that delivers bright, vivid colors to show the digital pet living inside. Addressable WS2812B LEDs and a simple sound engine provide further feedback on the pet’s status.
The pet has various behaviors coded in, like hunting, exploring, and resting, and moods such as “happy,” “curious,” and “bored.” For a bit of environmental reactivity, [CiferTech] also made the local WiFi environment play a role. Nearby networks can influence the “hunger, happiness, and health” of the pet.
Although metal alloys is not among the most exciting topics for most people, the moment you add the word ‘radioactive’, it does tend to get their attention. So too with the once fairly common Mag-Thor alloys that combine magnesium with thorium, along with other elements, including zinc and aluminium. Its primary use is in aerospace engineering, as these alloys provide useful properties such as heat resistance, high strength and creep resistance that are very welcome in e.g. jet engines.
Most commonly found in the thorium-232 isotope form, there are no stable forms of this element. That said, Th-232 has a half-life of about 14 billion years, making it only very weakly radioactive. Like uranium-238 and uranium-235 it has the unique property of not having stable isotopes and yet still being abundantly around since the formation of the Earth. Thorium is about three times as abundant as uranium and thus rather hard to avoid contact with.
This raises the question of whether thorium alloys are such a big deal, and whether they justify removing something like historical artefacts from museums due to radiation risks, as has happened on a few occasions.
