Keeping Track Of Old Computer Manuals With The Manx Catalog

An unfortunate reality of pre-1990s computer systems is that any manuals and documentation that came with them likely only existed on paper. That’s not to say there aren’t scanned-in (PDF) copies of those documents floating around, but with few of these scans being indexable by search engines like Google and Duck Duck Go, they can be rather tricky to find. That’s where the Manx catalog website seeks to make life easier. According to its stats, it knows about 22,060 manuals (9,992 online) across 61 websites, with a focus on minicomputers and mainframes.

The code behind Manx is GPL 2.0 licensed and available on GitHub, which is where any issues can be filed too. While not a new project by any stretch of the imagination, it’s yet another useful tool to find a non-OCR-ed scan of the programming or user manual for an obscure system. As noted in a recent Hacker News thread, the ‘online’ part of the above listed statistics means that for manuals where no online copy is known, you get a placeholder message. Using the Bitsavers website along with Archive.org may still be the most pertinent way to hunt down that elusive manual, with the Manx website recommending 1000bit for microcomputer manuals.

Have you used the Manx catalog, or any of the other archiving websites? What have been your experiences with them? Let us know in the comments.

The Mystery Of The Messed-Up Hammond X5

[Filip] got his hands on a sweet old Hammond X5 organ, but it had one crucial problem: only half of the keys worked. Each and every C#, D, D#, E, F, and F# would not play, up and down the keyboard, although the other notes in between sounded just fine.

Those of you with an esoteric knowledge of older electric organs will be saying “it’s a busted top-octave generator chip”, and you’re right. One of the TOGs worked, and the other didn’t. [Filip] rolled his own top-octave generator with a Pico, in Python no less, and the old beauty roared to life once more.

But what is a top-octave generator, you may ask? For a brief period of time in the early 70s, there were organs that ran on square waves. Because a musical octave is a doubling or halving of frequency, you can create a pitch for every key on the organ if you simply create one octave’s worth of pitches, and divide them all down using something as simple as a binary counter IC. But nobody makes top-octave chips any more.

Back in 2018, [DC Darsen] wrote in asking us if we knew about any DIY top-octave designs, and we put out an Ask Hackaday to see if you all could make a top-octave generator out of a microcontroller. We got a super-optimized code hack in response, and that’s worth checking out in its own right, but we always had the nagging suspicion that a hardware solution was the best solution.

We love how [Filip]’s design leans heavily on the Pico’s programmable input/output hardware modules to get the job done with essentially zero CPU load, allowing him to write in Python and entirely bypassing the cycle-counting and assembly language trickery. The voltage shifters and the switchable jumpers to swap between different top-octave chip types are a nice touch as well. If you have an organ that needs a top-octave chip in 2024, this is the way we’d do it. (And it sounds fantastic.)

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Size comparison of a 27 in CRT TV next to a 43 in CRT TV.

Retrotechtacular: Quest For The “Big Boy” CRT Finds New Home In Mini Doc

To celebrate the twentieth anniversary of their Trinitron line of televisions, Sony launched the KX-45ED1. At forty three inches the screen on this particular model made it the largest tube television in the world, and it came with the kind of price tag that if you need to ask…you can’t afford it (likely around $100,000 USD today). Three decades later, only two of these mythical displays were thought to exist and [shank] chronicled his quest to acquire one of the last remaining “Big Boys” in the mini documentary below.

As it turns out, one of these gigantic tube televisions was located on the second floor of a restaurant in Japan still sitting in the same place it was installed in 1989. It hadn’t moved in the intervening decades, because the television and its specialized support stand weighed over 500 pounds. Having an object that heavy physically moved down a flight of stairs would seem to be the most formidable challenge for most, but compounding the issue for [shank] was that the building housing this colossal CRT was set to be permanently closed in less than a week.

With next to no time to arrange an international flight, [shank] utilized the power of internet to ask for help from anyone currently living near the “Big Boy” CRT’s soon-to-be final resting place. It just so happened that a fellow retro tech enthusiast based in Japan saw the post, and traveled over an hour by train at a moment’s notice to aid [shank]. The heartwarming story of total strangers united by a common interest of preserving a rare piece of tech history is certainly worth a watch. Let alone the goofy size comparison footage of the smallest CRT display sitting on top of the biggest one.

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Calling Pink Floyd

[Corelatus] said recently that “someone” asked them to identify the phone signals in the 1982 film The Wall, based on the Pink Floyd song of the same name. We suspect that, like us, that someone might have been more just the hacker part of the brain asserting itself. Regardless, the detective work is fascinating, and you can learn a lot of gory details about phone network in-band signaling from the post.

The analysis is a bit more difficult because of the year the film was made. At that time, different countries used slightly different tone signaling standards. So after generating a spectrogram, the job was to match the tones with known standards to see which one best fit the data.

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Watch Any Video On Your Game Boy, Via Link Cable

Game Boys have a link cable that lets two of them play together. You know, to battle with a friend’s Pokemon and stuff like that. But who says that it should be limited to transmitting only what Big N wants you to?

[Chromalock] wrote a custom GB program that takes in data over the link cable, and displays it on the screen as video, as fast as it can be sent. Add in a microcontroller, a level shifter, and software on the big computer side, and you can hook up your Game Boy Color as a normal video device and send it anything you want, from a webcam to any program that outputs video.

Well, almost. The biggest limitation is the data link cable, of course. On the older Game Boys, the link cable is apparently only good for 8 kHz, while the Color models can pull a not-quite-blistering 512 kHz. Still, that’s enough for 60 fps in a low-res black and white mode, or a slow, screen-tearing high-res color experience. You pick your poison.

There are gotchas that have to do with the way the GB displays palettes that get left as “to-do” on the software side. There is room for improvement in hardware too. (GB Link looks like SPI to us, and we’d bet you can push the speeds even higher with clever GB-side code.) In short, this is an awesome demo that just invites further hacking.

If you want to know more about the Game Boy to get started, and maybe even if you don’t, you absolutely must watch The Ultimate Game Boy Talk. Trust us on this one.

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Apollo Lunar Surface Experiments Package of the Apollo 16 mission (Credit: NASA)

ALSEP: Apollo’s Modular Lunar Experiments Laboratory

Down-Sun picture of the RTG with the Central Station in the background. (Credit: NASA)
Down-Sun picture of the RTG with the Central Station in the background. (Credit: NASA)

Although the US’ Moon landings were mostly made famous by the fact that it featured real-life human beings bunny hopping across the lunar surface, they weren’t there just for a refreshing stroll over the lunar regolith in deep vacuum. Starting with an early experimental kit (EASEP) that was part of the Apollo 11 mission, the Apollo 12 through Apollo 17 were provided with the full ALSEP (Apollo Lunar Surface Experiments Package). It’s this latter which is the subject of a video by [Our Own Devices].

Despite the Apollo missions featuring only one actual scientist (Harrison Schmitt, geologist), these Bendix-manufactured ALSEPs were modular, portable laboratories for running experiments on the moon, with each experiment carefully prepared by scientists back on Earth. Powered by a SNAP-27 radioisotope generator (RTG), each ALSEP also featured the same Central Station command module and transceiver. Each Apollo mission starting with 12 carried a new set of experimental modules which the astronauts would set up once on the lunar surface, following the deployment procedure for that particular set of modules.

Although the connection with the ALSEPs was terminated after the funding for the Apollo project was ended by US Congress, their transceivers remained active until they ran out of power, but not before they provided years worth of scientific data on many aspects on the Moon, including its subsurface characteristics and exposure to charged particles from the Sun. These would provide most of our knowledge of our Moon until the recent string of lunar landings by robotic explorers.

Heading image: Apollo Lunar Surface Experiments Package of the Apollo 16 mission (Credit: NASA)

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Camera Slider Uses Repositionable Rail To Do Rotational Moves

You can buy motorized camera sliders off-the-shelf, but they’re pretty costly. Alternatively, you can make one yourself, and it’s not even that hard if you’re kitted out with a 3D printer. [Creative 3D Printing] did just that with a nifty design that adds rotation into the mix. Check it out in the video below.

Why should a camera get all the fun? Try your phone.

The basic slider is built out of 3D-printed components and some good old aluminum extrusion. A small 12-volt motor trucks the camera cart back and forth using a leadscrew. It’s torquey enough and slow enough that there isn’t much need for more advanced control—the motor just does the job. There’s also a limit switch set up to trigger a neat auto-reverse function.

The neat part, though, is the rotational mechanism. A smooth steel rod is attached to the slider’s housing, which can be set up in a straight line or aligned diagonally if desired. In the latter case, it rotates the mounting on the camera cart via a crank, panning the camera as it moves along the slider’s trajectory.

It’s a mechanically sophisticated design and quite unlike most of the camera sliders we feature around these parts.

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