[Michael Karliner]’s Belshazzar, named for the Biblical character upon whose wall the writing appeared, is a unique light painting machine, that tracks an array of UV LEDs across a glow-in-the-dark background to paint transient dot-matrix letters in light. It was one of many cyberpunk-themed art pieces in Null Sector at the 2018 Electromagnetic Field hacker camp this summer.
The row of LEDs hangs down from a carriage that traverses a tubular rail, and is edged forward by means of a stepper motor driving a roller. This arrangement delivers the benefit that it can be scaled for displays of any length. The LEDs are driven from an Arduino via a Texas Instruments TLC5940 PWM driver ship.The result can be seen in the video below the break, and those who saw it at EMF may remember it tracing suitably dystopian phrases.
When it comes to hackers we love, there’s no better example than Jeroen Domburg, a.k.a. Sprite_TM. Sprite’s now working for Espressif, makers of the fantastic ESP8266 and ESP32, where he created a miniature Game Boy and turned this PocketSprite into a real product. He’s installed Linux on a hard drive, and created a Matrix of virtualized Tamagotchis. In short, if you’re looking for someone who’s building the coolest, most technical thing of sometimes questionable utility, you need look no further than Sprite_tm.
Sprite was back at this year’s Superconference, and again he’s bringing out the big guns with awesome hardware hacks. This time, though, Sprite is tapping into his artistic side. Sprite is very accomplished in making PCB art and DaveCAD drawings, but actual art is something that’s been out of reach. No problem, because you can just buy an inkjet printer and make your own art. Sprite’s doing something different, and he’s turning his inkjet into a Magic Paintbrush.
We all know how important it is to achieve balance in life, or at least so the self-help industry tells us. How exactly to achieve balance is generally left as an exercise to the individual, however, with varying results. But what about our machines? Will there come a day when artificial intelligences and their robotic bodies become so stressed that they too will search for an elusive and ill-defined sense of balance?
We kid, but only a little; who knows what the future field of machine psychology will discover? Until then, this kinetic sculpture that achieves literal balance might hold lessons for human and machine alike. Dubbed In Medio Stat Virtus, or “In the middle stands virtue,” [Astrid Kraniger]’s kinetic sculpture explores how a simple system can find a stable equilibrium with machine learning. The task seems easy: keep a ball centered on a track suspended by two cables. The length of the cables is varied by stepper motors, while the position of the ball is detected by the difference in weight between the two cables using load cells scavenged from luggage scales. The motors raise and lower each side to even out the forces on each, eventually achieving balance.
The twist here is that rather than a simple PID loop or another control algorithm, [Astrid] chose to apply machine learning to the problem using the Q-Behave library. The system detects when the difference between the two weights is decreasing and “rewards” the algorithm so that it learns what is required of it. The result is a system that gently settles into equilibrium. Check out the video below; it’s strangely soothing.
In the 1970s, the Soviet Union decided to dig a hole for science. Not just any hole, the Kola Superdeep Borehole reached a depth of over 12 kilometers, the deepest at the time and the second deepest today by just a few meters. Since this was one of the few holes dug this deep that wasn’t being drilled for oil, the project was eventually abandoned. [Dmitry] was able to find some core samples from the project though, and he headed up to the ruins of the scientific site with his latest project which produces musical sounds from the core samples.
The musical instrument uses punched tape, found at the borehole site, as a sort of “seed” for generating the sounds. Around the outside of the device are five miniature drilling rigs, each holding a piece of a core sample from the hole. The instrument uses the punched tape in order to control the drilling rigs, and the sound that is created is processed by the instrument and amplified, which creates some interesting and rather spooky sounds. The whole thing is controlled by an Arduino Mega.
Not only does the project make interesting sounds from a historically and scientifically significant research station and its findings, but the project has a unique and clean design that really fits its environment at the abandoned facility. The other interesting thing about this project is that, if you want to make the trek, anyone can go explore the building and see the hole for themselves. If you’re wondering about the tools that could be used to make a hole like this, take a look at this boring project.
The Triforium is a public art installation in Los Angeles, weighing 60 tons and standing six stories tall. Built in 1975, it was designed to combine light and sound, all under the control of computer hardware of the era.
The team were able to recover the original software that ran the sculpture’s effects — stored on 8-bit paper tape, which was not uncommon for the era. These were manually transcoded, and an emulated version of the original program has been created. In the interest of not causing further damage to the sculpture, the original lights are being left untouched. Instead, an LED system will be fitted to the sculpture to enable it to be relit.
Quartz bells of the original carillon
A reflection pool at the base of the sculpture is long gone, as is the original audio source. When first built it housed a carillon — a musical instrument that uses a bell for each note in the scale. In the case of the Triforium, the carillon was made of 79 quartz bells played either manually or by the computer and amplified over a speaker system.
In 2006 that carillon was removed (replace with a digital audio source) but the gods of dumpster diving were smiling that day. It was snapped up by someone who recognized the uniqueness of the instrument and shared their story as a brief webpage. We hope that some day this will also be restored to working condition and played along with the Triforium in an exhibition. The sound of a carillon is amazing to hear in person, and we suspect the timbre of quartz bells to add an indescribable layer to the experience.
