Crossfade Curve Tweaking

Tired of the disappointing performance from the crossfader on his Numark MIXDECK, [dj JD] cracked it open and made the crossfade curves adjustable. It’s a super-simple hack that just introduces two 100k trimpots to the crossfade slider. The change led to a higher volume level on the current channel until the slider was much nearer to the center. The added adjustment feature might be nice to have as two more knobs on the board but [JD’s] method leaves his equipment with a stock appearance. Is this a more refined version of circuit bending?

Moving Speakers To Mix Audio Tracks

These speakers play different audio tracks depending on which orange square the sit atop. They’re RFID aware and the orange tiles are tags. If you get tired of a track just move the speaker to a different one, or place the speakers next to each other to play the same song. We’re sure there’s a project for us here, it’s just going to take some thinking to figure out what we want to do with it. But the concept is certainly intriguing. Check out the video demonstration after the break.

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Spark Plug Music

[youtube http://www.youtube.com/watch?v=92qql941DM4%5D

This is (video above) perhaps the most abstract way of playing sounds…ever. Yes, we’ve heard Hard Drive music and Obsolete technology bands, but [DJ Sures] brings us the first ever, spark plug instrument.

Much like Velcro and Teflon, the musical spark plug is claimed to be an accident. After testing energy use vs. spark power with his flare stack ignition controller, [DJ Sures] noticed that different frequencies could be produced. It was only a matter of reprogramming before death metal Twinkle Twinkle Little Star is heard. Now he just needs to refine it a bit and build a full stereo cabinet.

Composing Music With The Force Trainer

In the ongoing quest to make the Force Trainer useful [Hunter Scott] developed a music composition platform for your mind (channel Jack Black’s voice for the last half of that sentence). Using the Force Trainer’s serial port [Hunter] feeds the data stream into a computer via an FTDI cable and uses Processing to make the music. It’s good, and the demos on his site are worth the click, but we still can’t get enough of the shocking video from back in March. But we digress, let [Hunter] walk you through his setup in the video after the break. Continue reading “Composing Music With The Force Trainer”

Kaossilator On The Cheap

We recently stumbled on a way to turn a regular laptop into a poor man’s Kaossilator. Using the touchpad of your laptop, some PureData software, Touchpad2MIDI and a couple custom patches, [zenpho] has set everyone up to create that crazy electronic music that kids listen to these days.

But what was that? You cant afford a whole laptop, and need to make this happen on an even tighter budget? Oh, we’ve got your back. Using just the trackpad and an Arduino, [Bastiaan] has created a basic PS2 to Arduino to USB link which can be parsed by your favorite language of choice into a working MIDI interface. Good news for all the lazy hackers out there, he’s planning on swapping out the Arduino for a Teensy, and making a real USB to MIDI interface.

Midi Gloves

We’re being inundated with glove-based peripheral hacks. This is another final project from Cornell, keyboard out of the equation by adding 8 piezo sensors to a pair of gloves thereby shunning the pinky finger. We like this one because it’s easy to build and the midi interface implementation is well documented if you want to build your own.

As you can see after the break, this is easy to use with music software like Garage Band because it is a standard MIDI device. In addition, a MATLAB interface allows for custom mapping in case you want to change what each finger does.

We remember our first introduction to glove-based performances with Tod Machover’s Bug Mudra many years ago. We hope the music input hacks we’re seeing will lead to a whole new generation of music innovators.

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Color A Sound

[vimeo=http://vimeo.com/11606420]

This is an interesting take on a music box. [Blair Neal] is using an overhead projector with a roll of transparency to make a synthesized music box. A camera watches the projected image and feeds data to Max/MSP to produce the sounds. Customization merely requires creative image analysis. In this case, different colored pens or different tracks can be assigned to a sound with the speed of the track based on how fast you wind the transparency spool.