Volumetric 3D Television Is Here!

February 21, 2021 by Jenny List 18 Comments

Volumetric 3D displays that allow the viewing of full 3D images without special glasses are not unknown in our community, usually taking the form of either a 3D LED matrix or a spinning rotor either with an image projected onto it or holding an LED array. They are impressive projects, but they are often limited in what they can display. Pretty patterns and simple 3D models are all very well, but they are hardly 3D television. Thus we’re quite impressed with [Evlmnkey]’s bachelor’s degree project, which combines motion capture and a volumetric display for a genuine volumetric 3D closed-circuit television system.

Finding the details takes a bit of dredging through the Reddit thread, but the display is an off-the-shelf Adafruit single-sided LED matrix driven by an ESP32, all mounted on a motor with a pair of slip rings for power. Data is fed to the ESP via WiFi, with the PC responsible for grabbing the image sending it as uncompressed frames. There’s little detail on the 3D capture, but since he mentions a Kinect library we suspect that may be the source.

This is perhaps not the highest resolution TV you’ll ever have seen, indeed we’d liken it to the flickering 30 lines of 1930s mechanical TV, but it’s still a functioning volumetric 3D live CCTV system. If you’re interested by 3D displays, you might like to see our examination of the subject.

Thanks [nandkeypull] for the tip.

Legacy Digital Photos, With A Side Of Murphy’s Law

February 14, 2021 by Donald Papp 26 Comments

[Dave Madison] came across some old digital photos, and in his quest to access them, he ran into quite a few challenges. The saga brings to mind both Murphy’s Law, and while [Dave] prevailed in the end, it required quite a few more steps than one might expect.

The one smooth part of the process was that Konica’s proprietary software had a handy JPEG export feature.

Here’s the scene: in the late 90s, Konica partnered with photo shops to provide a photo scanning service, delivering digital scans of film photos on 3.5″ floppy disks, and that’s exactly what [Dave] had to work with. The disks were in good condition, and since modern desktop computers still support floppy drives and the FAT filesystem, in theory all one needs to do is stick disks into the reader one at a time in order to access the photos.

Sadly, problems started early. A floppy drive is revoltingly slow compared to any modern storage device, so [Dave]’s first step was to copy all of the files to his machine’s local storage before working on them. This took a bit of wrangling to deal with 8.3 format file names and avoid naming collisions across disks while still preserving some metadata such as original creation date. It was nothing a quick python script couldn’t handle, but that soon led to the next hurdle.

The photos in question were in an obsolete and proprietary Konica .KQP format. [Dave] went through a number of photo viewing programs that claimed to support .KQP, but none of them actually recognized the images.

Fortunately, each disk contained a copy of Konica’s proprietary “PC PictureShow” viewer, but despite having a variety of versions dated between 1997 and 2001 (making them from the Windows 98 and Windows ME eras) [Dave] could not get any version of the program to run in Windows 10, even with compatibility mode for legacy programs enabled. The solution was to set up a Windows XP virtual machine using Oracle’s Virtualbox, and use that to ultimately run PC PictureShow and finally access the photos. After all that work, [Dave] finally had a stroke of luck: Konica’s software had a handy feature to export images in JPEG format, and it worked like a charm.

In the end, [Dave] was able to save 479 out of the 483 images on the old floppy disks, with a reminder that proprietary formats are a pain. The disks and images may have been over twenty years old, but the roots of digital imaging go considerably further back than that. Take a few minutes out your day to read a bit about Russell Kirsch and the first digitized image, that of his three-month old son in 1957.

VESA Arm Turned Low-Cost Overhead Camera Rig

February 8, 2021 by Tom Nardi 8 Comments

Whether you’re live streaming builds or just want to take your project photography to the next level, you can’t beat an overhead camera setup. Unfortunately, they tend to be cumbersome and more often than not quite pricey. Looking for an affordable solution that could easily be moved out of the way when not in use, [Jay Doscher] had the clever idea of adapting a common VESA monitor arm to give his camera a bird’s eye view of the action.

If you think about it, one of these monitor arms is a nearly perfect base for a camera rig. They’re easily mounted to a desk or work bench, can be quickly repositioned by design, and perhaps best of all, you don’t have to spend a lot of money to get a decent one. A camera is also a far lighter and less awkward payload than the arm was designed to hold, so you don’t have to worry about it potentially dropping your expensive gear. Or cheap webcam, as the case may be.

All [Jay] had to do was come up with a way to securely mount his Sony A7R3 on the end of one. While there’s certainly a few ways you could solve this particular problem, he went the extruded plastic route and 3D printed a beefy adapter plate with the standard VESA bolt pattern. His Smallrig camera cage attaches to the plate, and thanks to a pair of press-fit bubble levels from McMaster Carr, he’s able to get everything lined up properly over the bench.

Of course, there’s an excellent chance you don’t have the same camera as [Jay]. But that doesn’t mean you can’t modify the design of his adapter to fit your own gear. To that end, he’s not only shared the final STLs, but he’s provided a link to the TinkerCAD project that you can actually edit right in the browser.

If you’ve got a light enough camera, you could put something similar together with PVC pipes or even an articulated arm intended for a desk lamp. But if you’ve got a DSLR or other full-sized camera, we think it’s more than worth the $30 USD one of these will cost you on Amazon to make sure your gear doesn’t end up smashing into the deck during a live stream.

Orphaned Gimbal Gets Second Chance To Fly

February 3, 2021 by Tom Nardi 1 Comment

A reality of flying RC aircraft is that at some point, one of your birds is going to fall in the line of duty. It could get lost in the clouds never to be seen again, or perhaps it will become suddenly reacquainted with terra firma. Whatever the reason, your overall enjoyment of the hobby depends greatly on how well you can adapt to the occasional loss.

Based on what we’ve seen so far, we’d say [Rural Flyer] has the right temperament for the job. After losing one of his quadcopters in an unfortunate FPV incident, he decided to repurpose the proprietary gimbal it left behind. If he still had the drone he could have slipped a logic analyzer in between its connection with the motorized camera to sniff out the communication protocol, but since that was no longer an option, he had to get a little creative.

Figuring out the power side of things was easy enough thanks to the silkscreen on the camera’s board, and a common 5 V battery eliminator circuit (BEC) connected to the drone’s 7.4 V battery pack got it online. A cobbled together adapter allowed him to mount it to one of his other quads, but unfortunately the angle wasn’t quite right.

[Rural Flyer] wanted the camera tilted down about 15 degrees, but since he didn’t know how to talk to it, he employed a clever brute force solution. After identifying the accelerometer board responsible for determining the camera’s position, he use a glob of hot glue to push the sensor off of the horizontal. Providing this physical offset to the sensor data caused the camera to automatically move itself to exactly where he wanted it.

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Extensive Modification Of DSLR Includes High Quality Audio

January 15, 2021 by Bryan Cockfield 15 Comments

Modern DSLR cameras are incredible pieces of technology that can take excellent high-quality photos as well as record video and audio. However, as they become jacks of all trades they risk being masters of none, and the audio quality in modern DSLRs certainly reflects that old cliche. To get true high-quality audio while recording with a camera like this Canon 80d, you’ll either need a secondary audio recording device or you’ll need to interface one directly into the camera itself.

This build from [Tony] aka [Carnivore] goes into the inner workings of the camera to add an audio mixer to the camera’s audio input, allowing for multiple audio streams to be recorded at once. First, he removed the plastic around the microphone port and attached a wire to it that extends out of the camera to a 1/8″ plug. While he had the case open he also wired a second shutter, added a record button to a custom location on the front of the camera, and bypassed a switch which prevents the camera from operating if the battery door isn’t closed.

With those modifications in place, he removed the internal flash from the camera before closing the body. A custom 3D printed mount was placed in the vacant space which now houses the audio mixer, a SR-AX100 from Saramonic. This plugs in to the new microphone wire from earlier in the build, allowing the camera to have an expanded capacity for recording audio.

While [Tony] has a fairly unique use case for all of these modifications to an already $1000 camera, getting into the inner workings of DSLRs isn’t something to shy away from if you need something similar done. We’ve even seen modifications to cameras like these to allow for watercooling during video recording.

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High Tech Photos Capture Snowflakes Like Never Before

December 29, 2020 by Al Williams 18 Comments

Microscopy used to be a rarity in the hobby electronics world. But anyone doing lab work has always needed a microscope and with today’s tiny parts, it is almost a necessity. However, [Nathan Myhrvold] didn’t use an ordinary microscope to capture some beautiful snowflake pictures. According to [My Modern Met], the pictures are the highest resolution snowflake pictures ever taken.

Of course, the site is more interested in the visual aspect of it, but they did provide some clues about the tech behind the pictures. According to the site:

Myhrvold used a special camera of his own design. He combined the magnifying power of a microscopic lens.. with a specially designed optical path. This path allowed the lens to channel its image to a medium-format digital sensor… In addition, the camera featured a cooling stage upon which the tiny specimens could rest. With LED short-pulse lights and a shutter speed of less than 500 microseconds, Myhrvold was able to capture multiple images of each snowflake at different focal lengths. These images were then stacked to create the final image.

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Still Got Film To Scan? This Lego And Raspberry Pi Scanner Is For You

December 11, 2020 by Jenny List 9 Comments

There was a time during the early years of mass digital photography, when a film scanner was a common sight. A small box usually connected to a USB port, it had a slot for slides or negatives. In 2020 they’re a rare breed, but never fear! [Bezineb5] has a solution in the shape of an automated scanner using a Radpberry Pi and a mechanism made of Lego.

The Lego mechanism is a sprocket feeder that moves the film past the field of view from an SLR camera. The software on the Pi runs in a Docker container, and features a machine learning approach to spotting frame boundaries. This is beyond the capabilities of the Pi, so is offloaded to a Google Coral accelerator.

The whole process is automated with the Pi controlling not only the Lego but also the camera, to the extent of retrieving the photos from it to the Pi. There’s a smart web interface to control everything, making the process — if you’ll excuse the pun — a snap. There’s a video of it in action, that you can see below the break.

We’ve featured many film scanner projects over the years, one that remains memorable is this 3D printed lens mount.

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