Nirvana Like You’ve Never Heard Them Before

July 13, 2016 by Jenny List 20 Comments

If you were an early 1990s youth, the chances are [Nirvana]’s Smells Like Teen Spirit is one of those pieces of music that transports you straight back to those times. As your writer it evokes a student radio studio and the shelves of its record library, and deafening badly-lit discos with poorly adjusted PA systems and unpleasantly sticky dance floors.

One of our finds this morning therefore comes as an evocative diversion, Smells Like Teen Spirit on [SileNT]’s Floppotron. The Floppotron is a music player composed of a huge array of floppy drives, hard drives, and a couple of flatbed scanners. The scanners are controlled by off-the-shelf Arduino boards and the hard drives have ATMega16s with H-bridge drivers.

This build is the most refined floppy drive organ we’ve seen yet. The floppies are divided into single-voice blocks of eight controlled by an ATMega16, with dynamic volume envelopes mad possible by the number of simultaneously running drives, so the sounds can fade in and out like “natural” musical instruments. The hard drives and scanners are run against their mechanical stops, providing percussion. All the boards are daisychained via SPI to an Arduino that acts as a PC interface, and the PC schedules the performance with a Python script.

He’s provided a couple of pieces as YouTube videos, the floppy motors work particularly well for [Nirvana]’s grunge, but perhaps a bit more mechanical for Hawaii Five-O. This last track will be more evocative than the first if you attended a particular university in the North of England where it was the end-of night record played as the lights came up in one of the discos that had a much better-adjusted PA because the technician knew what she was doing. For those of you with different childhoods, there’s also the Imperial March.

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Orbs Light To Billie Jean On This Huge Sequencer

July 12, 2016 by Moritz Walter 8 Comments

Sequencers allow you to compose a melody just by drawing the notes onto a 2D grid, virtually turning anyone with a moderate feel for pitch and rhythm into an electronic music producer. For [Yuvi Gerstein’s] large-scale grid MIDI sequencer GRIDI makes music making even more accessible.

Instead of buttons, GRIDI uses balls to set the notes. Once they’re placed in one of the dents in the large board, they will play a note the next time the cursor bar passes by. 256 RGB LEDs in the 16 x 16 ball grid array illuminate the balls in a certain color depending on the instrument assigned to them: Drum sounds are blue, bass is orange and melodies are purple.

Underneath the 2.80 x 1.65 meters (9.2 x 4.5 foot) CNC machined, sanded and color coated surface of the GRIDI, an Arduino Uno controls all the WS2812 LEDs and reads back the switches that are used to detect the balls. A host computer running Max/MSP synthesizes the ensemble. The result is the impressive, interactive, musical art installation you’re about to see in the following video. What better tune to try out first than that of Billie Jean whose lighted sidewalk made such an impression on the original music video.

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Modular Drum Machine Creates Random Rhythms

July 9, 2016 by Bryan Cockfield 6 Comments

Don’t worry, the rhythms themselves aren’t random! That would hardly make for a useful drum machine. [kbob]’s creation does have the ability to randomly generate functional rhythms, though, and it’s all done on a breadboard.

The core of this tiny drum machine is two Teensy dev boards. One is an FM synth tuned to sound like drums, and the other is a random rhythm generator with several controls. The algorithms are from Mutable Instruments’ open source Eurorack modules. The entire thing fits on a breadboard with JIGMOD modules for the user interface. The machine runs on lithium batteries in the form of USB cell phone chargers. The battery holders were designed in Fusion 360 and 3D printed.

The function of the drum machine is pretty interesting as well. There are a set of triggers tied to the buttons on the machine. When a button is pressed, the drum machine plays that sound at the appropriate time, ensuring there are no offbeat beats. The potentiometers are polled once every millisecond and the program updates the output as required. There’s also a “grid” of rhythms that are controlled with two other knobs (one to map the X coordinate and the other for the Y) and a “chaos” button which adds an element of randomness to this mapping.

The modular nature of this project would make this a great instrument to add to one’s musical repertoire.It’s easily customizable, and could fit in with any of a number of other synthesizer instruments.

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Paper Tape Drive For A Live Performance Music Box

July 6, 2016 by Dan Maloney 20 Comments

Music is a mystery to some of us. Sure, we know what we like when we hear it, but the idea of actually being able to make it baffles us. And the idea of being able to build new instruments to create it, like this paper-tape programmable music box (YouTube, embedded below), is beyond impressive.

You’ll no doubt remember [Martin Molin] of the group “Wintergatan” and his astounding marble madness music machine. This instrument is on a much more modest scale and is centered around an off-the-shelf paper tape music box. But the cheap plastic drive gears kept failing under performance conditions, so [Martin] headed to what appears to be his cave-based workshop and started grinding. He prototyped a new paper drive from Lego Technics, and while it worked, it needed help to pull the paper. What followed was an iterative design process that culminated in a hybrid of plastic and metal Technic parts that drive the paper reliably, and a musical instrument that’s much more than just a tinny wind-up music box. Hear it in action below with another new instrument, the Modulin, which sounds a little like a Theremin but looks like – ah, just watch the video.

The build video hints at more details to come, and we’re hoping for a complete series like that for the marble machine. We’d also love to see details on the Modulin too – if there ever was a hacked musical instrument, that’s it.

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Niklas Roy’s Music Construction Machine

July 5, 2016 by Jenny List 8 Comments

If you think of a music box, the first image that might come to mind is that of a small tabletop device with a simple mechanism and a single instrument. Usually a row of chimes triggered by points etched on a roller. If you are a bit more ambitious maybe you thought of a player piano with a roll of perforated paper carrying a tune, but yet again with only the single voice of one instrument.

[Niklas Roy] however has a different vision when it comes to mechanical music. He’s created an entire ensemble with real musical instruments, a drum kit, keyboard, and electric guitar. His Music Construction Machine is no simple music box with a single tune though, it generates a constantly changing melody through a mechanically implemented algorithm with a complex interaction of cyclic variables that periodically alternate between harmonic and discordant. Unfortunately we can’t find any audio examples of the installation at work.

There is a timeliness to this post, the machine is part of an art installation at the Goethe-Institut Pop Up Pavillion on the Nowy Targ square in Wrocław, Poland, and it will be exhibited until the 10th of July. We hope some of our Central European readers will be within range and can make the trip. If you do, we’d love to hear some sample audio from your visit.

We’ve featured [Niklas]’s work many times before here at Hackaday. Just a few highlights are a past musical project powered by water, God on the CB radio, and his all-terrain mobile beer crate.

UPDATE: [Niklas] has posted details of the exhibition in Wroclaw on his blog, including several videos like the on below the break that show the machine in its full glory.

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Touchpad Remote MIDI/Analog Controller Rocks

June 25, 2016 by Elliot Williams 4 Comments

[acidbourbon] had some cool parts on hand, and a musician friend in need of a radio-controlled, touch-sensitive MIDI (and analog) controller. This being Hackaday, you can guess what happened next.

The remote expression controller is a sweet little hack. It starts with a touchpad bought from a German surplus shop, and some code that [acidbourbon] found on the biggest German embedded forum. A couple nicely home-etched circuit boards later, and he was writing code.

It’s all available here on his GitHub if you want to have a look. The transmission protocol is simplicity itself. It sends a two-byte header to detect the start of the message, and then it sends three bytes of data. The receiver turns this into MIDI and control-voltage output. Simple and useful.

We also admire the non-overkill (as well as the enviable battery life) of using straightforward radio transmitters rather than giving in and using WiFi.

We’ve covered some of Michael/[acidbourbon]’s hacks before, and the one that we think of the most, when we’re down in the basement drilling out holes in a PCB, is his semi-automatic drill press hack. Keep on hacking!

Autonomous Musical Soundscapes From 42 Fans And 7 Lasers

June 24, 2016 by Donald Papp 6 Comments

[dmitry] writes in to let us know about a new project that combines lasers with fans and turns the resulting modulation of the light beams into an autonomous soundscape. The piece is called “divider” and is a large, wall-mounted set of rails upon which seven red lasers are mounted on one end with seven matching light sensors mounted on the other end. Interrupting the lasers’ paths are forty-two brushless fans. Four Arduino Megas control the unit.

Laser beams shining into light sensors don’t do much of anything on their own, but when spinning fan blades interrupt each laser beam it modulates the solid beams and turns the readings of the sensors on the far end into a changing electrical signal which can be played as sound. Light being modulated by fan blades to create sound is the operating principle behind a Fan Synth, which we’ve discussed before as being a kind of siren (or you can go direct to that article’s fan synth demo video to hear what kind of sounds are possible from such a system.)

This project takes this entire concept of a fan synth further by not only increasing the number of lasers and fans, but by tying it all together into an autonomous system. The lasers are interrupted repeatedly and constantly, but never simultaneously. Listen to and watch it in action in the video below.

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