USB-C as the “One Cable To Rule Them All” has certainly been a success. While USB-A is still around for now, most of us have breathed a hefty sigh of relief with the passing of micro-USB and the several display and power standards it replaces. It’s not without its minor issues though. One of them is that it’s as susceptible as any other cable to a bit of strain. For that, we think [NordcaForm]’s 3D-printed USB-C cable strain relief is definitely a cut above the rest.
Waxing lyrical about a simple 3D printed model might seem overkill for Hackaday, and it’s true, it’s not something we do often, but as Hackaday writers travel around with plenty of USB-C connected peripherals, we like the design of this one. It’s flexible enough to be useful without resorting to exotic filaments, and since it’s available in a few different forms with curved or straight edges, we think it can find a place in many a cable setup. Certainly more of an everyday carry than a previously featured 3D print. If you want to learn more about USB C, we have a whole series of posts for you to binge read.
Bose SoundTouch speakers were introduced in 2013, offering the ability to connect to online streaming services and play back audio on multiple speakers simultaneously using the accompanying mobile app. Now these features are about to be removed, including the mobile app, as Bose is set to discontinue support on February 18, 2026. From that point onwards, you can only use them via Bluetooth or physical connectors that may be present, like an audio jack or HDMI port. This includes fancy home theater system hardware like the above SoundTouch 520.
That is the official line, at least. We have seen the SoundTouch on Hackaday previously, when it was discovered how to gain root shell access to the Linux OS that powers the original SoundTouch system with Telnet access on port 17,000 to pass the listening service the remote_services on command before connecting with Telnet as usual, with root and no password. A quick glance at the comments to that post suggests that this is still a valid approach for at least certain SoundTouch devices.
The fallout from this announcement appears to be twofold: most of all that ‘smart’ features like WiFi-based streaming can be dropped at any time. But it also makes us realize that hardware hackers like us will never run out of new and suddenly obsolete hardware that need our rescue.
CRT monitors: there’s nothing quite like ’em. But did you know that video projectors used to use CRTs? A trio of monochrome CRTs, in fact: one for each color; red, green, and blue. By their powers combined, these monsters were capable of fantastic resolution and image quality. Despite being nowhere near as bright as modern projectors, after being properly set up, [Technology Connections] says it’s still one of the best projected images he has seen outside of a movie theatre.
After a twenty-minute startup to reach thermal equilibrium, one can settle down with a chunky service manual for a ponderous calibration process involving an enormous remote control. The reward is a fantastic (albeit brightness-limited) picture.
Still, these projectors had drawbacks. They were limited in brightness, of course. But they were also complex, labor-intensive beasts to set up and calibrate. On the other hand, at least they were heavy.
[Technology Connections] gives us a good look at the Sony VPH-D50HT Mark II CRT Projector in its tri-lobed, liquid-cooled glory. This model is a relic by today’s standards, but natively supports 1080i via component video input and even preserves image quality and resolution by reshaping the image in each CRT to perform things like keystone correction, thus compensating for projection angle right at the source. Being an analog device, there is no hint of screen door effect or any other digital artifact. The picture is just there, limited only by the specks of phosphor on the face of each tube.
Converging and calibrating three separate projectors really was a nontrivial undertaking. There are some similarities to the big screen rear-projection TVs of the 90s and early 2000s (which were then displaced by plasma and flat-panel LCD displays). Unlike enclosed rear-projection TVs, the screen for projectors was not fixed, which meant all that calibration needed to be done on-site. A walkthrough of what that process was like — done with the help of many test patterns and a remote control that is as monstrous as it is confusing — starts at 15:35 in the video below.
Like rear-projection TVs, these projectors were displaced by newer technologies that were lighter, brighter, and easier to use. Still, just like other CRT displays, there was nothing quite like them. And if you find esoteric projector technologies intriguing, we have a feeling you will love the Eidophor.
As Ethernet became the world-wide standard for wired networking, there was one nagging problem. You already have to plug in the network cable. But then you have to also plug in a power cable. That power cable needs to be long enough. And have the right plug on it for your country. And provide the right current and voltage. That’s how Power over Ethernet (PoE) was born, first in a veritable Wild West of proprietary standards and passive injectors, then in a standardized process. Recently [T. K. Hareendran] wrote a primer on PoE, with more of a DIY intro focus, including some favorite PoE PD (powered device) chips to use in your own design.
You can still totally use passive PoE if that’s your jam, and you have full control over the network and any connected devices. This would allow you to, for example, power your SBCs for a couple of bucks, although for adding PoE to your Mac Mini you may want to look at some more refined options, if only as a safety precaution.
There is likely to be more than one of you who has eyed up a child’s toy synthesizer in a second hand store, and considered making something more impressive with it. In many cases these instruments are underwhelming, having a very small subset of functions based into their black-epoxy-blob microcontrollers.
[Make Something] found a Casio toy synth that has a few more functions than the average model, and with the addition of some extra effects electronics and a beautifully made case, turned it into an altogether more interesting instrument.
Most of the video has an element of workshop porn about it, as he makes a very nice Moog-style console case for it, a task made easier by an impressive array of CNC tools. The electronics are slightly more interesting, being a selection of cheap guitar pedals gutted and combined with a cheap tube preamp board. The result is a machine capable of some far more interesting sounds
We think many Hackaday readers would be able to repeat these functions from scratch without the pedals, and while the case is a thing of beauty it’s likely a decent job could be done with a little less finesse on more commonplace tools. Perhaps it’s worth giving those toy synths a second look, because they really can be had for pennies if you look hard enough. Perhaps it’s an easier option than a previous toy musical upgrade.
Last week, we were talking about how glad we are to be the type who by-and-large understands technology, and how it’s becoming more and more difficult to simply get along otherwise. We thought we had a good handle on the topic.
Then, we were talking about Google’s plans to require an ID for Android developers, and whether or not this will shut down free and open software development on the Android platform. Would this be the end of the ability to run whatever software that you’d like on your phone? Google offered the figleaf that “sideloading” – installing software through methods other than Google’s official store, would still be be allowed. But there’s a catch – you have to use Android Debug Bridge (ADB).
Is that a relief? It surely means that I will be able to install anything I want: I use ADB all the time, because it’s one of the fastest and easiest ways to transfer files and update software on the device. But how many non-techies do you know who use ADB? We’d guess that requiring this step shuts out 99.9% of Android users. If you make software hard to install for the masses, even if you make it possible for the geeks, you’re effectively killing it.
I have long wondered why end-to-end encrypted e-mail isn’t the default. After all, getting a GPG signing key, distributing it to your friends, and then reading mail with supporting software shouldn’t be a big deal, right? If GPG signing were available by default in Outlook or GMail, everyone would sign their e-mail. But there is no dead-simple, non-techie friendly way to do so, and so nobody does it.
Requiring ADB to load Android software is going to have the same effect, and it’s poised to severely restrict the amount of good, open software we have on the platform unless we can figure out a way to make installing that software easy enough that even the naive users can do it.
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[JohnAudioTech] noticed there was no bass on the TV at his parents’ house. That led to the discovery of a blown fuse and a corresponding repair. When he opened it up, he could smell that something had gone on in the amplifier. You can follow the repair in the video below.
His first theory was that some glue became conductive and shorted the power rails. We were skeptical, to be honest. When he fed power to it through a current limiter, he could hear a sizzling noise and even see a little glowing from the hot component.
Disassembly ensued. Removing the suspect components showed some seriously burned components and some charring under a switching transistor. The capacitors looked much worse for wear, and the PCB needed some wires to jumper burned conductors.
At the end, there was thumping, so it seems the surgery was a success. However, testing blew a fuse again, which made us nervous. Still, seems to work if you don’t drive it too hard.
We always enjoy watching a teardown, and if there’s a repair too, that’s even better.
