The film scanner [xssfox] found, in the center of a table, with other stuff strewn across the table

Answering All Your ISCSI Scanner Questions

May 12, 2024 by Arya Voronova 17 Comments

iSCSI is a widely used protocol for exposing SCSI devices over a network connection, and some scanners have in the past been equipped with SCSI ports. So, could you have an iSCSI network scanner? [xssfox] details her journey making a Canoscan FS4000US film scanner work over iSCSI, sparked by someone’s overly-confident StackOverflow comment that it couldn’t be done. Nothing in the spec said it couldn’t actually work, however, and after figuring out a tentative architecture, a hardware setup was put together.

No flatbed scanners with SCSI ports could be found on the cheap, so a film scanner had to be procured. After figuring out a few hitches with the loading mechanism and getting a test image locally, it was time to try and build up the software setup, tearing through SCSI compatibility and cabling, driver and PCI pass-through woes, bluescreens, and intermediate software having dropped some of the necessary features by now. Still, [xssfox] eventually exported the scanner as an iSCSI target – and, on the other end of the network, successfully connected to it and completed a scan. The StackOverflow answer was wrong, after all.

It’s fun to see how far old technology can go, and get answers to questions you never knew you had. Whether you’re reminiscing about SCSI days or wondering what the technology about, we’ve talked about it aplenty, from a retrospective to modern-day experiments, repurposing old SCSI hardware for modern SATA ports, a Raspberry Pi implementation, an emulator, and a fair bit more.

We thank [Valentijn Sessink] and [adistuder] for sharing this with us!

Upgraded Film Scanner Handles Bigger Formats At No Cost

July 30, 2022 by Donald Papp 2 Comments

Film scanners are a useful tool for digitizing slides and negatives, and the Plustek 8100 that [Christian Chapman] had was capable, but limited to small format film only. Rather than pay for a much more expensive medium format scanner that could handle 120 film, he modified his 8100 to accomplish the same thing with a combination of good old software and hardware tampering.

On the software side, [Christian] modified a driver for the Plustek 8100 so that it sweeps the scan head further than usual. At the application level, to scan medium format frames, it does a total of four scans: one for each quadrant. The results get stitched together in software with a thoughtfully-designed shell script that provides previews and handles failures and restarts gracefully.

Hardware-wise, the scanning carriage needs modification to ensure nothing interferes with the scan head as it moves further than originally designed. Some CAD and 3D printing made short work of this. Incidentally, this hardware mod is an excellent demonstration of one of the core strengths of 3D printing: the ability to make geometrically-straightforward objects that would nevertheless be troublesome or impractical to construct in any other way.

Scanning Medium Format Film On A 35mm Scanner

July 28, 2021 by Lewin Day 6 Comments

Scanning film is great for archival purposes as well as sharing said photos digitally. However, if you’re scanning 120 film, aka medium format, it can be expensive to get the requisite hardware. 35mm scanners are comparatively more common, so [Christian Chapman] decided to modify one to suit medium film instead.

The hack is for the Plustek 8100, and requires modifying the scanner in two ways. Firstly, the driver has to be scanned to sweep a longer range to take into account the bigger film. Secondly, a part of the film carriage has to be replaced so it doesn’t show up in the scanners field of view.

The former is achieved by using the sane-genesys scanner software backend, which can be easily modified to adjust the scan length values appropriately. The latter is achieved via 3D printing replacement components that fit without blocking the requisite area.

It’s a tidy hack and one that allows [Christian] to both scan medium format film as well as overscan 35mm film to capture details from the sprocket hole area. We’ve seen fully custom film scanner builds before, too. If you’ve built your own scanner, be sure to drop us a line!

Scanner Snooping Uncovers Focus Farce

January 20, 2021 by Tom Nardi 8 Comments

From his comments about the noisy image and limited controls, we’re going to go out on a limb and assume [Andrew Jeddeloh] isn’t a huge fan of using his Epson V550 for scanning film. But is it really irredeemable? That’s what he set out to determine in a recent series of posts on his blog, and from what we can tell, it’s not looking good for the old Epson.

The first post attempts to quantify the optical capabilities of the scanner by determining its modulation transfer function (MTF), point spread function (PSF), and comparing its horizontal and vertical resolution. As you might expect, the nuances of these measurements are a bit beyond the average user. The short version of his analysis is that the scanner’s slide frame does indeed seem to be holding objects at the proper “sweet spot” for this particular image sensor; meaning that contrary to the advice he’d seen online, there’s nothing to be gained by purchasing custom film or slide holders.

While investigating the optical properties of the scanner, [Andrew] became curious about the automatic focus options offered by the VueScan software he was using. The images produced appeared to be identical regardless of what option he selected, and he began to suspect the feature wasn’t actually doing anything. To confirm his theory, he wrote a shim program that would sit between the proprietary VueScan program and the V550 driver and log all of the data passing between them.

After tweaking various options and comparing the captured data streams, [Andrew] determined that enabling automatic focus in VueScan doesn’t do anything. At least, not with his scanner. He did notice a few extra bytes getting sent to the driver depending on which focus options were selected, but the response from the scanner didn’t change. He thinks the program likely has some kind of generic framework for enabling these kind of features on supported hardware, and it’s just mistakenly showing the autofocus options for a scanner that doesn’t support it.

If there’s some film you want to digitize, but you’re saddled with a scanner like the V550, you could always do it with a camera instead. You could even put together a passable film scanner with LEGO.

Still Got Film To Scan? This Lego And Raspberry Pi Scanner Is For You

December 11, 2020 by Jenny List 9 Comments

There was a time during the early years of mass digital photography, when a film scanner was a common sight. A small box usually connected to a USB port, it had a slot for slides or negatives. In 2020 they’re a rare breed, but never fear! [Bezineb5] has a solution in the shape of an automated scanner using a Radpberry Pi and a mechanism made of Lego.

The Lego mechanism is a sprocket feeder that moves the film past the field of view from an SLR camera. The software on the Pi runs in a Docker container, and features a machine learning approach to spotting frame boundaries. This is beyond the capabilities of the Pi, so is offloaded to a Google Coral accelerator.

The whole process is automated with the Pi controlling not only the Lego but also the camera, to the extent of retrieving the photos from it to the Pi. There’s a smart web interface to control everything, making the process — if you’ll excuse the pun — a snap. There’s a video of it in action, that you can see below the break.

We’ve featured many film scanner projects over the years, one that remains memorable is this 3D printed lens mount.

Continue reading “Still Got Film To Scan? This Lego And Raspberry Pi Scanner Is For You” →

Scanning Analog Film For The Last Time

June 19, 2020 by Lewin Day 44 Comments

Film cameras are capable of great resolution, and for a long time were superior in this regard to their digital successors. However, it’s now possible to store digital copies of analog images in superior detail, so [Jan] built a rig to scan their photos for the last time.

The general idea is to take a high enough resolution scan of film negatives or slides, such that there is no need to rescan the images when technology moves forward. To achieve this, [Jan] decided to employ a DSLR to photograph the materials in question. To do this quickly and accurately, with minimal fuss, special lens hoods were 3D printed to hold slides in perfect register in front of the lens. With a flash to provide even light, the results are excellent. Film negatives proved harder, requiring a carefully designed transport mechanism to avoid damaging the fragile materials. With some perseverance, the final tool worked well.

It’s a tidy way of digitally archiving analog photos, and with the resolution of modern cameras, one needn’t worry about lost resolution. We’ve seen mechanised builds for handling other formats too, such as this 8mm scanner. Video after the break.

Continue reading “Scanning Analog Film For The Last Time” →

8mm Film Scanner Grows Into A Masterpiece

April 12, 2020 by Mike Szczys 73 Comments

Digitizing film is a tedious process that becomes a lot more fun if you spend more of your time building a digitizer and less time actually working working with old film. [Heikki Hietala] has been at it for years and his Kotokino Mark IV film scanner is a masterpiece of simple machine building.

Since we first saw the film scanner four years ago it’s undergone a number of excellent improvements. Most notably, the point-and-shoot camera has been swapped out for a DSLR. With the use of a macro reversing ring a normal lens is flipped around to blow up the 8-millimeter-wide film to take advantage of all the megapixels available on the camera sensor.

The key to the setup is the film advancer mechanism which takes care of both advancing the film and triggering the camera. As you can see, a servo motor rotating an axle provides the locomotion. The mechanism keys into the perforations in the film to pull it along on the down stroke and closes a switch to trigger the camera on the upstroke. Directly under the lens, the alignment jig uses lens cleaning fabric to avoid scratching the film, while perfectly positioning it over the light source.

Previous versions have placed the camera on the horizontal plane but it seems some vibrations in the system caused alignment problems between captured frames. This latest version places the camera pointed straight down to solve that issue, and brings the entire thing together into one beautiful finished project. Having gathered numerous fans of the build along the way, [Heikki] has made the design files available so that you may build your own version.