A Parallel Port Synthesiser For Your DOS PC

It is a great shame that back in the days when a typical home computer had easy low-level hardware access that is absent from today’s machines, the cost of taking advantage of it was so high. Professional PCBs were way out of reach of a home constructor, and many of the integrated circuits that might have been used were expensive and difficult to source in small quantities.

Here in the 21st century we have both cheap PCBs and easy access to a wealth of semiconductors, so enthusiasts for older hardware can set to work on projects that would have been impossible back in the day. Such an offering is [Serdef]’s Tiny Parallel Port General MIDI Synthesizer for DOS PCs, a very professionally produced synth that you might have paid a lot of money to own three decades ago.

At its heart is a SAM2695 synthesiser chip, and the board uses the parallel port as an 8-bit I/O port. The software side is handled by a TSR (a Terminate and Stay Resident driver loaded at startup, for those of you who are not DOS aficionados), and there are demonstrations of it running with a few classic games.

If the chip used here interests you, you might like to look at a similar project for an Arduino. The Kickstarter we covered is now long over, but you can also find it on GitHub.

Stylish Business Card With A Stylophone Built In

If you’re in the electronics business, PCB business cards seem like a natural fit. They may be impractical and expensive, but they can really set you apart from that boring paper card from Vistaprint crowd. But they need to make sense for what you do, so for a musician and MIDI pro, this MIDI-controller stylophone business card is a real eye- and ear-catcher.

This business card is an idea that [Mitxela] has been kicking around for a while, and he even built a prototype a couple of years ago. The homebrew card, made using the spray paint, laser etching, and ferric chloride method, worked well enough as a proof of concept, but it was a little rough around the edges and needed the professional touch of a PCB fabricator. We’ve got to say that the finished cards are pretty darn sexy, with the black resist contrasting nicely against the gold-immersion pads. He selected a 1-mm thick board and made the USB connector as a separate small board; snapped off of the main board and reflowed back on, it builds up the edge connector to the proper thickness. The parts count is low — just an ATtiny85 and a resistor ladder to encode each key, with a simple jumper used as the stylus. The device itself is just a MIDI controller and makes no music on its own, but we still think this is a pretty creative way to hang out a shingle.

[Mitxela] has quite a few interesting builds, and is no stranger to our pages. Check out his recent servo-plucked MIDI music box, or these amazing miniature LED earrings.

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Tracktorino Shields You From Poor Interfaces

On-screen controls in a digital audio workstation expand the power of a DJ or musician, but they are not intuitive for everyone. The tactility of buttons, knobs, sliders and real-world controls feels nothing like using a mouse, trackpad, or even a touchscreen. Unfortunately, devices meant to put control into a DJs hands can be unavailable due to location or cost. [Gustavo Silveira] took charge of the situation so he could help other DJs and musicians take control of their workstations with a customized MIDI interface for Traktor DJ software.

MIDI is a widely used serial protocol which has evolved from a DIN connector to USB, and now it is also wireless. This means that the Traktorino is not locked to Traktor despite the namesake. On the Hackaday.io page, there’s even a list of other workstations it will work with, but since many workstations, all the good ones anyway, accept MIDI hardware like this, the real list is a lot longer.

The custom circuit board is actually a shield. Using an Arduino UNO, the current poster child of the Arduino world, opens up the accessibility for many people who don’t know specialized software. A vector drawing for a lasercut enclosure is also included. This means that even the labeling on the buttons are not locked into English language.

Here’s another project which combined laser cutting and MIDI to make some very clever buttons or turn your DIN MIDI connector into USB.

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There’s More To MIDI Than Music – How About A Light Show?

MIDI instruments and controllers are fun devices if you want to combine your interest in music and electronics in a single project. Breaking music down into standardized, digital signals can technically turn anything with a button or a sensor into a musical instrument or effect pedal. On the other hand, the receiving end of the MIDI signal is mostly overlooked.

[FuseBerry], a music connoisseur with a background in electronics and computer science, always wanted to build a custom MIDI device, but instead of an instrument, he ended up with a MIDI controlled light show in the shape of an exploded truncated icosahedron ([FuseBerry]’s effort to look up that name shouldn’t go unnoticed). He designed and 3D-printed all the individual geometric shapes, and painstakingly equipped them with LEDs from a WS2818B strip. An Arduino Uno controls those LEDS, and receives the MIDI signals through a regular 5-pin DIN MIDI connector that is attached to the Arduino’s UART interface.

The LEDs are mapped to pre-defined MIDI notes, so whenever one of them is played, and their NoteOn message is received, the LEDs light up accordingly. [FuseBerry] uses his go-to DAW to create the light patterns, but any software / device that can send MIDI messages should do the trick. In the project’s current state, the light pattern needs to be created manually, but with some adjustments to the Arduino code, that could be more automated, something along the lines of this MIDI controlled Christmas light show.

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Servos Do The Plucking In This MIDI Music Box

It started with a cheap, punch-card programmable manual music box. Thirty-one hobby servos later, it ended as an automated MIDI music box, with a short pit stop as a keyboard-driven MIDI device.

If you think you’ve seen the music box in [Mitxela]’s video below before, you’re right. [Martin], musician, inventor, and father of the marvelous marble music machine, took an interest in these music boxes and their programming a while back. Like [Martin], [Mitxela] started his music box project with punch card programming, but he quickly grew tired of the bothersome process, even after automating production with a laser cutter. He decided to do away with the punch cards completely and devised a method to pluck all 30 notes using a few large handfuls of hobby servos. One servo, converted to continuous rotation, spins the drum, with the rest linked to small laser-cut acrylic plectrums via stiff brass wire. The fingers imitate the punched holes passing over the drum and pluck the notes according to MIDI messages. The whole thing can draw quite a bit of current, so in addition to a beefy power supply, [Mitxela] optimized the code to minimize power requirements. This had the happy consequence of reducing the latency enough to allow the music box to be played from a MIDI keyboard in real time.

A lot of work went into this one, but [Mitxela] isn’t resting on his laurels; he has a full slate of improvements that he wants to tackle, not least of which is SD card support for MIDI files to turn this into a jukebox. We’re looking forward to the updates.

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Google Builds A Synthesizer With Neural Nets And Raspberry Pis.

AI is the new hotness! It’s 1965 or 1985 all over again! We’re in the AI Rennisance Mk. 2, and Google, in an attempt to showcase how AI can allow creators to be more… creative has released a synthesizer built around neural networks.

The NSynth Super is an experimental physical interface from Magenta, a research group within the Big G that explores how machine learning tools can create art and music in new ways. The NSynth Super does this by mashing together a Kaoss Pad, samples that sound like General MIDI patches, and a neural network.

Here’s how the NSynth works: The NSynth hardware accepts MIDI signals from a keyboard, DAW, or whatever. These MIDI commands are fed into an openFrameworks app that uses pre-compiled (with Machine Learning™!) samples from various instruments. This openFrameworks app combines and mixes these samples in relation to whatever the user inputs via the NSynth controller. If you’ve ever wanted to hear what the combination of a snare drum and a bassoon sounds like, this does it. Basically, you’re looking at a Kaoss pad controlling rompler that takes four samples and combines them, with the power of Neural Networks. The project comes with a set of pre-compiled and neural networked samples, but you can use this interface to mix your own samples, provided you have a beefy computer with an expensive GPU.

Not to undermine the work that went into this project, but thousands of synth heads will be disappointed by this project. The creation of new audio samples requires training with a GPU; the hardest and most computationally expensive part of neural networks is the training, not the performance. Without a nice graphics card, you’re limited to whatever samples Google has provided here.

Since this is Open Source, all the files are available, and it’s a project that uses a Raspberry Pi with a laser-cut enclosure, there is a huge demand for this machine learning Kaoss pad. The good news is that there’s a group buy on Hackaday.io, and there’s already a seller on Tindie should you want a bare PCB. You can, of course, roll your own, and the Digikey cart for all the SMD parts comes to about $40 USD. This doesn’t include the OLED ($2 from China), the Raspberry Pi, or the laser cut enclosure, but it’s a start. Of course, for those of you who haven’t passed the 0805 SMD solder test, it looks like a few people will be selling assembled versions (less Pi) for $50-$60.

Is it cool? Yes, but a basement-bound producer that wants to add this to a track will quickly learn that training machine learning algorithms cost far more than playing with machine algorithms. The hardware is neat, but brace yourself for disappointment. Just like AI suffered in the late 60s and the late 80s. We’re in the AI Renaissance Mk. 2, after all.

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There’s Now A New MIDI Spec, And Drones

MIDI, the Musical Instrument Digital Interface, was released in 1983 in a truly bizarre association between musical instrument manufacturers. At no other time, before or since, has there been such cooperation between different manufacturers to define a standard. Since then, the MIDI spec has been expanded with SysEx messages, the ability to dump samples via MIDI, redefining the tuning of instruments via MIDI to support non-Western music, and somewhere deep in the spec, karaoke machines.

Now there’s a new update to the MIDI spec (Gearnews link, here’s the official midi.org announcement but their website requires registration and is a hot garbage fire). At this year’s NAMM, the place where MIDI was first demonstrated decades ago,  the MIDI Manufacturers Association announced an update to MIDI that makes instruments and controllers smarter, and almost self-learning.

There are three new bits to the new update to the MIDI spec. The first is Profile Configuration, a way to auto-configure complex controller mappings, described as, ‘MIDI Learn on steroids’. The second update is Property Exchange, and allows MIDI devices to set device properties like, ‘product name, configuration settings, controller names, and patch data’. This is effectively setting metadata in controllers and devices. The third new bit is Protocol Negotiation, a way to automatically push future, next-gen protocols over a DIN-5 connector.

What does this all mean? Drones. No, I’m serious. The MIDI association is tinkering around with some Tiny Whoops and Phantoms, and posted a video of drones being controlled by a MIDI controller. Play a glissando up, and the drone goes up. You can check out a video of that below.

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