One of the best things about making music is that it’s so easy to do. There are countless ways to make interesting sounds out of nearly anything if you’re willing to experiment a little bit — just ask anyone who has ever made a guitar out of a cigar box and a broom handle.
The bass is constructed arch-top style, meaning that the soundboard — the wood on the front with the f-holes — is a flat piece tacked to curved ribs that span the width of the ‘barrow. A broom handle sound post mounted front to back pushes vibrations from the soundboard to the aluminium body. To round out the agricultural aesthetic, [Vicious Squid] strung it with weed-whacker bass strings, which are no doubt inspired by the use of actual trimmer line.
It’s already plenty loud, but [Vicious Squid] added a piezo pickup for wheeling it into the recording studio. Slap your way past the break to hear a little ditty.
One of the greatest joys of being a child was figuring out that rubber bands make awesome sounds when they are plucked, and that the sound is easily changed by stretching the band to different lengths. For those of us who need firsthand experience to truly understand how the world works, these types of self-discovery are a pretty great way to learn about physics.
If you’re looking to build a physical music lesson or musical physics lesson into your burgeoning home school curriculum, look no further than the junk drawer, the broom closet, and the 3D printer. [Ham-made] used to stretch his bands across an empty tissue box, but came up with a much more professional implementation based on a broom handle. Check out this fat sound!
You don’t even need to find a spare broom handle, because none of this is permanent — the headstock piece with the hooks is meant to slide up and down to create cool sounds, and the tailpiece threads on in place of the broom bristles. Inside the tailpiece is a piezo disk and a 1/4″ jack so you can plug it in to your amp stack and start an impromptu jazz group. Just keep it under 10 people, okay?
[Tristan Shone], aka Author & Punisher, found a way to make industrial music even heavier. This former mechanical engineer from Boston crafted his one-man band in the university fab labs of Southern California while pursing an art degree. He started machining robust custom MIDI controllers that allow him to get physical while performing, instead of hunching over tiny buttons and trying to finesse microscopic touch pad-style pitch sliders.
Our favorite is probably Grid Iron, because it looks like the most fun. Grid Iron is a rhythm controller that works by running back and forth and side-to-side over a grid of machined textures that act like speed bumps. A spring-loaded stylus picks up the textures, and an encoder translates them to sound. Eight buttons along the 3D-printed pistol grip let [Tristan] make changes on the fly.
Tired of twiddling tiny knobs, [Tristan] made Big Knobs, a set of three solid aluminum knobs that look to be 3-4″ in diameter. These are assigned jobs like delay and filter, and their weight combined with ball bearings allows them to spin almost indefinitely while [Tristan] injects other sounds into the mix.
[Tristan] has made a few custom microphones to make the most of his voice. One is a trachea mic made from four piezos strapped to his throat that picks up every possible vocal utterance and other guttural sounds quite nicely. The other is an 8-pack of mics built into a curved metal box. He can assign a different effect to each one and do things like turn a breathy scream into the sounds of swelling cymbals.
There are more machines not covered in the video, and you can read about those on [Tristan]’s site. In a bonus video after the break, [Tristan] discusses a trio of pneumatically-driven mask controllers he made.
You’ve probably noticed that modern life has become rather complicated, and the projects we cover here on Hackaday have not been immune to the march of progress. We certainly aren’t complaining, but we’ll admit to the occasional wistful daydream of returning to the days when the front page of Hackaday looked more MacGyver than Microsoft.
Which is precisely why this hacked together water alarm from [dB] is so appealing. Dubbed the “SqueakyLeaks”, this gadget started its life as a simple wireless intruder alarm from the Dollar Tree. When the magnet got far enough from the battery-powered base, a 90 dB warble would kick in and let you know somebody had opened a window or a door they shouldn’t have.
But with a little rewiring and two Canadian pennies serving as contacts, the alarm has been converted to a water detector that can be placed around potential leaky appliances like the water heater or in areas where you want to be alerted to water accumulation such as sumps. They’re basically “set and forget”, as [dB] says the three LR44 batteries used in the alarms should last about two years. Though with a BOM of $1.02 CAD, it’s probably cheaper to just make multiples and throw them out when the batteries die. Continue reading “Build This Handy Leak Detector For $1.02”→
While we don’t yet know the long-term effects of hanging out around 3D printers, it doesn’t take a in-depth study to figure out that their emissions aren’t healthy. What smells toxic usually is toxic. Still, it’s oh-so-fun to linger and watch prints grow into existence, even when we have hundreds or thousands of hours of printing under our belts.
Most of us would agree that ABS stinks worse than PLA, and that’s probably because it releases formaldehyde when melted. PLA could be viewed as slightly less harmful because it has a lower melting point, and more volatile organic compounds (VOCs) are released at higher temperatures. Though we should probably always open a window when printing, human nature is a strong force. We need something to save us from our stubbornness, and [Gary Peng] has the answer: a smart 3D printer emission monitor.
The monitor continually checks the air quality and collects data about VOC emissions. As the VOCs become elevated during printing, the user is notified with visual, audio, and phone notifications. Green means you’re good, yellow means open a window, red means GTFO. There’s a brief demo after the break that also shows the phone interface.
The heart of this monitor is a CCS811 gas sensor, which provides VOC data to a Particle Photon. [Gary] built a simple Blynk interface to handle the alerts and graph historical VOC readings. He’s got the code and STLs available, so let this be the last time you watch something print in blissful semi-ignorance.
Mind you, [Franco Molina]’s “DrumCube” doesn’t quite have the flash of a human drummer, but it does keep a steady beat and has a charm of its own. The drum machine is mostly mechanical, reminding us somewhat of the Wintergatan Marble Machine which is as captivating to watch as it is to hear. The DrumCube has a snare drum played by two servo-controlled sticks, a kick drum using foam waggled back and forth between two piezo transducers hooked to a low-pass filter, and a reverse-biased transistor white noise generator used for the hi-hat. Sadly, the large gear appears to be just for show. An Arduino runs everything and makes sure the mechanical drum hits are synced to the electronic cymbals, which was no mean feat.
The video below shows it in action accompanying [Franco] on his guitar, and it looks as good as it sounds. Prefer a more compact, all-electronic drum kit? Here’s one that fits in your pocket.
Summer in the Northern hemisphere means outdoor cooking. Matches are old school, and you are more likely to use a piezoelectric lighter to start your grill. [Steve Mould] has one, but he didn’t understand the physics behind why it works, so he decided to do the research and share it in a video.
The first two minutes is a recap of things you already know. But after that [Steve] gets into the crystal lattice structure of quartz. Using some computer animations and some peanut butter lids he shows you exactly why compressing the crystal generates electricity.