DJI Fights Back Over Sensationalist Drone Reporting

July 7, 2019 by Jenny List 69 Comments

Over the past few years the number of reported near misses between multirotors, or drones as they are popularly referred to, and aircraft has been on the rise. While evidence to back up these reports has been absent time and again.

We’ve looked at incident reports, airport closures, and media reporting. The latest chapter comes in the form of a BBC documentary, “Britain’s Next Air Disaster? Drones” whose angle proved too sensational and one-sided for the drone manufacturing giant DJI. They have penned an acerbic open letter to the broadcaster (PDF link to the letter itself) that says that they will be launching an official complaint over the programme’s content. The letter begins with the following stinging critique:

As the world’s leader in civilian drones and aerial imaging technology, we feel it is our duty on behalf of the millions of responsible drone users around the globe, to express our deep disappointment at the BBC’s negative portrayal of drone technology and one-sided reporting based on hearsay.

It then goes on to attack the tone adopted by the presenter in more detail : “overwhelmingly negative, with the presenter frequently using the words ‘catastrophic’ and ‘terrifying’.“, before attacking the validity of a series of featured impact tests and highlighting the questionable basis for air proximity incident reports. They round the document off with a run through the safety features that they and other manufacturers are incorporating into their products.

DJI have pulled no punches in their condemnation of the standard of reporting on drone incidents in this document, and it is a welcome and rare sight in an arena in which the voices of people who know something of multirotors have been rather lonely and ignored. The BBC in turn have responded by saying “its investigation had shown positive uses of drones and that its programmes were fair“.

Over the past few years we have reported on this issue we have continually made the plea for a higher quality of reporting on drone stories. While Britain has been the center of reporting that skews negatively on the hobby, the topic is relevant wherever in the world there are nervous airspace regulators with an eye to any perceived menace. These incidents have pushed the industry to develop additional safety standards, as DJI mentions in their letter: “the drone industry itself has implemented various features to mitigate the risks described”. Let’s hope this first glimmer of a fight-back from an industry heavyweight (with more clout than the multirotor community) will bear the fruit of increased awareness from media, officials, and the general public.

If you’d like to see the BBC documentary in question it will be available for the next few weeks to people who see the Internet through a British IP address.

Thanks [Stuart] for the tip!

Lime SDR (and Pluto, Too) Sends TV

January 19, 2019 by Al Williams 21 Comments

If you have experienced software defined radio (SDR) using the ubiquitous RTL SDR dongles, you are missing out on half of it. While those SDRs are inexpensive, they only receive. The next step is to transmit. [Corrosive] shows how he uses DATV Express along with a Lime SDR or a Pluto (the evaluation device from Analog Devices) to transmit video. He shows how to set it all up in the context of ham radio. An earlier video shows how to receive the signal using an SDR and some Windows software. The receiver will work with an RTL SDR or a HackRF board, too. You can see both videos, below.

The DATV Express software has plenty of options and since SDR if frequency agile, you ought to be able to use this on any frequency (within the SDR range) that you are allowed to use. At the end, he mentions that to really put these on the air you will want a filter and amplifier since the output is a bit raw and low powered.

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Circuit Bending A TV For Better Input

October 15, 2018 by Brian Benchoff 55 Comments

If you haven’t noticed, CRTs are getting hard to find. You can’t get them in Goodwill, because thrift stores don’t take giant tube TVs anymore. You can’t find them on the curb set out for the trash man, because they won’t pick them up. It’s hard to find them on eBay, because no one wants to ship them. That’s a shame, because the best way to enjoy old retrocomputers and game systems is with a CRT with RGB input. If you don’t already have one, the best you can hope for is an old CRT with a composite input.

But there’s a way. [The 8-Bit Guy] just opened up late 90s CRT TV and modded it to accept RGB input. That’s a monitor for your Apple, your Commodore, and a much better display for your Sega Genesis.

There are a few things to know before cracking open an old CRT and messing with the circuits. Every (color) CRT has three electron guns, one each for red, green, and blue. These require high voltage, and in CRTs with RGB inputs you’re looking at a circuit path that takes those inputs, amplifies them, and sends them to the gun. If the TV only has a composite input, there’s a bit of circuitry that takes that composite signal apart and sends it to the guns. In [8-bit guy]’s TV — and just about every CRT TV you would find from the mid to late 90s — there’s a ‘Jungle IC’ that handles this conversion, and most of the time there’s RGB inputs meant for the on-screen display. By simply tapping into those inputs, you can add RGB inputs with fancy-schmancy RCA jacks on the back.

While the actual process of adding RGB inputs to a late 90’s CRT will be slightly different for each individual make and model, the process is pretty much the same. It’s really just a little bit of soldering and then sitting back and playing with old computers that are finally displaying the right colors on a proper screen.

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Rediffusion Television: Early Cable TV Delivered Like Telephone

August 10, 2018 by Jenny List 60 Comments

Recently I spent an enjoyable weekend in Canterbury, staying in my friend’s flat with a superb view across the rooftops to the city’s mediaeval cathedral. Bleary-eyed and in search of a coffee on the Sunday morning, my attention was immediately drawn to one of her abode’s original built-in features. There on the wall in the corner of the room was a mysterious switch.

Housed on a standard-sized British electrical fascia was a 12-position rotary switch, marked with letters A through L. An unexpected thing to see in the 21st century and one probably unfamiliar to most people under about 40, I’d found something I’d not seen since my university days in the early 1990s: a Rediffusion selector switch.

If you have cable TV, there is probably a co-axial cable coming into your home. It is likely to carry a VHF signal, either a series of traditional analogue channels or a set of digital multiplexes. “Cable ready” analogue TVs had wideband VHF tuners to allow the channels to be viewed, and on encrypted systems there would have been a set-top box with its own analogue tuner and decoder circuitry.

Your digital cable TV set-top box will do a similar thing, giving you the channels you have subscribed to as it decodes the multiplex. At the dawn of television transmission though, none of this would have been possible. Co-axial cable was expensive and not particularly high quality, and transistorised wideband VHF tuners were still a very long way away. Engineers designing the earliest cable TV systems were left with the technology of the day derived from that of the telephone networks, and in Britain at least that manifested itself in the Rediffusion system whose relics I’d found.

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Couch Potato Refined: Self-Rotating TV Uses Plywood Gears

July 26, 2018 by Al Williams 20 Comments

When we first saw [Mikeasaurus’] project to rotate his TV 90 degrees in case he wanted to lay down and channel surf we were ready to be unimpressed. But it grew on us as we read about how he fabricated his own gearing system to make a car seat motor rotate the TV.

The gearing system is made from plywood and the design was from geargenerator.com, a freebie design tool we’ve covered before. You’d think you’d need a laser cutter, but in this case, the gear forms were printed out, glued on the plywood and then cut out manually. Each gear is made of several laminated together.

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The BBC Computer Literacy Project From The 1980s Is Yours To Browse

June 30, 2018 by Jenny List 12 Comments

In the early 1980s there was growing public awareness that the microcomputer revolution would have a significant effect on everybody’s lives, and there was a brief period in which anything remotely connected with a computer attracted an air of glamour and sophistication. Broadcasters wanted to get in on the act, and produced glowing documentaries on the new technology, enthusiastically crystal-ball-gazing as they did so.

In the UK, the public service BBC broadcaster produced a brace of series’ over the decade probing all corners of the subject as part of the same Computer Literacy Project that gave us Acorn’s BBC Micro, and we are lucky enough that they’ve put them all online so that we can watch them (again, in some cases, if a Hackaday scribe can get away with revealing her age).

You can see famous shows such as the moment when the presenters experienced a live on-air hack while demonstrating an early online service, but most of it is a fascinating contemporary look at the computers we now enthuse over as retro devices. Will the MSX sweep all before it, for example? (It didn’t).

They seem very dated now with their 8-bit micros (if not just for the word “micro”), synth music, and cheesy graphics. But what does come across is the air of optimism, this was the future, and it was packaged not as a threat, but as a good place to be. Take a look, but make sure you have plenty of time. You may spend a while in front of the screen.

We’ve mentioned int he past another spin-off from the Computer Literacy Project, the Domesday Project.

Thanks [Darren Grant] for the tip.

Lost In Space Gets 3D Printing Right

June 25, 2018 by Tom Nardi 100 Comments

When it has become so common for movies and television to hyper-sensationalize engineering, and to just plain get things wrong, here’s a breath of fresh air. There’s a Sci-Fi show out right now that wove 3D printing into the story line in a way that is correct, unforced, and a fitting complement to that fictional world.

With the amount of original content Netflix is pumping out anymore, you may have missed the fact that they’ve recently released a reboot of the classic Lost in Space series from the 1960’s. Sorry LeBlanc fans, this new take on the space traveling Robinson family pretends the 1998 movie never happened, as have most people. It follows the family from their days on Earth until they get properly lost in space as the title would indicate, and is probably most notable for the exceptional art direction and special effects work that’s closer to Interstellar than the campy effects of yesteryear.

But fear not, Dear Reader. This is not a review of the show. To that end, I’ll come right out and say that Lost in Space is overall a rather mediocre show. It’s certainly gorgeous, but the story lines and dialog are like something out of a fan film. It’s overly drawn out, and in the end doesn’t progress the overarching story nearly as much as you’d expect. The robot is pretty sick, though.

No, this article is not about the show as a whole. It’s about one very specific element of the show that was so well done I’m still thinking about it a month later: its use of 3D printing. In Lost in Space, the 3D printer aboard the Jupiter 2 is almost a character itself. Nearly every member of the main cast has some kind of interaction with it, and it’s directly involved in several major plot developments during the season’s rather brisk ten episode run.

I’ve never seen a show or movie that not only featured 3D printing as such a major theme, but that also did it so well. It’s perhaps the most realistic portrayal of 3D printing to date, but it’s also a plausible depiction of what 3D printing could look like in the relatively near future. It’s not perfect by any means, but I’d be exceptionally interested to hear if anyone can point out anything better.

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