A circular metal vessel is shown, with a symmetrical rotor of four vanes standing inside. At the bottom of the vessel are four loudspeakers.

Building An Acoustic Radiometer

A Crookes radiometer, despite what many explanations claim, does not work because of radiation pressure. When light strikes the vanes inside the near-vacuum chamber, it heats the vanes, which then impart some extra energy to gas molecules bouncing off of them, causing the vanes to be pushed in the opposite direction. On the other hand, however, it is possible to build a radiometer that spins because of radiation pressure differences, but it’s easier to use acoustic radiation than light.

[Ben Krasnow] built two sets of vanes out of laser-cut aluminium with sound-absorbing foam attached to one side, and mounted the vanes around a jewel bearing taken from an analog voltmeter. He positioned the rotor above four speakers in an acoustically well-sealed chamber, then played 130-decibel white noise on the speakers. The aluminium side of the vanes, which reflected more sound, experienced more pressure than the foam side, causing them to spin. [Ben] tested both sets of vanes, which had the foam mounted on opposite sides, and they spun in opposite directions, which suggests that the pressure difference really was causing them to spin, and not some acoustic streaming effect.

The process of creating such loud sounds burned out a number of speakers, so to prevent this, [Ben] monitored the temperature of a speaker coil at varying amounts of power. He realized that the resistance of the coil increased as it heated up, so by measuring its resistance, he could calculate the coil’s temperature and keep it from getting too hot. [Ben] also tested the radiometer’s performance when the chamber contained other gasses, including hydrogen, helium, carbon dioxide, and sulfur hexafluoride, but none worked as well as air did. It’s a bit counterintuitive that none of these widely-varying gasses worked better than air did, but it makes sense when one considers that speakers are designed to efficiently transfer energy to air.

It’s far from an efficient way to convert electrical power into motion, but we’ve also seen several engines powered by acoustic resonance. If you’d like to hear more about the original Crookes radiometers, [Ben]’s also explained those before.

A circuit sculpture designed to help you sleep.

Sweet Sound Sculpture Helps You Sleep Soundly

Have trouble sleeping, or getting to sleep in the first place? You’ve no doubt heard of white noise machines, but know it would be much cooler to make your own. Enter Noise Maker, a DIY sound sculpture by [optimus103733], who wanted to learn something in the process of creating.

The best thing about this sound sculpture aside from the looks is that you can not only play five different sounds (e.g. birds, traffic, water, frog, white noise), you can mix them together into a rich but relaxing cacophony.

As you can probably see from the picture, Noise Maker is based on the ESP32 and uses an SD card module, an amplifier, and five six pots. Be sure to check out the pictures, because there are three layers of copper connections and a lot of careful bending to make it all come together. In the video after the break, you can hear it in action.

It seems [optimus103733] isn’t completely satisfied and wants to make a few improvements in the future, such as a voltage regulator, a power switch, and a timer to automatically stop playback once (we assume) sleep has come. Evidently the ESP32 struggles a little with mixing six audio sources, but hey, lesson learned.

Wait, why do we sleep in the first place?

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Hackaday Links: August 27, 2023

We mentioned last week how robotaxi provider Cruise was having a no-good, very bad week, after one of their driverless taxis picked a fight with a semi, and it was revealed that amorous San Franciscans were taking advantage of the privacy afforded by not having a driver in the front seat. It appears that we weren’t the only ones to notice all the bad news, since California’s Department of Motor Vehicles issued an order to the company to cut its robotaxi fleet in half. The regulatory move comes after a recent Cruise collision with a fire truck, which injured a passenger in the taxi. Curiously, the DMV order stipulates that Cruise can only operate 50 vehicles during the day, while allowing 150 vehicles at night. We’d have thought the opposite would make more sense, since driving at night is generally more difficult than during daylight hours. But perhaps the logic is that the streets are less crowded at night, whereas daytime is a more target-rich environment.

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Analog Noise Generator, Fighter Of Other Noises

A chaotic drone of meaningless sound to lull the human brain out of its usual drive to latch on to patterns can at times be a welcome thing. A nonsense background din — like an old television tuned to a dead channel — can help drown out distractions and other invading sounds when earplugs aren’t enough. As [mitxela] explains, this can be done with an MP3 file of white noise, and that is a solution that works perfectly well for most practical purposes. However he found himself wanting a more refined hardware noise generator with analog controls to fine tune the output, and so the Rumbler was born.

It’s a tight fit, but it does fit.

The Rumbler isn’t just a white noise generator. White noise has a flat spectrum, but the noise from the Rumbler is closer to Red or Brownian Noise. The different colors of noise have specific definitions, but the Rumbler’s output is really just white noise that has been put through some low pass filters to create an output closer to a nice background rumble that sounds pleasant, whereas white noise is more like flat static.

Why bother with doing this? Mainly because building things is fun, but there is also the idea that this is better at blocking out nuisance sounds from neighboring human activities. By the time distant music (or television, or talking, or shouting) has trickled through walls and into one’s eardrums, the higher frequencies have been much more strongly attenuated than the lower frequencies. This is why one can easily hear the bass from a nearby party’s music, but the lyrics don’t survive the trip through walls and windows nearly as well. The noise from the Rumbler is simply a better fit to those more durable lower frequencies.

[Mitxela]’s writeup has quite a few useful tips on analog design and prototyping, so give it a read even if you’re not planning to make your own analog noise box. Want to hear the Rumbler for yourself? There’s an embedded audio sample near the bottom of the page, so go check it out.

For a truly modern application of white noise, check out the cone of silence for snooping smart speakers.

Play To The Beat Of This Robotic Drummer In A Box

No drummer? No problem! With a little ingenuity, you can stuff the essentials of a drum kit into a box, and automate your rhythm section.

Mind you, [Franco Molina]’s “DrumCube” doesn’t quite have the flash of a human drummer, but it does keep a steady beat and has a charm of its own. The drum machine is mostly mechanical, reminding us somewhat of the Wintergatan Marble Machine which is as captivating to watch as it is to hear. The DrumCube has a snare drum played by two servo-controlled sticks, a kick drum using foam waggled back and forth between two piezo transducers hooked to a low-pass filter, and a reverse-biased transistor white noise generator used for the hi-hat. Sadly, the large gear appears to be just for show. An Arduino runs everything and makes sure the mechanical drum hits are synced to the electronic cymbals, which was no mean feat.

The video below shows it in action accompanying [Franco] on his guitar, and it looks as good as it sounds. Prefer a more compact, all-electronic drum kit? Here’s one that fits in your pocket.

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Win Back Some Privacy With A Cone Of Silence For Your Smart Speaker

To quote the greatest philosopher of the 20th century: “The future ain’t what it used to be.” Take personal assistants such as Amazon Echo and Google Home. When first predicted by sci-fi writers, the idea of instant access to the sum total of human knowledge with a few utterances seemed like a no-brainer; who wouldn’t want that? But now that such things are a reality, having something listening to you all the time and potentially reporting everything it hears back to some faceless corporate monolith is unnerving, to say the least.

There’s a fix for that, though, with this cone of silence for your smart speaker. Dubbed “Project Alias” by [BjørnKarmann], the device consists of a Raspberry Pi with a couple of microphones and speakers inside a 3D-printed case. The Pi is programmed to emit white noise from its speakers directly into the microphones of the Echo or Home over which it sits, masking out the sounds in the room while simultaneously listening for a hot-word. It then mutes the white noise, plays a clip of either “Hey Google” or “Alexa” to wake the device up, and then business proceeds as usual. The bonus here is that the hot-word is customizable, so that in addition to winning back a measure of privacy, all the [Alexas] in your life can get their names back too. The video below shows people interacting with devices named [Doris], [Marvin], [Petey], and for some reason, [Milkshake].

We really like this idea, and the fact that no modifications are needed to the smart speaker is pretty slick, as is the fact that with a few simple changes to the code and the print files it can be used with any smart speaker. And some degree of privacy from the AI that we know is always listening through these things is no small comfort either.

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Star Trek Phone Dock Might As Well Be From Picard’s Night Stand

Star Trek is often credited with helping spur the development of technologies we have today — the go-to example being cell phones. When a Star Trek April Fool’s product inspires a maker to build the real thing? Well, that seems par for the course. [MS3FGX] decided to make it so. The 3D printed Star Trek-themed phone dock acts as a Bluetooth speaker and white noise generator. The result is shown off in the video below and equals the special effects you expect to find on the silver screen.

Taking a few liberties from the product it’s based on — which was much larger and had embedded screens — makes [MS3FGX]’s version a little more practical. Two industrial toggle switches control a tech cube nightlight and the internal Bluetooth speaker. An NFC tag behind the phone dock launches the pre-installed LCARS UI app and turns on the phone’s Bluetooth. Despite being a challenge for [MS3FGX] to design, the end product seems to work exactly as intended.

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