Haptic Feedback “Rifle” Lets You Take Aim In VR

There was a time when virtual reality seemed like it would remain in the realm of science fiction at least for the foreseeable future. Then we were blessed with products like the Power Glove and Virtual Boy which seemed to make it more of a reality, if not a clunky and limited one. Now, though, virtual reality is taking more of a center stage as the technology for it improves and more and more games are released. We can see no greater proof of this than the fact that some gamers are building their own custom controllers to interact with the virtual world in more meaningful ways, like this game controller specifically built for first-person shooter games.

The controller is based on an airsoft gun but completely lacks the ability to fire a projectile, instead using the gun as a base for building the controller. In fact, the gun’s operation is effectively reversed in order to immerse the player into the game by using haptic feedback provided by pressurized air. The air is pumped in to what would be the front of the barrel and is discharged through the receiver when a trigger pull is detected in order to generate a recoil effect. The controller includes plenty of other features as well, including the ability to reload ammunition, change the firing mode, and track motion thanks to its pair of integrated Oculus controllers.

All of the parts for this controller are either 3D printed or readily available off-the-shelf, making this an ideal platform for customization and improvement. There’s also a demo game available from Unity which allows for a pretty easy setup for testing. While the controller looks like an excellent way to enjoy an FPS virtual reality experience, if you’re looking for a more general-purpose controller we are also starting to see a lot of development on that end as well.

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Dice Rolls From The Beginning Of Time

Generating random numbers might seem like a trivial task, that is until the numbers need to be truly random for cryptography or security reasons. When that’s the case, it turns out that these numbers are really “pseudo-random” and follow a predictable pattern. Devices that can produce truly random numbers often do it by sampling random events in the real world rather than relying on a computer to do it directly, like this machine which simulates a dice roll by looking at the cosmic microwave background radiation.

The cosmic microwave background radiation exists in the infrared at the farthest edges of the observable universe as a remnant of the big bang. It’s an excellent source of randomness, but tapping into it poses a bit of a challenge. For this build, [iSax] is using an old Soviet-era Geiger tube to detect the appropriate signal, and a Nixie tube to display the dice roll. After the device detects two particles from the Big Bang, the device measures the amount of time that passed between the detection of both particles and uses this number to calculate the dice roll.

While it takes a little bit longer to roll this dice than a traditional one since it has to wait to detect the right kind of particles, if you really need the randomness it can’t be beat. It certainly works as dice, but we can also see some use for generating truly random numbers for other applications as well. For some other sources of random inspiration be sure to check out our own [Voja Antonic]’s deep dive into truly random number generation.

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The Legend Of Zelda: Decompiled

Keeping source code to programs closed is something that is generally frowned upon here for plenty of reasons. Closed source code is less secure and less customizable, but unfortunately we won’t be able to convince everyone of the merits of open source code any time soon. On the other hand, it is possible to decompile some of those programs whose source remains behind locked doors in an attempt to better understand that code, and one of the more impressive examples of that of late is this project which has fully decompiled Ocarina of Time.

To get started with the code for this project, one simply needs to clone the Git repository and then use a certain set of software tools (depending on the user’s operating system) to compile the ROM from the source code. From there, though, the world is your rupee-filled jar. Like we’ve seen from other decompiled games, any number of enhancements to the original game can be made including increasing the frame rate, improving the graphics, or otherwise adding flourishes that wouldn’t otherwise be there.

The creators of this project do point out that this is still a work-in-progress as only one of the 18 versions have been completed, but the fact that the source code they have been able to decompile builds a fully-working game when recompiled speaks to how far along it’s come. We’ve seen similar processes used for other games before that also help to illustrate how much improvement is possible when re-writing old games from their source code.

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A Programming Language To Express Programming Frustration

Programming can be a frustrating endeavor. Certainly we’ve all had moments, such as forgetting punctuation in C or messing up whitespace in Python. Even worse, an altogether familiar experience is making a single change to a program that should have resulted in a small improvement but instead breaks the program. Now, though, there’s a programming language that can put these frustrations directly into the code itself into a cathartic, frustration-relieving syntax. The language is called AHHH and it’s quite a scream.

While it may not look like it on the surface, the language is Turing complete and can be used just like any other programming language. The only difference is that there are only 16 commands in this language which are all variants of strings of four capital- or lower-case-H characters. The character “A” in the command “AHHH” starts the program, and from there virtually anything can be coded as a long, seemingly unending scream. The programming language is loosely related to COW which uses various “moos” to create programs instead of screams, and of course is also distantly related to brainfuck which was an esoteric programming language created in order to have the smallest possible compiler.

We can’t really recommend that beginner programmers start to learn this language instead of something more practical like Python, esoteric languages like these can teach us a lot about the way that computers work. This language, for example, lets you code in pixels instead of characters. Others are more for fun such as this language which turns your code into an ’80s rock ballad.

Thanks to [Kyle F] for the tip!

Modern Features In Classic Radio

As consumer electronics companies chase profits on tighter and tighter margins, it seems like quality is continually harder to find for most average consumer-grade products. Luckily, we don’t have to hunt through product reviews to find well-built merchandise since we have the benefit of survivorship bias to help us identify quality products from the past that have already withstood the test of time. [Tom] has forever been fond of this particular Sony TV/radio combo from the ’70s so he finally found one and set about modernizing it in a few key ways.

Among the modifications to this 1978 Sony FX-300 include the addition of a modern color display, Bluetooth, an upgraded FM radio, and a microphone. At the center of all of this new hardware is a Teensy 4 which [Tom] has found to be quite powerful and has enough capabilities to process the audio that’s being played in order to make visual representations of the sound on the screen. He also implemented a bitcrusher filter and integrated it into the controls on the original hardware. He’s using an optimized version of this library to cram all of that processing ability into such a small chip, and the integration of all this new hardware is so polished that it looks like it could be an original Sony stereo from the modern era.

While some may complain about restomod-type builds like this, we don’t really see any need to be arbitrarily or absolutely faithful to bygone eras even if the original hardware was working properly in the first place. What works is taking the proven technology of the past and augmenting it with modern features to enjoy the best of both worlds. Much like this hi-fi stereo which blends the styles and technology of the 90s with that of the 60s in an equally impressive way.

Guitar Pickguard Adds MIDI Capabilities

For a standard that has been in use since the 1980s, MIDI is still one of the most dominant forces on the musical scene even today. It’s fast, flexible, and offers a standard recognized industry-wide over many different types of electronic instruments. Even things which aren’t instruments can be turned into musical devices like the infamous banana keyboard via the magic of MIDI, and it also allows augmentation of standard instruments with other capabilities like this guitar with a MIDI interface built into the pick guard.

[Ezra] is the creator of this unique musical instrument which adds quite a few capabilities to his guitar. The setup is fairly straightforward: twelve wires run to the pick guard which are set up as capacitive sensors and correspond with a note on the chromatic scale. Instead of using touchpads, using wires allows him to bend away the “notes” that he doesn’t need for any particular piece of music. The wires are tied back to an Adafruit Feather 32u4 microcontroller behind the neck of the guitar which also has a few selectors for changing the way that the device creates tones. He can set the interface to emit single notes or continuously play notes, change the style, can change their octave, and plenty of other features as well.

One of the goals of this project was to increase a guitar player’s versatility when doing live performances, and we would have to agree that this gives a musician a much wider range of abilities without otherwise needing a lot of complex or expensive equipment on stage. We’ve seen a few other MIDI-based builds focused on live performances lately, too, like this one which allows a band to stay in sync with each other.

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Bass Guitar Gets Shapeshifting Pickups

Electric guitars were the hip new thing back in the mid-century. The electrification of the common and portable guitar opened up a lot of avenues in terms of sound and technique. Specifically, the use of the pickup, an electromagnetic device which converts the vibrations of the guitar strings into electrical signals, increased the number of ways that a musician can alter the guitar’s sound on-the-fly. Some guitars have several rows of pickups which can be used in any number of ways, but this custom guitar has a single pickup which can be moved around the guitar’s body instead.

[Breno] was gifted this Dolphin bass guitar to start learning after years of playing a regular guitar, and while they aren’t known for high-quality instruments this guitar seemed to play and sound well enough to attempt this modification. First, a hole had to be cut all the way through the guitar’s body in order to accommodate the build. The pickup for this guitar is then mounted on two rods which allow it to move in various positions along the strings, and a second set of adjustments can be made to bring the pickups closer or further away from the strings. Some additional custom circuitry was added to control it and also to handle the volume and tone knobs, and while this was being added [Breno] and his friend [Arthur] decided this would be a great time to build some effects into the guitar’s now-custom electronics as well.

While this was largely a project for [Breno] to understand in greater depth the effect of moving the pickups around an electric guitar, the finished product looks ready to play some live shows. The addition of some extras like the effects really adds some punch to this guitar and it looks to be completely original. The nearest thing we could find is this guitar which uses hot-swappable pickups but even those are mounted in fixed locations.