Ambilight For Your Piano (Hero)

December 26, 2014 by Mike Szczys 7 Comments

That old upright piano still sounds great, and now it can easily have its own special effects. [DangerousTim] added LED strips which change color when he tickles the ivories. The strips are applied along the perimeter of the rear side of the upright causing the light to reflect off of the wall behind the instrument. This is a familiar orientation which is often seen in ambilight clone builds and will surely give you the thrill of Guitar Hero’s brightly changing graphics while you rock the [Jerry Lee Lewis].

Key to this build is the electret microphone and opamp which feed an Arduino. This allows the sound from the piano to be processed in order to affect the color and intensity of the LED strips. These are not addressable, but use a transistor to switch power to the three colors of all pixels simultaneously.

We think there’s room for some clever derivative builds, but we’re still scratching our heads as to how we’d use addressable pixels. Does anyone know a relatively easy way to take the mic input and reliably establish which keys are being played? If so, we can’t wait to see your ambilight-piano-clone build. Don’t forget to tip us off when you finish the hack!

The Four Thousand Dollar MP3 Player

December 26, 2014 by Brian Benchoff 64 Comments

[Pat]’s friend got a Pono for Christmas, a digital audio player that prides itself on having the highest fidelity of any music player. It’s a digital audio device designed in hand with [Neil Young], a device that had a six million dollar Kickstarter, and is probably the highest-spec audio device that will be released for the foreseeable future.

The Pono is an interesting device. Where CDs have 16-bit, 44.1 kHz audio, the Pono can play modern lossless formats – up to 24-bit, 192 kHz audio. There will undoubtedly be audiophiles arguing over the merits of higher sampling rates and more bits, but there is one way to make all those arguments moot: building an MP3 player out of an oscilloscope.

Digital audio players are limited by the consumer market; there’s no economical way to put gigasamples per second into a device that will ultimately sell for a few thousand dollars. Oscilloscopes are not built for the consumer market, though, and the ADCs and DACs in a medium-range scope will always be above what a simple audio player can manage.

[Pat] figured the Tektronicx MDO3000 series scope sitting on his bench would be a great way to capture and play music and extremely high bit rates. He recorded a song to memory at a ‘lazy’ 1 Megasample per second through analog channel one. From there, a press of the button made this sample ready for playback (into a cheap, battery-powered speaker, of course).

Of course this entire experiment means nothing. the FLAC format can only handle a sampling rate of up to 655 kilosamples per second. While digital audio formats could theoretically record up to 2.5 Gigasamples per second, the question of ‘why’ would inevitably enter into the minds of audio engineers and anyone with an ounce of sense. Short of recording music from the master tapes or another analog source directly into an oscilloscope, there’s no way to obtain music at this high of a bit rate. It’s just a dumb demonstration, but it is the most expensive MP3 player you can buy.

Dual Porting A C64 Flash Cart

December 26, 2014 by Brian Benchoff 4 Comments

The old cartridges for the Commodore 64 use EEPROMs to store their data, and the newer Flash carts use either a Flash chip or an SD card to put a whole bunch of games in a small plastic brick. [Stian] and [Runar] thought that wasn’t good enough – they wanted to program cartridges in real time, the ability to reboot the C64 without ever touching it, and a device for coding and testing. What they came up with is the latest advance in Commodore cartridge technology.

The device presents 8k of memory to the C64, but it doesn’t do this with Flash or an EEPROM. Instead, [Stian] and [Runar] are using a dual-port static RAM, specifically one from the IDT7005 series. This chip has two data busses, two address busses, and /CE, /OE, and R/W lines for either side of the chip, allowing other digital circuits to be connected to one small section of the C64’s memory.

Also in the cart is an ATmega16 running V-USB to handle the PC communications. It takes about 1 to 1.5 seconds to transfer an entire 8k over to the cartridge, but this chip can read and write the RAM along with the C64 simultaneously.

If you want a box that will give you the ability to put ever game in existence on a single cartridge, this isn’t the one. However, if you want to write some C64 games and do some live debugging, this is the one for you. The Eagle files are available, and there’s a video demo below.

Continue reading “Dual Porting A C64 Flash Cart” →

RGB Bike Rim Lights

December 26, 2014 by Marsh 8 Comments

[Yvo] sent us his latest creation, this awesome POV RGB bicycle rim light build, which features a circular interweaving of common RGB LEDs that face outward along the rim as they display constantly changing animations based on the wheel’s rpm.

Like many POV wheel builds, [Yvo]’s takes advantage of a hall effect sensor and stationary magnet to determine how fast the wheels are spinning. Unlike most POV builds, however, [Yvo’s] creation doesn’t have just one or two RGB sticks clamped onto a spoke. Instead, his wheels boast several individual RGB LED modules mounted along the rim.

Each wheel has six modules, and each module contains a scratch-build LED controller (a daisy chain of 74HC595 shift registers) that fits into a custom-made 3D-printed enclosure. The enclosures mounts onto some aluminum strips along with the RGB LEDs, and the aluminum strips mount to the wheels by straddling the rim.

At speed, the lights go into POV mode to simulate headlights / brakes with white in the front and red in the back. Check out the difference these custom circular modules make when riding and when at rest in a video below.

Continue reading “RGB Bike Rim Lights” →

Selfie-Bots Will Take Your Best Shots For You

December 25, 2014 by James Hobson 2 Comments

Professor [Bruce Land] teaches a microcontroller class at Cornell University, and it seems like this year’s theme was selfie-taking-robots.

First up is a clever mix of technology by [Han, Bihan and Chuan]. What happens when you take an iPhone, three microphones and a microcontroller? The ultimate device in selfie-taking-technology, that’s what — Clap-on! The iPhone is mounted on a few servo motors which allows the bot to direct the camera towards, you guessed it, a clapping noise. On the second clap, the phone takes your picture. Cute.

Next up is a bit more sophisticated — a facial recognition selfie-bot. This little robot can be programmed to track faces and take pictures of you and your friends when your arm is just not long enough. Not only that, you can set all kinds of parameters so you get the perfect picture. It uses OpenCV to crunch the raw data and outputs commands to an ATmega1284 which controls the servo motors that direct the camera. This project was by [Michael and Jennifer] — two fourth year students at Cornell.

Continue reading “Selfie-Bots Will Take Your Best Shots For You” →

Laser-Etch Stainless With Only Plaster & Alcohol

December 25, 2014 by Matt Freund 34 Comments

Many hobbyists and hackerspaces have the $500 Chinese 40W lasercutters which most of us know are about as successful at etching metals as a featherduster is at drilling. [Frankie] and [Bryan] have figured out a way to use the laser to chemically activate an etching process. See experiment part 2 as well.

First, to be clear, they are using a quality 40W Epilog Zing, not the cheap one, but40W is40W. They mixed the plaster (calcium sulfate) with Isopropyl until it resembled white ketchup. After either thinly painting or airbrushing the material onto the stainless surface (both worked), the mixture is dried with a heatgun then put into the laser. 100% power and 5% speed was what worked for them.

The result was an engrave with a noticeable bite. Something they claim had no effect at all without the mixture.

Stainless steel is an alloy of iron and some chromium – not the same as chrome-plated steel. [Frankie]’s explanation of the chemistry is that the surface layer of the stainless is a transparent chromium oxide. With the heat of the laser, the calcium and chromium swap dance partners. Calcium takes the oxygen and chromium takes the sulfate. The calcium oxide washes off but the chromium sulfate causes the etch.

Next time you’re at your local space, give this a try.

Making A Player Piano Talk MIDI

December 25, 2014 by Brian Benchoff 19 Comments

[Ramon] was always fascinated with pianos, and when he came across a few player piano rolls in an antique shop, a small kernel of a project idea was formed. He wondered if anyone had ever tried to convert a player piano into a full MIDI instrument, with a computer tickling the ivories with a few commands. This led to one of the best builds we’ve ever seen: a player piano connected to a computer.

[Ramon] found an old piano in Craigslist for a few hundred dollars, and once it made its way into the workshop the teardown began. Player pianos work via a vacuum, where air is sucked through a few pin points in a piano roll with a bellows. A series of pipes leading to each key translate these small holes into notes. Replicating this system for a MIDI device would be impossible, but there are a few companies that make electronic adapters for player pianos. All [Ramon] would have to do is replicate that.

The lead pipes were torn out and replaced with 88 separate solenoid valves. These valves are controlled via a shift register, and the shift registers controlled by an ATMega. There’s an astonishing amount of electronic and mechanical work invested in this build, and the finished product shows that.

As if turning an ancient player piano into something that can understand and play MIDI music wasn’t enough, [Ramon] decided to add a few visuals to the mix. He found a display with a ratio of 16:4.5 – yes, half as tall as 16:9 – and turned the front of the piano into a giant display. The ten different styles of visualization were whipped up in Processing.

The piano has so far been shown at an interactive art exhibit in Oakland, and hopefully it’ll make it to one of the Maker Faires next year. There are also plans to have this piano output MIDI with a key scanner underneath all the keys. Very impressive work.

Video below.

Continue reading “Making A Player Piano Talk MIDI” →