Audio Hacking With The ESP8266

If you study the specifications of the ESP8266 WiFi-enabled microcontroller, you will notice that it features an I2S audio interface. This is a high-speed serial port designed to deliver 16-bit audio data in a standard format, and has its origins in consumer audio products such as CD players. It would be usual to attach a dedicated DAC to an I2S interface to produce audio, but [Jan Ostman]’s synthesiser projects eschew that approach, and instead do the job in software. His I2S interface pushes out a pulse density modulated data stream in the same manner as a 1-bit DAC, meaning that the only external components required to produce audio are a simple low-pass filter. He’s posted a video of the synth in action, which we’ve placed below the break.

The example he gives us is a basic clone of a Roland 909 drum machine, and he takes us through the code with extensive examples including MIDI. He’s using the Wemos D1 Mini board, but the same could be replicated with many other ESP8266 platforms.

We’ve featured [Jan]’s work many times before, from his minimalist Atmel-based devices through to small but perfectly-formed complete instruments.

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Bringing Guitar Synthesis To The Microcontroller

If you’re working with audio in an embedded environment, the best option for years now has been the Teensy 3 microcontroller board. This choice has mostly been due to its incredible power and audio libraries, but until now we really haven’t seen a stompbox-style interface that used the Teensy to its fullest extent. Now we have, in [Wolkstein]’s GitSynth, everything you could want in a synthesizer that processes the signals from an electric guitar.

The core of this build is a Teensy 3, and all the audio goodies that come with that. Also included is a USB MIDI and audio interface, smartly both attached to a panel-mount USB-B connector on the back of the stompbox. Other controls include a single mono in jack for guitars and synths, two mono out jacks for stereo-ish output, a bunch of footswitches for bypass, tap tempo, preset selection, a jack for an expression pedal, and some buttons to move around the LCD user interface.

While putting a powerful microcontroller in a stomp box for is a project we’ve seen many times, this project really shines with the MIDI GUI that’s built for a device with a real display and a mouse. [Wolkstein] built a PyQt-based app for this synth, and it’s a plethora of buttons and sliders that looks similar enough to a real synthesizer. There’s enough configurability here for anyone.

You can check out the demo video (in German, but auto-translate subtitles exist) below.

Thanks [Mynaru] for the tip!

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Art Deco Radio Gets FM Reception

Taking a vintage radio and cramming it full of modern, Internet-connected, guts has long been a staple of the hacking and making scene. While some might see it as a crime to take what’s arguably a legitimate piece of history and turn it into nothing more than a slipshod case for the Raspberry Pi, we have to admit there’s a certain appeal to the idea. Taking the beauty of classic design and pairing it with more modern capabilities is getting the best of both worlds.

But this project by [Nick Koumaris] is a somewhat unique take on the concept. Rather than sacrificing a real vintage piece of hardware to house the electronics, he’s designed a 3D printable case that looks like a classic 1936 AWA Radiolette. But what’s really interesting to us is that he then puts a basic FM radio inside of it.

That’s right, no Internet radio streaming or smartphone Bluetooth compatibility here. It’s just a regular FM radio, not entirely unlike the kind of hardware you’d expect to be inside of a classic radio. Of course, it’s much more modern, and [Nick] actually built it himself from a TEA5767 FM radio module and an Arduino Pro Mini.

While functionally it might not be terribly exciting, we do appreciate that he went through the trouble to make a vintage-looking user interface for the radio. While physical buttons would arguably have been more appropriate given the era, the art deco inspired font and graphics that show on the device’s Nokia 5110 LCD do look really slick.

Purists will surely be happy to see another project where a piece of vintage piece of audio equipment wasn’t sacrificed at the Altar of Hack, but we’ve also played host to many projects which weren’t nearly as concerned with historical preservation.

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Chiptunes On A Solar Panel

With its vintage sound, there’s no mistaking the unique 8-bit sound of video games from the 80s and 90s. It became so popular that eventually sparked its own genre of music known as “chiptune” for which musicians are still composing today. The music has some other qualities though, namely that it’s relatively simple from a digital standpoint. [Robots Everywhere] found that this simplicity made it perfect as a carrier for wireless power transmission.

The project acts more like a radio transmitter and receiver than it does a true wireless power transmitter, but the principle is the same. It uses a modified speaker driver and amplifier connected to a light source, rather than to a speaker. On the receiving end, there is a solar panel (essentially a large photodetector) which is wired directly to a pair of earbuds. When the chiptune is played through the amplifier, it is sent via light to the solar panel where it can be listened to in the earbuds.

The project is limited to 24,000 bytes per second which is a whole lot more useful than just beaming random audio files around your neighborhood, although that will still work. You can also use something like this to establish a long-distance serial link wirelessly, which can be the basis of a long distance communications network.

Thanks to [spiritplumber] for the tip!

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There’s More To MIDI Than Music – How About A Light Show?

MIDI instruments and controllers are fun devices if you want to combine your interest in music and electronics in a single project. Breaking music down into standardized, digital signals can technically turn anything with a button or a sensor into a musical instrument or effect pedal. On the other hand, the receiving end of the MIDI signal is mostly overlooked.

[FuseBerry], a music connoisseur with a background in electronics and computer science, always wanted to build a custom MIDI device, but instead of an instrument, he ended up with a MIDI controlled light show in the shape of an exploded truncated icosahedron ([FuseBerry]’s effort to look up that name shouldn’t go unnoticed). He designed and 3D-printed all the individual geometric shapes, and painstakingly equipped them with LEDs from a WS2818B strip. An Arduino Uno controls those LEDS, and receives the MIDI signals through a regular 5-pin DIN MIDI connector that is attached to the Arduino’s UART interface.

The LEDs are mapped to pre-defined MIDI notes, so whenever one of them is played, and their NoteOn message is received, the LEDs light up accordingly. [FuseBerry] uses his go-to DAW to create the light patterns, but any software / device that can send MIDI messages should do the trick. In the project’s current state, the light pattern needs to be created manually, but with some adjustments to the Arduino code, that could be more automated, something along the lines of this MIDI controlled Christmas light show.

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DIY Mini-Amp Goes To Eleven

On the day mini-amps were invented, electric guitar players the world over rejoiced.  No longer would they be house-bound when jamming out on their favourite guitar. It is a doubly wondrous day indeed when an electric guitar-inclined maker realizes they can make their own.

[Frank Olson Music] took apart an old pair of headphones and salvaged the speakers — perhaps intending to replicate a vintage sound — and set them aside. Relying on the incisive application of an X-Acto knife, [Olson] made swift work cutting some basswood planks into pieces of the amp before gluing them together — sizing it to be only just bigger than the speakers. A tie was also shown no mercy and used as a dapper grille screen. Both the head and speaker cabinets were sanded and stained for a matching finish.

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Learn What Did And Didn’t Work In This Prototyping Post-Mortem

[Tommy] is a one-man-shop making electronic musical things, but that’s not what this post is about. This post is about the outstanding prototyping post-mortem he wrote up about his attempt to turn his Four-Step Octaved Sequencer into a viable product. [Tommy] had originally made a hand-soldered one-off whose performance belied its simple innards, and decided to try to turn it into a product. Short version: he says that someday there will be some kind of sequencer product like it available from him, “[B]ut it won’t be this one. This one will go on my shelf as a reminder of how far I’ve come.”

The unit works, looks great, has a simple parts list, and the bill of materials is low in cost. So what’s the problem? What happened is that through prototyping, [Tommy] learned that his design will need many changes before it can be used to create a product, and he wrote up everything he learned during the process. Embedded below is a demo of the prototype that shows off how it works and what it can do, and it helps give context to the lessons [Tommy] shares.

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