Hacked Tape Player Makes For A Unique Instrument

September 25, 2019 by Tom Nardi 11 Comments

[Gijs Gieskes] is certainly no stranger to hacked cassette players, but his latest triumph may well be the most approachable project for anyone looking to explore the world of unorthodox tape unspooling. By attaching a fairly simple add-on PCB to a modern portable cassette player, the user is able to modify the playback speed of the tape at will. The skillful application of such temporal distortions leads to wonderfully abstract results.

The board that [Gijs] has come up with uses four potentiometers and matching push buttons to allow the user to set different playback speeds that they can engage with the push of the button. There’s also a fifth potentiometer to augment the “global” speed as well as an override switch. During playback, these controls can be used to arbitrarily tweak and augment the sound of samples contained on a the looping cassette.

If that’s a little hard to conceptualize, don’t worry. [Gijs] has provided some examples of how the the rapid adjustment of playback speed offered by this “Zachtkind” can add a fascinating level of complexity to sounds and melodies. The assembled player is available for purchase ready to go, but he also provides kits and a detailed installation guide for those who’d rather build it themselves.

Going all the way back to 2005, [Gijs] and his incredible creations have been a staple of Hackaday. From the Arduino video sampler to the array of oddly musical analog clocks, we never cease to be in awe of this exceptionally prolific hacker.

A Hard Rocking Arduino Visualization Shield

September 22, 2019 by Tom Nardi 7 Comments

Over the summer [ElectroSmash] put the finishing touches on the Arduino Audio Meter, a shield for the Arduino Uno that visualizes various aspects of an incoming audio signal on a set of four 8×8 LED dot matrices. Obsentisibly it’s for use on a guitar pedalboard, but thanks to the incredible documentation and collection of example code provided by the team, the project promises to be an excellent platform for all sorts of audio experimentation.

Incoming audio is amplified with an MCP6002 and fed into the Uno’s Analog to Digital Converter, where it’s processed via whatever Sketch the user has uploaded. User input is provided by a digital encoder with push-button. A set of four MAX7219 chips control the entire 256-pixel matrix with just three pins on the Arduino. The resolution of the display allows the Arduino Audio Meter to show more than just a simple VU meter, it can even do text and basic graphics.

[ElectroSmash] provides various Sketches for use with the Arduino Audio Meter that provide the expected repertoire of audio visualizations, but they also provide a number of interesting Sketches to expand the capabilities of the device in unexpected ways. Some of them could be useful for a stage musician, such a tool to tune your guitar, whereas others are fun uses of the hardware such as a game of “Snake”.

With the entire project released as open source, users are free to run wild with the Arduino Audio Meter. Writing your own custom software is an obvious first step to making the project your own, but adding additional hardware features and functions certainly aren’t out of the question either.

Our very own [Lewin Day] once walked us through the effort involved in building boutique guitar pedals, and while the Audio Audio Meter’s capabilities are somewhat limited as it doesn’t have the ability to change the audio going through it, we’re still interested in seeing what the community will come up with once they have an easy way to bring their ideas to life.

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Teaching A Vintage Line Printer To Make Music, All Over Again

September 13, 2019 by Dan Maloney 8 Comments

Sit next to any piece of machinery long enough and you get to know it by the sounds it makes. Think about the sounds coming from any 3D-printer or CNC machine; it’s easy to know without looking when the G code is working through the sines and cosines needed to trace out a circle, for instance.

It was the same back in the day, when bored and bright software engineers heard note-like sounds coming from their gear and wrote programs to turn them into crude music machines. And now, [Ken Shirriff] details his efforts to revive a vintage IBM 1403 line printer’s musical abilities. The massive 1960s-era beast is an irreplaceable museum piece now, but when [Ken] and his friends at the Computer History Museum unearthed stacks of punch cards labeled with song titles like “Blowin’ In the Wind” and “The Blue Danube Waltz,” they decided to give it a go.

The 1403 line printer has a unique chain-drive print head, the inner workings of which [Ken] details aptly in his post. Notes are played by figuring out which character sequences are needed to get a particular frequency given the fixed and precisely controlled speed of the rotating chain. The technique is quite similar to that used by musical instruments such as the Floppotron, or when coercing music from everyday items including electric toothbrushes.

Lacking the source code for the music program, [Ken] had to reverse engineer the compiled program to understand how it works and to see if playing music would damage the chain drive. The video below shows the printer safely going through a little [Debussy]; audio clips of songs originally recorded back in 1970 are available too.

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Using Machinery To Make Factory-Fresh Industrial Music

September 11, 2019 by Kristina Panos 5 Comments

Many machines make music as a side effect, as anyone who owns a 3D printer can confirm. [工場音楽レーベルINDUSTRIAL JP] is working on a project to meld music and machinery in new ways. They are building a record label and a playlist based on the sights and sounds of small factories in Japan. Their videos combine the hypnotizing, rhythmic beauty of precision manufacturing process with music from local artists, and the result is like r/SoundsLikeMusic met up with How It’s Made and created a series of un-narrated industrial fever dreams.

While the focus is on high-tech factories, the content of these moodily-lit videos is pretty diverse. Never before have we been so mesmerized by the folds of an air filter or the pressing of vinyl records. Our favorite might be GOKO BANE, which takes a bumpin’ look around the Goko Spring factory. It makes us want to throw on some rags and dance like they do down in Zion.

Once in a while they will play around with the video speed of the factory process for effect, and it works nicely. If there’s any downside, it’s that no one process is shown from start to finish. But that’s not the point, anyway.

Don’t have access to a factory? Us either. But if you can get stepper motors, it’s pretty easy to make music by driving them forward, or even backward.

Thanks for the tip, [KILLERGEEK].

Because Conventional Laser Harps Aren’t Dangerous Enough

September 10, 2019 by Jenny List 7 Comments

In the late 1980s, the French musician [Jean-Michel Jarre] famously toured with a laser harp. The word among teenage fans was that he had to wear special gloves to stop his hands getting burned, because 1980s teens were both impressionable and didn’t know much about lasers. In fact we’re told by a member of our community who was part of his road crew that the glove was a matter of reflectivity, so laser harps remain relatively harmless and French harpists retain their fingers. To add a bit of spice to the laser harp experience, [James Cochrane] hooked up a laser rangefinder to a Tesla coil to make an instrument with a bit more crackling energy in its performance than the [Jarre] model.

It starts with a laser tape measure modified to serve as an Arduino rangefinder, coupled to custom MIDI code to make a laser harp MIDI controller. The Tesla coil in question happens also to be a MIDI instrument, so the one can control the other with ease. The addition of an earthed chain mail glove allows it to be played in close proximity to the coil, and he rewards us with a rendition of the Star Trek theme. Tesla fun and games behind us, he then gives us a demonstration with a more conventional MIDI instrument.

We’ve had innumerable Tesla coil projects here over the years, if you’re hungry for more we suggest starting with this unusual planar PCB coil design. Meanwhile you can see the laser harp coil in the video below the break.

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Putting 3D Printed Speaker Drivers To The Test

September 7, 2019 by Tom Nardi 15 Comments

Over the years, we’ve seen numerous projects that attempted to 3D print speaker enclosures that deliver not only a bit of custom flair, but hopefully halfway decent sound. Though as you’d probably expect, the drivers themselves are always standard run-of-the mill hardware mounted into the plastic enclosure. But given the research being conducted by [Paul Ellis], that might not be a safe assumption for much longer.

His quest to develop a full-range 3D speaker has taken him through several design revisions over the last two years, with each one being put through testing procedure that compared its frequency response to “real” speakers from manufacturers like Dayton and Bose. The project is very much ongoing, but a recently completed iteration of the driver design managed to exceed 80 dB at 1 W. In terms of audio quality, [Paul] reports they can hold their own against commercially available drivers. You can hear for yourself in the video after the break.

Ultimately, he hopes to be able to sell his 3D printed speakers in kit form to anyone who’s looking for the last word in bespoke audio hardware. The idea being that the drivers and enclosure will be completely modular, allowing the user to swap out individual components for ones printed (or not) in different materials so they can tune the in-person sound to their exact specifications. To facilitate this rapid reconfiguring of the drivers, the designs use some neat tricks like having the magnets be removable rather than glued in so they could be swapped out non-destructively.

This isn’t the first fully 3D printed speaker driver we’ve ever seen, Formlabs showed one off that was made on their SLA printer back in 2015, and we actually saw a rudimentary take on the same idea earlier this year. But the work that [Paul] has done here is certainly the most thorough, and dare we say practical, take we’ve ever seen on the concept.

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Candy-Colored Synth Sounds Sweet

August 26, 2019 by Kristina Panos 14 Comments

Let’s face it, synthesizers are awesome. But commercial synths are pretty expensive. Even the little toy ones like the KORG Volca and the MicroKORG will run you a few hundred bucks. For the most part, they’re worth the price because they’re packed with features. This is great for experienced synth wizards, but can be intimidating to those who just want to make some bleeps and bloops.

[Kenneth] caught the mini-synth bug, but can’t afford to catch ’em all. After a visit to the Moog factory, he was inspired to engineer his own box based on the Moog Sirin. The result is KELPIE, an extremely portable and capable synth with 12 voices, 16 knobs, and 4 LED buttons. KELPIE is plug and play—power and a MIDI device, like a keyboard, are the only requirements. It has both 1/8″ and 1/4″ jacks in addition to a standard MIDI DIN connection. [Kenneth] rolled his own board based on the Teensy 3.2 chip and the Teensy audio shield.

Part of the reason Kenneth built this synthesizer is to practice designing a product from the ground up. Throughout the process, he has tried to keep both the production line and the DIYer in mind: the prototype is a two-part resin print, but the design could also be injection molded.

We love that KELPIE takes its visual design cues from the translucent candy-colored Game Boys of the late 90s. (We had the purple one, but always lusted after the see-through kind.) Can we talk about those knobs? Those are resin-printed, too. To color the indicators, [Kenneth] used the crayon technique, which amounts to dripping molten crayon into the groove and scraping it off once hardened. Don’t delay; glide past the break to watch a demo.

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