Digital “Toy” Camera, Made For Tilt-Shift And Other Analog-Like Experimenting

Like many others, [volzo] loves playing with photography in a playful and experimental way. Oddball lenses, vintage elements, and building from kits is what that world looks like. But that kind of stuff is really the domain of film cameras, or at least it was until [volzo] created his Digital Toy Camera design. The result? A self-built, lomography-friendly digital camera that allows for all kinds of weird and wonderful attachments and photo shenanigans.

3D-printed mounts and magnetic attachment makes swapping parts a breeze.

To make a DIY digital camera that allowed that kind of play, the first problem [volzo] had to solve was deciding on an image sensor. It turns out that sourcing image sensors as an individual is a pretty cumbersome process, and even if successful, one still needs to write a driver and create things from the ground up. So, the guts of [volzo]’s creations use the Raspberry Pi and camera sensor ecosystem and M12 lenses, a decision that allows him to focus on the rest of the camera.

3D printing, a bit of CNC machining, and some clever design yields a “toy” camera: simple, inexpensive, and enabling one to take a playful and experimental approach to photography. The design files are available on GitHub, and there are some neat elements to the design. Magnetic mounts allow for easy swapping of lens assemblies, and a M12 x 0.75 tap cuts perfect threads into 3D-printed pieces for M12 lenses.

Heat-set inserts also provide robust fastening that can hold up to disassembly and re-assembly (and don’t miss that our own [Joshua Vasquez] has shared how best to design for and use heat-set inserts.)

[volzo] has a fantastic video to accompany his project; give it a watch (embedded below, under the page break) and see if you don’t come away with some inspiration of your own.

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A 3D printed roller coaster model with light strips modelling the trains

How To Make A Model Roller Coaster Without Any Moving Parts

Roller coasters are not only great fun to ride, they’re also fascinating pieces of engineering. Building your own full-size coaster is sadly beyond most people’s means, so the average enthusiast will have to settle for simulation or modelling of their own designs. [Jon Mendenhall] is one of those who specialize in building model roller coasters and simulating their motion in intricate detail. His latest project is a scale model of VelociCoaster, a Jurassic Park-themed ride in Universal’s Islands of Adventure, that simulates the coaster’s ride without using any moving parts.

[Jon] achieves this by re-creating the trains’ motion using LED strips. A total of 3000 LEDs are spread along more than nine meters of track and make a mesmerizing light show of several trains whizzing along the track, accelerating and slowing down exactly like the real thing.

A 3D CAD model of a roller coasterIn his video, [Jon] explains the process of generating an accurate 3D model of the track starting from nothing more than an overhead view of the park as well as photos taken from various angles. The surrounding terrain and buildings are also included in his 3D model, as are the 128 supports that hold the track in place. The terrain and building were made from plywood and foam using a CNC machine, while the track and supports were 3D printed.

A Teensy microcontroller runs the whole show, with the LED strips split into five separate sections to allow a high enough frame rate for smooth animations. An infrared remote is used to start and stop the ride, as well as to adjust the speed; the model supports running the trains at a physically accurate speed, but because this looks rather dull, the regular setting is about three times as fast.

Looking for more roller coaster models? [Jon] made a similarly impressive model with a powered train before, and we’ve seen several models that actually coast along their tracks.

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You Wouldn’t 3D Print A House, Would You?

Most houses built in the US today are platform construction: skinny two-by-fours are stacked and layered to create walls with studs. Each floor is framed on top of the other. It is fast, relatively cheap, and easy to learn how to do. However, it is not without drawbacks. Some estimates put the amount of waste generated per square foot (0.09 m2) at around 3.9 lbs (1.8 kg).

Timber framing is an older style where giant beams are used to create the structure of the house. Each timber is hand-carved and shaped, requiring skill and precision. Some cabins are still built this way because it is easy to source the timber locally and cutting into big logs is less work than cutting into lots of small logs. It’s relatively ecologically friendly, but slow and skilled-labor intensive.

We live in a world where there is a vast need for cheaper, faster, more eco-friendly housing, but finding a solution that can tick all the boxes is fiendishly difficult. Can 3D-printed housing accomplish all three of those goals? We’re not there yet, but we’re working on it.

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When Combat Robot Wheels Need To Be Nice And Cheap (But Mostly Cheap)

It started with [CHORL] making a promise to himself regarding constructing a new combat robot: no spending of money on the new robot.

That rule was violated (but only a little) by making his robot’s wheels out of EVA kneeling pads. EVA (Ethylene-Vinyl Acetate) is a closed-cell foam that makes for durable yoga mats, kneeling pads, and products of a similar nature. [CHORL] found a way to turn them into light but serviceable wheels for his robot: the Susquehanna Boxcar.

Nested hole saws create concentric holes. Perfect for wheels.

Here’s how the wheels were made: [CHORL] began with two hole saws. Nesting a smaller hole saw into a larger one by putting both on the same arbor created a saw with two holes, both of which were centered with respect to one another. The only problem was that this hole saw was not actually deep enough to cut completely through the thick foam. Luckily, cutting roughly halfway through on one side, then flipping the sheet over and cutting through from the other side was a good workaround. That took care of turning the thick foam sheet into round wheels.

A 3D-printed part served as a wheel hub as well as gear for the drivetrain. We want to call attention to the clever method of reinforcing the connection between the parts. [CHORL] didn’t want to just glue the geared hub directly to the surface of the foam wheel, because he suspected it might separate under stress. To address this, he designed six slots into the hub, cut matching slots into the foam wheel, and inserted six spline-like reinforcements in the form of some ABS strips he had on hand. Gluing it all together with E-6000 and leaving it to cure overnight under a weight resulted in a geared wheel assembly that [CHORL] judged to be about as round and rigid as a wheel should be, so the robot had a solution for nice light wheels that were, above all, cheap!

Lots of robots need wheels, and unsurprisingly, DIY solutions are common projects. [CHORL]’s approach here looks pretty scalable, as long as one can cut some accurate holes.

Interested in knowing more about the robot these wheels are destined for? [CHORL]’s still working on the Susquehanna Boxcar, but it’s almost done, and you can read a bit more about it (and see a few more pictures) here.

Vapor Trails And Fan Make For Fantastic Photos In DIY Wind Tunnel

Every wanted a mini wind tunnel to check the aerodynamics of scale model cars, drones, or other small objects? Then check out [dannyesp]’s mostly-3D-printed DIY wind tunnel (video, embedded below). Don’t forget to also browse the additional photos in this Reddit thread.

A junk parts project doesn’t have to look like a hack job.

There’s not much for plans available, since as [dannyesp] admits, this device was very much the product of trial-and-error and junk bin parts. The video and photos are more than enough for any enterprising hacker to work with.

The core of the device is a large fan made from a junked drone motor. This fan is located at the rear of the tunnel. A small anemometer is placed at the front, where some 3D-printed baffles also work to smooth out turbulent incoming air.

The foggy trails of vapor come from a hacked-up vape pen. Vapor gets piped through some tubing to the front of the tunnel. There, the vapor trails are drawn towards the low-pressure area at the rear, traveling over and around the object on the way. [dannyesp] also mentions that the platform holding the object is mounted on a rail, which incorporates some kind of pressure sensor in an attempt to quantify wind drag.

We want to take a moment to appreciate just how clean this “junk parts” project looks — even though it is made from things like broken photo frames. All of this comes down to thoughtful assembly. A hack doesn’t have to look like a hack job, after all. We also love the little control box that, instead of having a separate power indicator, lights up like a little nightlight when it has power.

Hacking vaporizers is a fantastic way to create a small, portable fog machine. These can create fantastic costume effects like this smoking Ghost Rider skull. They are a great way to turn an off-the-shelf consumer item into something that cost quite a bit more just a few years back.

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3D Print Your Own Multi-Color Filament

Interested in experimenting with your own multi-color filament? [Turbo_SunShine] says to just print your own, and experiment away! Now, if you’re thinking that 3D printing some filament sounds inefficient at best (and a gimmick at worst) you’re not alone. But there’s at least one use case that it makes sense for, and maybe others as well.

Printing with bi-color filament results in an object whose color depends on viewing angle, and part geometry.

There is such a thing as bi-color filament (like MatterHackers Quantum PLA) which can be thought of as filament that is split down the center into two different colors. Printing with such filament can result in some trippy visuals, like objects whose color depends in part on the angle from which they are viewed. Of course, for best results it makes sense to purchase a factory-made spool, but for light experimenting, it’s entirely possible to 3D print your own bi-color filament. Back when [Turbo_SunShine] first shared his results, this kind of stuff wasn’t available off the shelf like it is today, but the technique can still make sense in cases where buying a whole spool isn’t called for.

Here is how it works: the 3D model for filament is a spiral that is the right diameter for filament, printed as a solid object. The cross-section of this printed “filament” is a hexagon rather than a circle, which helps get consistent results. To make bi-color filament, one simply prints the first half of the object in one color, then performs a color change, and finishes the print with a second color. End result? A short coil of printed “filament”, in two colors, that is similar enough to the normal thing to be fed right back into the printer that created it. This gallery of photos from [_Icarus] showcases the kind of results that are possible.

What do you think? Is 3D printing filament mainly an exercise in inefficiency, or is it a clever leveraging of a printer’s capabilities? You be the judge, but it’s pretty clear that some interesting results can be had from the process. Take a few minutes to check out the video (embedded below) for some additional background.

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Recreating A Camera Shot

People rolling off shields and spears clashing against swords as the camera zooms in and out wildly makes the hallmark action sequences in the movie 300 so iconic. Unfortunately, achieving this effect wasn’t particularly easy. Three cameras were rolling, each with a different lens (100mm, 50mm, and 21mm) to capture a different view of the same scene. In post-production, you can dramatically switch between the three cameras since the shot is synchronized. The folks over at [Corridor Crew] wanted to recreate the effect, but rather than create a custom mount to hold three expensive cameras, they 3d printed a custom mount to hold three costly smartphones.

While there are three cameras on the back of most phones, most phones can’t shoot in slo-mo from all cameras simultaneously. So they would need a rig to hold three phones. The first design was simple and just brackets to hold phones. While nice and sturdy, getting the phones in or out wasn’t easy, and getting to the record button was tricky. iPhones have this handy little magnetic ring on the back. They had a bracket that worked pretty well after a few iterations on the design and some printer issues. Since each camera has optical image stabilization, it is easy for the lenses to get out of alignment, which can mar the shot. However, they somewhat covered up the effect in post. With a working prototype, the only thing left to do was to slice a bunch of piñatas in slow motion with a thrumming soundtrack.

We love seeing exciting camera setups and iterating to find something that works. This dual-camera setup has a very different goal and tries to lean into the parallax effect rather than hide it. Video after the break.
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