Community Testing Suggests Bias In Twitter’s Cropping Algorithm

With social media and online services are now huge parts of daily life to the point that our entire world is being shaped by algorithms. Arcane in their workings, they are responsible for the content we see and the adverts we’re shown. Just as importantly, they decide what is hidden from view as well.

Important: Much of this post discusses the performance of a live website algorithm. Some of the links in this post may not perform as reported if viewed at a later date. 

The initial Zoom problem that brought Twitter’s issues to light.

Recently, [Colin Madland] posted some screenshots of a Zoom meeting to Twitter, pointing out how Zoom’s background detection algorithm had improperly erased the head of a colleague with darker skin. In doing so, [Colin] noticed a strange effect — although the screenshot he submitted shows both of their faces, Twitter would always crop the image to show just his light-skinned face, no matter the image orientation. The Twitter community raced to explore the problem, and the fallout was swift.

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Sort The Rainbow With An Algorithm Machine

When you’re trying to learn how an algorithm works, it’s not always easy to visualize what’s going on. Well, except for maybe binary sort, thanks to the phone book. Professor [thatguyer] is a computer science teacher who wanted a way to help his students visualize the process of algorithms and at the same time, get a grasp on their resource cost.

The Algorithm Machine can demonstrate 8 different search and sort algorithms using two 100-count strips of RGB LEDs — one to represent an array of integers, and one to create indicators pointing to the integers under scrutiny.

This functional beauty is totally interactive, too. Once the user chooses the values and the algorithm and starts the process, they can speed it up or slow it down with the rotary encoder, or pause to discuss and start again with that slick triangular play button. We particularly like the control button wiring harness [thatguyer] created to keep everything neat and hot-swappable.

This iteration uses 3D printed face plates to give the LEDs shape, but in an early version, [thatguyer] cut and sanded a ton of circles out of brass tubing, and folded as many triangles cut from disposable baking pans. The world could use more teachers as committed as [thatguyer]. This really seems like a handy teaching aid for these concepts, and we wish we’d had one in class to play around with. Here’s your algorithm for watching the demo: click break, press play, enjoy.

If you’re still confused, there are other ways to understand algorithms through visualization. Failing all that, just watch these Hungarian folk dancers work out various algo-rhythms.

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Sara Adkins Is Jamming Out With Machines

Asking machines to make music by themselves is kind of a strange notion. They’re machines, after all. They don’t feel happy or hurt, and as far as we know, they don’t long for the affections of other machines. Humans like to think of music as being a strictly human thing, a passionate undertaking so nuanced and emotion-based that a machine could never begin to understand the feeling that goes into the process of making music, or even the simple enjoyment of it.

The idea of humans and machines having a jam session together is even stranger. But oddly enough, the principles of the jam session may be exactly what machines need to begin to understand musical expression. As Sara Adkins explains in her enlightening 2019 Hackaday Superconference talk, Creating with the Machine, humans and machines have a lot to learn from each other.

To a human musician, a machine’s speed and accuracy are enviable. So is its ability to make instant transitions between notes and chords. Humans are slow to learn these transitions and have to practice going back and forth repeatedly to build muscle memory. If the machine were capable, it would likely envy the human in terms of passionate performance and musical expression.

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Safety Systems For Stopping An Uncontrolled Drone Crash

We spend a lot of time here at Hackaday talking about drone incidents and today we’re looking into the hazard of operating in areas where people are present. Accidents happen, and a whether it’s a catastrophic failure or just a dead battery pack, the chance of a multi-rotor aircraft crashing down onto people below is a real and persistent hazard. For amateur fliers, operating over crowds of people is simply banned, but there are cases where professionally-piloted dones are flying near crowds of people and other safety measures need to be considered.

We saw a skier narrowly missed by a falling camera drone in 2015, and a couple weeks back there was news of a postal drone trial in Switzerland being halted after a parachute system failed. When a multirotor somehow fails while in flight it represents a multi-kilogram flying weapon widow-maker equipped with spinning blades, how does it make it to the ground in as safe a manner as possible? Does it fall in uncontrolled flight, or does it activate a failsafe technology and retain some form of control as it descends?

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Elegant Drum Machine From Teensy

Playing the drums is pretty hard, especially for the uncoordinated. Doing four things at the same time, all while keeping an even tempo, isn’t reasonable for most of us. Rather than hiring a drummer for your band who is well versed in this art, though, you might opt instead to outsource this job to a machine instead. It’s cheaper and also less likely to result in spontaneous combustion.

This drum machine is actually a MIDI Euclidean sequencer. Euclidean rhythms are interesting in their own regard, but the basics are that a common denominator between two beats is found in order to automatically generate complicated beats. This particular unit is running on a Teensy 3.5 and consists of four RGB rotary encoders, an SSD1306 LCD, four momentary buttons, and four 16 LED Neopixel rings. Setting each of the dials increases the number of beats for that particular channel, and it can be configured for an almost limitless combination of beats and patterns.

To really get a feel of what’s going on here, it’s worth it to check out the video after the break. MIDI is also a fascinating standard, beyond the fact that it’s one of the few remaining standards created in the 80s that still enjoys active use, it can also be used to build all kinds of interesting instruments like one that whacks wine glasses with mallets or custom synthesizers.

Thanks to [baldpower] for the tip!

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Simple Quadcopter Testbed Clears The Air For Easy Algorithm Development

We don’t have to tell you that drones are all the rage. But while new commercial models are being released all the time, and new parts get released for the makers, the basic technology used in the hardware hasn’t changed in the last few years. Sure, we’ve added more sensors, increased computing power, and improved the efficiency, but the key developments come in the software: you only have to look at the latest models on the market, or the frequency of Git commits to Betaflight, Butterflight, Cleanflight, etc.

With this in mind, for a Hackaday prize entry [int-smart] is working on a quadcopter testbed for developing algorithms, specifically localization and mapping. The aim of the project is to eventually make it as easy as possible to get off the ground and start writing code, as well as to integrate mapping algorithms with Ardupilot through ROS.

The initial idea was to use a Beaglebone Blue and some cheap hobby hardware which is fairly standard for a drone of this size: 1250 kv motors and SimonK ESCs, mounted on an f450 flame wheel style frame. However, it looks like an off-the-shelf solution might be even simpler if it can be made to work with ROS. A Scanse Sweep LIDAR sensor provides point cloud data, which is then munched with some Iterative Closest Point (ICP) processing. If you like math then it’s definitely worth reading the project logs, as some of the algorithms are explained there.

It might be fun to add FPV to this system to see how the mapping algorithms are performing from the perspective of the drone. And just because it’s awesome. FPV is also a fertile area for hacking: we particularly love this FPV tracker which rotates itself to get the best signal, and this 3D FPV setup using two cameras.

Traction Control Gets More Power To The Road For Tot-Sized Lamborghini

We’ve all heard the complaints from oldsters: “Cars used to be so simple that all you needed to fix them was a couple of wrenches and a rag. Now, you need a computer science degree to even pop the hood!” It’s true to some extent, but such complexity is the cost of progress in the name of safety and efficiency. And now it seems this complexity is coming way down-market, with this traction control system for a Power Wheels Lamborghini.

While not exactly an entry-level model from the Power Wheels line of toddler transportation, the pint-sized Lamborghini Aventador [Jason] bought for his son had a few issues. Straight from the factory, its 6-volt drivetrain was a little anemic, with little of the neck-snapping acceleration characteristic of an electric drive. [Jason] opted to replace the existing 6-volt drive with a 12-volt motor and battery while keeping the original 6-volt controller in place. The resulting rat’s nest of relays was unsightly but sufficient to see a four-fold increase in top speed.

With all that raw power sent to only one wheel, though, the Lambo was prone to spinouts. [Jason] countered this with a traction control system using optical encoders on each of the rear wheels. A NodeMCU senses speed differences between the wheels and controls the motor through an H-bridge to limit slipping. As a bonus, a smartphone app can connect to the Node for in-flight telemetry. Check out the build and the car being put through its paces by the young [Mr. Steal Your Girl] in the video below.

The Power Wheels platform is infinitely hackable – from repairs to restorations to enhancements of questionable sanity, it seems like there’s nothing you can’t do with these little electric vehicles.

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