Lens caps are important for protecting expensive camera lenses from damage. Dust, grit, and other nasty things will all quickly spoil the quality of a shot, and can even permanently damage a lens if you’re unlucky. However, lens caps are also lost quite easily. Thus, it’s useful to be able to make your own, and [DSLR CNC DIY] has the low down on how to do it.
The benefit of printing your own lens caps is customization. No matter the oddball size and shape of your lens, when you’re 3D printing your own cap, you can design it to fit. The video also shows off the benefits of being able to embed text right into the body of the cap, so you’re never confused as to which cap goes with which lens. The caps use the metal lever from a binder clip in order to provide the clamping force necessary to hang on to the lens. It’s an improvement over some living-hinge designs that grow weaker over time.
The magnifier uses a variety of components [Ad_w00000] had lying around. For the optical side of things, an old Canon DSLR zoom lens was pressed into service as the main magnifying element. The lens was then fitted with an old laptop webcam, which was glued into an old lens extender to avoid modifying the main lens itself. The webcam is hooked up to an Asus Tinkerboard fitted with a touchscreen display to show the images. The whole lens assembly is then fitted onto an old TV stand to enable it to sit far enough above the work surface to focus properly.
The build is a great example of building something useful out of whatever you have on hand. Sometimes, that’s cheaper and quicker than spending money and waiting for something to ship. It also has the bonus that you’ll learn useful skills along the way.
Modern DSLR cameras are incredible pieces of technology that can take excellent high-quality photos as well as record video and audio. However, as they become jacks of all trades they risk being masters of none, and the audio quality in modern DSLRs certainly reflects that old cliche. To get true high-quality audio while recording with a camera like this Canon 80d, you’ll either need a secondary audio recording device or you’ll need to interface one directly into the camera itself.
This build from [Tony] aka [Carnivore] goes into the inner workings of the camera to add an audio mixer to the camera’s audio input, allowing for multiple audio streams to be recorded at once. First, he removed the plastic around the microphone port and attached a wire to it that extends out of the camera to a 1/8″ plug. While he had the case open he also wired a second shutter, added a record button to a custom location on the front of the camera, and bypassed a switch which prevents the camera from operating if the battery door isn’t closed.
With those modifications in place, he removed the internal flash from the camera before closing the body. A custom 3D printed mount was placed in the vacant space which now houses the audio mixer, a SR-AX100 from Saramonic. This plugs in to the new microphone wire from earlier in the build, allowing the camera to have an expanded capacity for recording audio.
While [Tony] has a fairly unique use case for all of these modifications to an already $1000 camera, getting into the inner workings of DSLRs isn’t something to shy away from if you need something similar done. We’ve even seen modifications to cameras like these to allow for watercooling during video recording.
We’d love to say that all of our projects worked perfectly on the first try, but the average Hackaday reader is a bit too experienced to buy a fib like that. The reality is, DIY projects rarely get everything right out of the gate. It takes some time to identify issues and work out all the kinks. But of course, that’s half the fun.
For a perfect example of this process, check out the latest update on the 3D printed DSLR camera mount that [isaac879] has been working on. When we last checked in with this project over the summer the mount was already impressive, but with the latest improvements and the addition of a whole new axis of movement, this homebrew camera motion system is an extremely compelling project for anyone who wants to take their project videos to the next level.
Back in June, the mount [isaac879] showed off was only capable of pan and tilt. But as you can see in the video after the break, he’s since mounted that to a track made of 20×40 aluminum extrusion and added another stepper motor. This allows the pan/tilt mount to move itself back and forth on the track to get those slick panning shots that all the cool kids use in their videos nowadays.
But even if you’re not interested in the slider aspect, the core pan/tilt mount has also received a number of refinements over the last few months. Perhaps the most obvious is the switch over to thinner and lighter stepper motors. Reducing mass is always an improvement with a moving system like this, and in the case of the pan motor, the shorter can prevents a potential collision with the camera itself. Obviously the smaller motors are weaker, but [isaac879] considers that a feature; the mini motors will just start skipping steps if things get bound up instead of potentially damaging your expensive camera.
He’s switched to flange bearings to help hold the frame together, improved wire routing, added a mounting point for the electronics, reprinted the pinion gears in a flexible filament to help absorb some vibrations, and switched over to TMC2208 stepper drivers. The new drivers may actually be one of the biggest usability upgrades, as they allow the entire mount to move faster and more accurately. Critically, [isaac879] also reports the new drivers have solved a troublesome vibration issue he was seeing when the camera was moving slowly.
Film cameras are capable of great resolution, and for a long time were superior in this regard to their digital successors. However, it’s now possible to store digital copies of analog images in superior detail, so [Jan] built a rig to scan their photos for the last time.
The general idea is to take a high enough resolution scan of film negatives or slides, such that there is no need to rescan the images when technology moves forward. To achieve this, [Jan] decided to employ a DSLR to photograph the materials in question. To do this quickly and accurately, with minimal fuss, special lens hoods were 3D printed to hold slides in perfect register in front of the lens. With a flash to provide even light, the results are excellent. Film negatives proved harder, requiring a carefully designed transport mechanism to avoid damaging the fragile materials. With some perseverance, the final tool worked well.
It’s a tidy way of digitally archiving analog photos, and with the resolution of modern cameras, one needn’t worry about lost resolution. We’ve seen mechanised builds for handling other formats too, such as this 8mm scanner. Video after the break.
We bet you have all some cool part in your bin that is just gnawing at you to build something cool. That doodad, possibly from a garage sale, surplus store, or clearance rack deserves a project fitting of its near-infinite potential. [isaac879] finally marries a giant ball bearing with his passion for photography in the form of a pan-tilt camera mount for his Canon DSLR. The problem with tossing your golden-ticket part into a project is that not everyone has a MacGuffin, or a brand new one might be bank-breakingly expensive, so he does us a favor and makes a drop-in replacement that you can print and fill with 6mm brass bbs. This sort of thing is why we love hackers.
The camera mount has the features we expect to see in a robust stepper mount, such as infinite spinning, time delay, and an Xbox controller interface. Inside the base is the industrial bearing or its plastic replica, and that wide base won’t be tipping over anytime soon. Gearing all around is of the herringbone style, of the type you find in classroom pencil sharpeners because they transfer power smoothly. Speaking of things going smoothly, we enjoyed his assembly montage where every part fits together perfectly and there is not a naughty word to be uttered. Just like real life.
Digitizing film is a tedious process that becomes a lot more fun if you spend more of your time building a digitizer and less time actually working working with old film. [Heikki Hietala] has been at it for years and his Kotokino Mark IV film scanner is a masterpiece of simple machine building.
Since we first saw the film scanner four years ago it’s undergone a number of excellent improvements. Most notably, the point-and-shoot camera has been swapped out for a DSLR. With the use of a macro reversing ring a normal lens is flipped around to blow up the 8-millimeter-wide film to take advantage of all the megapixels available on the camera sensor.
The key to the setup is the film advancer mechanism which takes care of both advancing the film and triggering the camera. As you can see, a servo motor rotating an axle provides the locomotion. The mechanism keys into the perforations in the film to pull it along on the down stroke and closes a switch to trigger the camera on the upstroke. Directly under the lens, the alignment jig uses lens cleaning fabric to avoid scratching the film, while perfectly positioning it over the light source.
Previous versions have placed the camera on the horizontal plane but it seems some vibrations in the system caused alignment problems between captured frames. This latest version places the camera pointed straight down to solve that issue, and brings the entire thing together into one beautiful finished project. Having gathered numerous fans of the build along the way, [Heikki] has made the design files available so that you may build your own version.