Jerry Seinfeld dressed up as a honey bee promoting his film Bee Movie.

Retrotechtacular: The $550K Video Conferencing System Used To Make Bee Movie

November 30, 2025 by Drew Littrell 8 Comments

The modern office environment has shifted in recent years. Employees are routinely asked to collaborate with co-workers half way around the globe and be camera ready, or whatever passes for webcam ready, in order to telecommute when they are out of office. Every office laptop, tablet, or cell phone these days comes equipped with some sort of camera sensor capable of recording at HD resolution. Twenty years ago, that was not the case. Though tech conglomerates like HP had a different idea of teleconferencing to sell back in 2005 dubbed the Halo Collaboration Studio.

The Halo Studio was a collaboration between HP and Dreamworks that was used during the production of Bee Movie. Studio heads at Dreamworks thought it necessary to install the HP teleconferencing solution inside the New York office of Jerry Seinfeld, the writer of the film, as to allow him to avoid long trips to Dreamworks production offices in Los Angeles. According to the HP Halo Collaboration Studio brochure, “Halo actually pays for itself, not only by reducing travel costs, but also by encouraging higher productivity and stronger employee loyalty.” Certainly Dreamworks believed in that sales pitch for Bee Movie, because the upfront asking price left a bit of a sting.

Less of a singular machine, more of an entire dedicated room, the Halo Studio had a $550,000 asking price. It utilized three 1280×960 resolution plasma screens each fitted with a 720p broadcast camera and even included an “executive” table for six. The room lighting solution was also part of the package as the intent was to have all participants appear true to life size on the monitors. The system ran on a dedicated T3 fiber optic connection rated at 45 Mbps that connected to the proprietary Halo Video Exchange Network that gave customers access to 24×7 tech support for the small sum of $30,000 a month.

For more Retrotechtacular stories, check out Dan’s post on the Surveyor 1 documentary. It’s out of this world.

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A Brief History Of Calculator Watches

December 2, 2024 by Al Williams 33 Comments

When humans counted on their fingers, everyone had a state-of-the-art (at the time) calculator at all times. But as we got smarter about calculation, we missed that convenience. When slide rules were king, techies were known to carry them around like swords swinging from their belts. These were replaced with electronic calculators, some also swinging from belt loops, but no matter how small they were, they still were not that handy, no pun intended. That changed around 1975. The Time Computer Calculator company produced an amazing calculator watch for Pulsar. At the time, Pulsar was a brand of the Hamilton Watch Company.

A Pulsar calculator watch (photo: The Smithsonian)

There were a few problems. First, the watch was thick. Despite its size, it had tiny keys, so you had to use a little stylus to push the keys — not as handy as you might wish. On top of that, 1975 display technology used power-hungry LEDs. So, the display was prone to turning off quickly, and the batteries died quickly.

Unsurprisingly, Hamilton, in conjunction with Electro/Data, had earlier rolled out the first LED watch in 1972. With an 18-karat gold case, it went for a cool $2,100 — a whole lot of money in 1972. The first calculator watch was also gold and went for almost $4,000. Soon, though, they brought out a stainless and a gold-filled version that came in at under $500.

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Retro Gadgets: The CB Cell Phone

January 30, 2023 by Al Williams 45 Comments

There was a time when one of the perks of having a ham radio in your car (or on your belt) was you could make phone calls using a “phone patch.” In the 1970s, calling someone from inside your parked car turned heads. Now, of course, it is an everyday occurrence thanks to cell phones. But in 1977, cell phones were nowhere to be found. Joseph Sugarman, the well-known founder of JS&A, saw a need and wanted to fill it. So he offered the “PocketCom CB” which was billed as the “world’s smallest citizens band transceiver.” You can see the full-page ad from 1977 below.

Remember that this is from an era when ICs that could operate at 30 MHz were not the norm, so you have to temper your expectations. The little unit was 5.5 in by 1.5 in and less than an inch thick. That’s actually not bad, but you had — optimistically — 100 mW of output power. They claimed the N cell batteries would last two weeks with average use, but we imagine a lot less as soon as you start transmitting. The weight was 5 oz, but we suspect that is without the batteries.

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How To Run A First-Generation Cell Phone Network

June 2, 2021 by Zach Zeman 21 Comments

Retro tech is cool. Retro tech that works is even cooler. When we can see technology working, hold it in our hand, and use it as though we’ve been transported back in time; that’s when we feel truly connected to history. To help others create small time anomalies of their own, [Dmitrii Eliuseev] put together a quick how-to for creating your own Advanced Mobile Phone System (AMPS) network which can bring some of the classic cellular heroes of yesterday back to life.

Few readers will be surprised to learn that this project is built on software defined radio (SDR) and the Osmocom-Analog project, which we’ve seen before used to create a more modern GSM network at EMF Camp. Past projects were based on LimeSDR, but here we see that USRP is just as easily supported. [Dmitrii] also provides a brief history of AMPS, including some of the reasons it persisted so long, until 2007! The system features a very large coverage area with relatively few towers and has surprisingly good audio quality. He also discusses its disadvantages, primarily that anyone with a scanner and the right know-how could tune to the analog voice frequencies and eavesdrop on conversations. That alone, we must admit, is a pretty strong case for retiring the system.

The article does note that there may be legal issues with running your own cell network, so be sure to check your local regulations. He also points out that AMPS is robust enough to work short-range with a dummy load instead of an antenna, which may help avoid regulatory issues. That being said, SDRs have opened up so many possibilities for what hackers can do with old wireless protocols. You can even go back to the time when pagers were king. Alternatively, if wired is more your thing, we can always recommend becoming your own dial-up ISP.

Soviet-Era 7-Segment Display, Built Like A Tank

November 6, 2018 by Donald Papp 36 Comments

In a way, all 7-segment displays are alike; at least from the outside looking in. On the inside it can be quite another story, and that’s certainly the case with the construction of this Soviet-era 7-segment numerical display. From the outside it may look a bit sturdier than usual, but it’s still instantly recognizable for what it is. On the inside is an unusual mixture of incandescent bulbs and plastic light guides.

The black-coated blocks of plastic on the left (shown from the rear) act as light guides. The holes are for nesting the incandescent bulbs. Note the puzzle-like arrangement of the uniquely shaped pieces.

The rear of the display is a PCB with a vaguely hexagonal pattern of low-voltage incandescent bulbs, and each bulb mates to one segment of the display. The display segments themselves are solid blocks of plastic, one for each bulb, and each a separate piece. These are painted black, with the only paint-free areas being a thin segment at the top for the display, and a hole in the back for the mating bulb.

The result is that each plastic piece acts as a light guide, ensuring that a lit bulb on the PCB results in one of the seven thin segments on the face being lit as well. An interesting thing is that the black paint is the only thing preventing unwanted light from showing out the front, or leaking from one segment to another; usually some kind of baffle is used for this purpose in displays from this era.

More curiously, each plastic segment is a unique shape apparently unrelated to its function. We think this was probably done to ensure foolproof assembly; it forms a puzzle that can only fit together one way. The result is a compact and remarkably sturdy unit that shows how older and rugged tech isn’t necessarily bulky. Another example of small display tech from the Soviet era is this tiny 7-segment display of a completely different manufacture, which was usually used with an integrated bubble lens to magnify the minuscule display.

The SD-11 Sphericular Display: Pixels That Aren’t Pixels

January 21, 2018 by Donald Papp 33 Comments

Ever heard of a sphericular display? [AnubisTTP] laid hands on a (damaged) Burroughs SD-11 Sphericular Display and tore down the unusual device to see what was inside. It’s a type of projection display with an array of bulbs at the back and a slab of plastic at the front, and the rest is empty space. The usual expected lenses and slides are missing… or are they? It turns out that the thin display surface at the front of the unit is packed with a two- dimensional 30 x 30 array of small lenses, a shadow mask, and what can be thought of as a high-density pixel mask. The SD-11 was cemented together and clearly not intended to be disassembled, but [AnubisTTP] managed to cut things carefully apart in order to show exactly how these fascinating devices solved the problem of displaying digits 0-9 (with optional decimal points) on the single small screen without separate digit masks and lenses to bend the light paths around.

The face of the display can be thought of as a 30×30 array of pixels, with each of the microlenses in the lens array acting as one of these pixels. But these pixels are not individually addressable, they light up only in fixed patterns determined by the “pixel mask”. How exactly does this happen? With each microlens in the array showing a miniature of the bulb pattern at the rear of the display, a fixed image pattern can be shown at the front by putting a mask over each lens: if a certain bulb at the rear needs to result in a lit pixel at the front, that mask has a hole in that bulb’s location. If not, there is no hole and the light is blocked. Just as the compound lens is a two-dimensional array of microlenses, so is the light mask really a two-dimensional array of smaller masks: exactly one per microlens. In this way the “pixel mask” is how each bulb at the rear results in a fixed pattern (digits, in this case) projected at the front.

The Burroughs SD-11 Sphericular Display was very light, containing mostly empty space where other projection displays had lenses and light masks. It turns out that the SD-11 operates using the same principles as other projection displays, but by using a high-density light mask and a compound lens array it does so by an entirely different method. It’s a great peek into one of the different and fascinating ways problems got solved before modern display solutions became common.

I Am An Iconoscope

July 19, 2017 by Elliot Williams 26 Comments

We’d never seen an iconoscope before. And that’s reason enough to watch the quirky Japanese, first-person video of a retired broadcast engineer’s loving restoration. (Embedded below.)

Quick iconoscope primer. It was the first video camera tube, invented in the mid-20s, and used from the mid-30s to mid-40s. It worked by charging up a plate with an array of photo-sensitive capacitors, taking an exposure by allowing the capacitors to discharge according to the light hitting them, and then reading out the values with another electron scanning beam.

The video chronicles [Ozaki Yoshio]’s epic rebuild in what looks like the most amazingly well-equipped basement lab we’ve ever seen. As mentioned above, it’s quirky: the iconoscope tube itself is doing the narrating, and “my father” is [Ozaki-san], and “my brother” is another tube — that [Ozaki] found wrapped up in paper in a hibachi grill! But you don’t even have to speak Japanese to enjoy the frame build and calibration of what is probably the only working iconoscope camera in existence. You’re literally watching an old master at work, and it shows.

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