A WiFi RGB Camera Grip Is Probably Not Ideal For Night Shoots

RGB LEDs can be found on everything from motherboards to sticks of RAM these days. [dslrdiy] wanted to bring this same visual flair to his camera setup, so built what he’s calling the world’s first RGB camera grip.

The build is based on an existing off-the-shelf camera grip. It’s disassembled for the build, with a pair of 18650 lithium batteries installed inside as a power supply. They run a small DC-DC converter, which powers a Raspberry Pi Zero and a WS2812B LED strip which provides the lovely colorful lighting effects. The LEDs light up a translucent spacer installed in the camera grip solely for the purpose of aesthetics.

So far, so straightforward. However, [dslrdiy] also implemented one more useful feature. The Pi Zero is able to scrape photos from the camera, and automatically load them on to a Windows network share. That’s a nice zero-fuss way to get pictures off your camera when you return to your home network.

We’re not sure too many professional photographers will rush after the RGB grip, as it’s often poor practice to introduce strange uncontrolled colorful lights into a scene. However, the wireless tethering feature does seem attractive depending on your usual workflow. Video after the break.

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DIY Pan And Tilt Camera Mount

Pan and tilt mounts have a number of uses that can increase the functionality of various types of cameras. Security cameras can use them to adjust the field of view remotely, astronomers can use them as telescope mounts to accurately track celestial objects, and of course photographers and videographers can use them to add dynamic elements to shots. But getting the slow, smooth, and reliable movement isn’t as simple as slapping some servos on a tripod. So unless you want to break the bank for a commercial mount, this DIY pan and tilt mount might be the way to go.

The mount is built largely out of 3D printed parts and a few fairly common motors, belts, pulleys, and bearings. The movements are controlled using stepper motors, and there are two additional systems built in so that focus and zoom can be controlled through the system as well. The software controlling it all is open-source and  available on GitHub, and controls the mount remotely through a network connection. It’s also designed to use the readily-available ESP32 chip, making it overall fairly adaptable.

The system doesn’t slouch on features, either. It can move from one point to another with various programmable speeds, has a key sequencer for more complex movements, and can accommodate the needs of stop motion animators as well. It’s an impressive build that should be accessible to plenty of photographers with a 3D printer and the right parts, but photography and astronomy aren’t the only reasons to use a pan and tilt mount. Check out this one that brings some sunlight to a shaded room.

SLR To DSLR Conversion Becomes Full Camera

At least as far as the inner workings are concerned, there’s not a whole lot of difference between an single-lens reflex (SLR) camera that uses film and a digital SLR (DSLR) camera that uses an electronic sensor except the method for capturing the image. So adding the digital image sensor to a formerly analog camera like this seemed like an interesting project for [Wenting Zhang]. But this camera ballooned a little further than that as he found himself instead building a complete, full-frame digital camera nearly from scratch.

The camera uses a full-frame design and even though the project originally began around the SLR mechanism, in the end [Wenting] decided not to keep this complex system in place. Instead, to keep the design simple and more accessible a mirrorless design is used with an electronic viewfinder system. It’s also passive M lens mount, meaning that plenty of manual lenses will be available for this camera without having to completely re-invent the wheel.

As far as the sensor goes, [Wenting] wanted something relatively user-friendly with datasheets available so he turned to industrial cameras to find something suitable, settling on a Kodak charge-coupled device (CCD) for the sensor paired with an i.MX processor. All of the electronics have publicly-available datasheets which is important for this open-source design. There’s a lot more work that went into this build than just picking parts and 3D printing a case, though, and we’d definitely recommend anyone interested to check out the video below for how this was all done. And, for those who want to go back to the beginnings of this project and take a different path, it’s definitely possible to convert an analog SLR to a digital one.

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New Take On The Camera Obscura Brings Paris Indoors

We haven’t checked, but we’ll go out on a limb here and say this is the first project we’ve featured with a BOM that includes “an apartment in Paris with a breathtaking view of the Eiffel Tower.” We suppose there are other places in the world where a giant camera obscura like this would work too, but you’ve got to admit that the view is pretty spectacular.

Of course, a camera obscura is really just a dark room — that’s literally what it means in Latin — with a small aperture to admit light from the outside world. This projects an inverted image on the opposite wall, which must have looked absolutely magical to pre-technical people and honestly is still pretty stunning today. Either way, it’s a low-tech way of seeing the world in a different light. [Mathieu Stern] decided his camera obscura would turn the traditional design on its head. Literally — he wanted an upright image. Luckily, he found a supplier that makes special optics for camera obscura that do just that. It looks like the optic uses a Dove prism to invert the image, or in this case to turn it back into an upright image.

The real hack here was finding the perfect place with just the right view of the Eiffel Tower — not at all an easy task in a medieval city where streets go where they will and buildings tend to block the sightlines. [Mathieu] eventually managed to find just the right place. With a little aluminum foil to make the rented room really obscura and some strategically positioned sheets to improve the projection surface, he was able to project some beautiful images of the landmark and surrounding cityscape in a panorama on the apartment walls. The video below has some stills and time-lapse sequences that are pretty breathtaking.

We’ve seen other camera obscura before, including this mobile version which may have made things easier for [Mathieu], at the price of giving up a lot of the charm.

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Low Res Arduino Thermal Camera

Do you know how you see those cheap telescopes at the department store? The box has beautiful pictures that probably came from the Hubble. What you will see is somewhat different. You have to carefully look at [upir’s] Arduino thermal camera project because it intersperses pictures of what you expect an 8×8 sensor will produce with images produced by a much better camera.

The actual project — watch the video below — is undoubtedly neat. An inexpensive 8×8 IR sensor and an 8X8 LED panel join to form a crude but usable thermal camera.

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A Digital Camera For The 1984 Market

Digital cameras are a ubiquitous consumer and professional product here in 2023, and because of the wide availability of parts it’s relatively straightforward to construct one for yourself. Four decades ago though, film was king, but that hasn’t stopped [Georg Lukas] from building a digital camera for the 1984 market. The hardware is definitely from recent years, the extremely affordable ESP32-cam board that many of us will have worked with already. Meanwhile the 1984 part lies in the recording format, it makes EGA 16-colour low-res pictures and stores them in the archaic TGA file format.

A low-res camera is fun, but there are two other angles on this which are definitely worth some time. The first is that his description and code are worth a read for anyone with an interest in programming an ESP32 camera, while the second invites us to consider whether such a camera could have been made using parts available in 1984. We remember camera peripherals for 8-bit microcomputers which were a C-mount lens positioned over a decapped RAM chip, and thus we can’t help wondering whether an RGB split to three of those sensors could have been constructed. Whether a 6502 or a Z80 with 64k of memory could have processed the three images into one is another matter, but at least if any of you want to try there’s a handy 1984 computer still popping up on eBay.

Old Film Camera Modified For Different Chemistry

While most photographers have moved on to digital cameras with their numerous benefits, there are a few artists out there still taking pictures with film. While film is among the more well-known analog photographic methods available, there are chemically simpler ways of taking pictures available for those willing to experiment a little bit. Cyanotype photography is one of these methods, and as [JGJMatt] shows, it only takes a few commonly available chemicals, some paper, and a slightly modified box camera to get started.

Cyanotype photography works by adding UV-reactive chemicals to paper and exposing the paper similarly to how film would be exposed. The photographs come out blue wherever the paper wasn’t exposed and white where it was. Before mixing up chemicals and taking photos, though, [JGJMatt] needed to restore an old Kodak Brownie camera, designed to use a now expensive type of film. Once the camera is cleaned up, only a few modifications are needed to adapt it to the cyanotype method, one of which involves placing a magnet on the shutter to keep it open for the longer exposure times needed for this type of photography. There is some development to do on these pictures, but it’s relatively simple to do in comparison to more traditional chemical film development.

For anyone looking for a different way of taking photographs, or even those looking for a method of taking analog pictures without the hassle of developing film or creating a darkroom, cyanotype offers a much easier entry point and plenty of artists creating images with this method don’t use a camera at all. There are plenty of other photographic chemistries to explore as well; one of our favorites uses platinum to create striking black-and-white photos.