The Short And Tragic Story Of Life On The Moon

The Moon is a desolate rock, completely incapable of harboring life as we know it. Despite being our closest celestial neighbor, conditions on the surface couldn’t be more different from the warm and wet world we call home. Variations in surface temperature are so extreme, from a blistering 106 C (223 F) during the lunar day to a frigid -183 C (-297 F) at night, that even robotic probes struggle to survive. The Moon’s atmosphere, if one is willing to call the wispy collection of oddball gasses including argon, helium, and neon at nearly negligible concentrations an atmosphere, does nothing to protect the lunar surface from being bombarded with cosmic radiation.

Von Kármán Crater

Yet for a brief time, very recently, life flourished on the Moon. Of course, it did have a little help. China’s Chang’e 4 lander, which made a historic touchdown in the Von Kármán crater on January 3rd, brought with it an experiment designed to test if plants could actually grow on the lunar surface. The device, known as the Lunar Micro Ecosystem (LME), contained air, soil, water, and a collection of seeds. When it received the appropriate signal, LME watered the seeds and carefully monitored their response. Not long after, Chinese media proudly announced that the cotton seeds within the LME had sprouted and were doing well.

Unfortunately, the success was exceptionally short-lived. Just a few days after announcing the success of the LME experiment, it was revealed that all the plants which sprouted had died. The timeline here is a bit hazy. It was not even immediately clear if the abrupt end of the LME experiment was intentional, or due to some hardware failure.

So what exactly do we know about Chang’e 4’s Lunar Micro Ecosystem, and the lifeforms it held? Why did the plants die? But perhaps most importantly, what does all this have to do with potential future human missions to that inhospitable rock floating just a few hundred thousand kilometers away from us?

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Adventures In Photopolymers With Ben Krasnow

There is a technology that will allow you to add inks, resins, and paints to any flat surface. Screen printing has been around since forever, and although most of the tutorials and guides out there will tell you how to screen print onto t-shirts, [Ben Krasnow] had the idea of putting patterns of paint on acrylic, metal, or even ITO glass for electroluminescent displays. With screen printing, the devil is in the details, but lucky enough for all of us, [Ben] figured everything out and is sharing his knowledge with us.

The ten thousand foot view of screen printing is simple enough — put some ink on a screen that has some photoemulsion, and squeegee it through onto a t-shirt. While this isn’t wrong, there’s a lot of technique, and things will go wrong if this is your first time doing it. Screens are easy, and the best way to get those is by buying a pre-stretched frame. The photoemulsion is a bit different. The old way of applying a photoemulsion is by squeegeeing it on with a bizarre tool. It’s almost impossible to get a thin consistent layer with this technique, so [Ben] recommends just buying some photoemulsion film.

Once the photoemulsion is on the screen and dry, you need to put an image on this. The photoemulsion cures hard with UV, so the traditional technique is using transparency (actually, the real old-school way is using a camera obscura…). Transparency sheets for laser printers work, but 30-lb vellum is actually more transparent to UV light than clear acetate sheets. This is then applied print side down to the dry screen, and believe me when I say this is the most important part. You will not get a good screen print if there is not direct contact between your photomask and your photoemulsion. This is so important, it may be worth considering some experiments in vinyl cutting to create the photomask.

With the screen developed, it’s simply a matter of globbing on some ink and pressing it onto a piece of acrylic. [Ben] used regular oil paints, an unmixed artists’ oil paint, and the professional solution, epoxy-based screenprinting paint. By far, the epoxy paint gave the best finish, but it’s a stinky mess that is nearly impossible to clean.

With a somewhat successful screenprinting setup, what will [Ben] be able to do? Well, he’s been working on electroluminescent displays, and the first EL displays were screenprinted anyway. More than that, you could use screen printing to create a resist for copper etching for creating your own PCBs. There’s a lot you can do when you can put epoxy down in a thin layer, like make a blockchain of Tide pods, and this is the best tutorial we’ve ever seen on using photoemulsions.

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Crisp Clean Shortcuts

People always tell us that their favorite part about using a computer is mashing out the exact same key sequences over and over, day in, day out. Then, there are people like [Benni] who would rather make a microcontroller do the repetitive work at the touch of a stylish USB peripheral. Those people who enjoy the extra typing also seem to love adding new proprietary software to their computer all the time, but they are out of luck again because this dial acts as a keyboard and mouse so they can’t even install that bloated software when they work at a friend’s computer. Sorry folks, some of you are out of luck.

Rotary encoders as computer inputs are not new and commercial versions have been around for years, but they are niche enough to be awfully expensive to an end-user. The short BOM and immense versatility will make some people reconsider adding one to their own workstations. In the video below, screen images are rotated to get the right angle before drawing a line just like someone would do with a piece of paper. Another demonstration reminds of us XKCD by cycling through the undo and redo functions which gives you a reversible timeline of your work.

If you like your off-hand macro enabler to have more twists and buttons, we have you covered, or maybe you only want them some of the time.

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The Xerox Star On A Desktop Near You

It is 1980-something and you see someone typing on a keyboard. The display is graphical, and they use a mouse to finish a document, send it over the network to another similar computer, where another user edits it a bit and prints it on a laser printer. Given the time-frame you might think the computer is a Mac, but you’d be wrong. The Xerox Star had all the features Apple “invented” about three years before the Macintosh arrived. If you never heard of the Star, that’s not surprising. At $16,500 each, there were only about 25,000 sold. Your chances of finding a working one now are slim, but thanks to emulation created by [Josh Dersch] you can try the Star out on your hardware today. If you want a preview, have a look at the 1982 video, below.

The machine had a surprisingly complex architecture. The main CPU was a microcoded computer with multiple registers that would run a sort of microcode program to execute different instruction sets depending on what was running. In addition, there was an intel 8085 that loaded the right microcode and serviced the keyboard, the mouse, the floppy, and the serial ports.

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Understanding Modulated RF With [W2AEW]

There was a time — not long ago — when radio and even wired communications depended solely upon Morse code with OOK (on off keying). Modulating RF signals led to practical commercial radio stations and even modern cell phones. Although there are many ways to modulate an RF carrier with voice AM or amplitude modulation is the oldest method. A recent video from [W2AEW] shows how this works and also how AM can be made more efficient by stripping the carrier and one sideband using SSB or single sideband modulation. You can see the video, below.

As is typical of a [W2AEW] video, there’s more than just theory. An Icom transmitter provides signals in the 40 meter band to demonstrate the real world case. There’s discussion about how to measure peak envelope power (PEP) and comparison to average power and other measurements, as well.

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Build A Seismometer Out Of Plumbing Parts

For those outside the rocking and rolling of California’s tectonic plate, earthquakes probably don’t come up on a daily basis as a topic of conversation. Regardless, the instrument to measure them is called a seismometer, and it’s entirely possible to build one yourself. [Bob LeDoux] has shared his article on how to build a Fluid Mass Electrolytic Seismometer, and it’s an impressive piece of work.

This is an instrument which works very differently from the typical needle-and-graph type seen in the movies. Fluid is held in a sealed chamber, with a restricted orifice in the center of a tube. The fluid level is monitored at each side of the orifice. When motion occurs, fluid levels change at either side which allows seismic activity to be measured.

Hooked up to some basic analog electronics, in this form, the device only shows instantaneous activity. However, it would be trivial for the skilled maker to hook this up to a datalogging setup to enable measurements to be plotted and stored. The entire project can be built with simple hand tools and a basic PCB, making it highly accessible.

It’s not the first time we’ve seen a seismometer, either – the Raspberry Shake project is a distributed network of sensors running on the Raspberry Pi.

A Drum Set In Your Pocket

Cargo pants can fit drumsticks in the pockets if you don’t mind them sticking out. They can also hold this drum set and still have enough room for a pair of headphones, some pens, and a small notebook. At least, guy’s cargo pants can fit all that. Now your pocket is decked out with enough music gear to compose and drum few drum loops and even scribble some notes. We can’t speak for [Tomash Ghz] carrying a notebook, but he wanted a drum set in his pocket badly enough to make a custom circuit board to bring to the 2017 Fasma Festival in Athens. He wrote code for a Teensy 3.2 which fits on the back of his PCB next to a 9V battery. Don’t be afraid, the smallest components are 0805 so even clumsy fingers will be able to build their own. The Gerber files and BOM are all available, so nothing is stopping you.

On the board, we find an array of op-amps to support headphone and line-level outputs, four big ole’ buttons to activate each type of drum: kick, tom, snare, and hat. Then we have four potentiometers to change the sound of each like pitch, decay/length, modulation, and distortion. Once the perfect pattern is recorded, it can be saved in non-volatile memory in case you run out of juice although it can run up to seven-and-a-half hours on one battery. If you find yourself invested in the hardware, there is also a video walk-through about using the drum machine so grab your notebook and beat it.

We have seen simpler drums in simpler chips, and even drums on an entirely different type of chip.

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