Easy-To-Use Music Player Relies On RFID

August 29, 2020 by Lewin Day 17 Comments

Microwaves used to be simple to use. Set the dial for the desired time, and hit start. Then, everything went digital and the average microwave now takes between four and six button presses in precise order just to start heating. Music players have gone down a similar path, and those that grew up in the era of vinyl records can find modern digital media simply too hard to work with. To solve this problem, [ananords] whipped up Juuke, a music player focused on ease of use.

The Juuke has a simplistic interface intended to be as easy to use as possible. Songs are selected using printed cards with embedded RFID tags – placing them on the Juuke triggers playback. Volume is controlled with a simple knob, and the only two buttons are for play/pause and shuffle mode.

Underneath, an Arduino Uno runs the show, hooked up to a RC522 RFID interface board. Music is handled by the DFPlayer mini, which loads tracks off a microSD card. The DFPlayer can be hooked up to a speaker directly, but there’s also a 3.5mm jack output if the device is to be used with an external amplifier.

It’s a tidy project, and one that actually looks pretty fun to use. Obviously, there’s some time investment required to prepare the SD card and produce the RFID cards, but the final product could be fun to use at a party, too. We’ve seen similar builds before, as well. Video after the break.

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Slack Off From Home With A Networked Jam Session

August 26, 2020 by Kristina Panos 6 Comments

Those of you who were regular office dwellers before the pandemic: do you miss being with your coworkers at all? Maybe just a couple of them? There’s only so much fun you can have through a chat window or a videoconference. Even if you all happen to be musicians with instruments at the ready, your jam will likely be soured by latency issues.

[Eden Bar-Tov] and some fellow students had a better idea for breaking up the work-from-home monotony — a collaborative sequencer built for 2020 and beyond. Instead of everyone mashing buttons at once and hoping for the best, the group takes turns building up a melody. Each person is assigned a random instrument at the beginning, and the first to go is responsible for laying down the beat.

Inside each music box is an ESP8266 that communicates with a NodeRed server over MQTT, sending each melody as a string of digits. Before each person’s turn begins, the LED matrix shows a three second countdown, and then scrolls the current state of the song. Your turn is over when the LED strip around the edge goes crazy.

Music can be frustrating if you don’t know what you’re doing, but this instrument is built with the non-musician in mind. There are only five possible notes to play, and they’re always from the same scale to avoid dissonance. Loops are always in 4/4, which makes things easy. Players don’t even have to worry about staying in time, because their contributions are automatically matched to the beat. Check it out after the break.

Tired of sitting indoors all day, but still want to make music? Build a modular synth into a bike and you’ve solved two problems.

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Circle Guitar Creates Wall Of Sound

August 26, 2020 by Bryan Cockfield 24 Comments

In the 60s a musical recording technique called the “wall of sound” came to prominence which allowed artists to create complex layers of music resulting in a novel, rich orchestral feeling. While this technique resulted in some landmark albums (Pet Sounds by the Beach Boys for example) it took entire recording studios and many musicians to produce. This guitar, on the other hand, needs only a single musician but can create impressive walls of sound on its own thanks to some clever engineering.

Called the Circle Guitar and created by [Anthony Dickens], the novel instrument features a constantly-rotating wheel around the guitar’s pickups in the body. Various picks can be attached in different ways to the wheel which pluck the strings from behind continuously. This exceeds what a normal guitar player would be able to do on their own, but the guitarist is able to control the sounds by using several switches and pushbuttons which control a hexaphonic humbucker and are able to mute individual strings at will. Of course, this being the 21st century, it also makes extensive use of MIDI and [Anthony] even mentions the use of a Teensy.

While details on this project are admittedly a little fleeting, the videos linked below are well worth a watch for the interesting sounds this guitar is able to produce. Perhaps paired with a classic-sounding guitar amplifier it could produce other impressive walls of sound as well. Either way, we could expect someone like [Brian Wilson] to be interested in one once it is in production.

Thanks to [Mel] for the tip!

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MIDI Slide Whistle Shows The Value Of A Proper Fipple

August 24, 2020 by Dan Maloney 7 Comments

We pride ourselves on knowing the proper terms for everyday things: aglet, glabella, borborygmi, ampersands. But we have to confess to never having heard of a “fipple” before finding this interesting MIDI-controlled slide whistle, where we learned that the mouthpiece of a penny whistle or a recorder is known as a fipple. The more you know.

This lesson comes to us by way of a Twitter post by [The Mixed SIgnal], which showed off the finished mechanism in a short video and not much else. We couldn’t leave that alone, so we reached out for more information and were happy to find that [The Mixed SIgnal] quickly posted a build log on Hackaday.io as well as the build video below.

The slide whistle is a homebrew version of the kind we’ve all probably annoyed our parents with at one time or another, with a 3D-printed fipple (!) and piston, both of which go into a PVC tube. Air is supplied to the pipe with a small centrifugal blower, while a 3D-printed rack and pinion gear of unusual proportions moves the piston back and forth. An Arduino Due with a CNC shield controls the single stepper motor. The crude glissandos of this primitive wind instrument honestly are a little on the quiet side, especially given the racket the stepper and rack and pinion make when queuing up a new note. Perhaps it needs more fipple.

While the humble author is new to fipple-isms, luckily the Hackaday editors see all and know that there two epic hacks featuring fipples to create bottle organs. These are far from the first weirdest instruments we’ve seen — a modulin, a Wubatron, and the Drum-Typeulator all fit that bill well. But we like what [The Mixed Signal] has done here, and we’re looking forward to more.

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Mini Marble-Powered Synth Pays Homage To Its Bigger Cousins

August 22, 2020 by Dan Maloney 8 Comments

If imitation is the sincerest form of flattery, what then are we to make of something that shares only a few of the original’s design elements, operates in a completely different way, and has been scaled down to a fifth its size? Still seems like flattery to us.

Despite the changes, it’s clear where [Love Hultén] took inspiration for his miniature Marble Machine XS. Readers will no doubt see in it elements from [Martin Molin]’s original Marble Machine, the fantastic plywood and Lego musical contraption, along with his new Marble Machine X, the construction of which never seems to end. Like the originals, [Love]’s miniature version uses a lot of steel balls, albeit considerably scaled down, and it still uses a programming drum to determine where and when to drop them. But rather than strike real traditional instruments, the falling balls strike synthesizer keys, triggering a range of sounds through its built-in speaker. The whole thing is powered by a small electric motor rather than being hand-cranked and is small enough to sit on a desktop, a decided advantage over the mammoth machines to which it pays homage.

We have to say that as much as we love the hacksmanship of the original Marble Machine and the craftsmanship of its successor, the look and feel of [Love]’s machine just blows us away. We’re not sure what materials he used, but the whole hammertone paint scheme and Meccano look is a feast for nostalgic eyes.

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Fire Pit Burns To The Beat With Bluetooth

August 20, 2020 by Al Williams 3 Comments

Humans have several primal fascinations and perhaps two of the biggest ones are fire and music. While you can picture some cavemen and cavewomen sitting around a fire beating on sticks for rhythm, we think they’d be impressed if the fire danced along with the music. Through the power of Bluetooth, that’s exactly what [Random Tech DIY’s] new fire pit does.

Technically, this is called a Rubens tube, and while it’s an old technology, the Bluetooth is a certainly a modern touch. As you might expect, most of this project is workshop time, cutting MDF and plastic. The audio system is off-the-shelf and drives some car stereo speakers. The results looked good, and although it always makes us nervous building things that carry propane gas, it seems to work well enough from where we’re sitting.

We had to wonder what things you could change that would affect the display. Changing the number of holes, the diameter of the holes, or the gas pressure, for example, would certainly change how the flames look and react to the sound waves.

We have seen other Rubens tube projects, of course. However, we were really interested in the use of these as crude oscilloscopes before the availability of cathode ray tubes. We’ve seen a modern take on that, too.

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GridSound – An Audio Workstation In Your Browser

August 17, 2020 by Sven Gregori 10 Comments

If you’re into creating music, you’ll have a surprisingly large variety of open source options at your disposal, ranging from Audacity as rather simple audio editor to Ardour as a full-blown, studio-worthy DAW — and LMMS, Rosegarden, MusE etc. for anything in between. With [Thomas Tortorini]’s GridSound project, you’ll have one additional choice on your list now, except this one runs in your browser. So if you find yourself in a sudden moment of inspiration, all you’ll need is a browser and off you go.

From the feature set’s point of view, GridSound leans towards LMMS and offers a drum kit, piano roll, and synthesizer. It appears that you won’t be able to record real world instruments at this point, but it’s also a work in progress, so who knows what the future will bring. The code is available on GitHub and you can explore GridSound itself here — no login required, unless you want to save your work. Running in a browser, GridSound is naturally written in JavaScript and uses the Web Audio API to perform the actual audio tasks.

What’s impressive is that [Thomas] opted against any UI framework-of-the-week, but instead implemented everything from scratch in pure vanilla JavaScript. In fact, the entire code base seems to be self-contained without any third party dependencies, and that alone deserves some respect. Sure, JavaScript isn’t everybody’s cup of tea — “real developers use assembly” — so if you prefer something more physical, how about some cardboard music?