The Bad Old Days Of Telephone Answering Machines

Telephone answering machines were almost a fad. They were hindered for years by not being allowed to connect to the phone lines. Then a mix of cell phones and the phone company offering voicemail made the machines all but obsolete. Unless you are really young, you probably had one at some point though. Some had digital outgoing messages and a tape to record. Some had two tapes. But did you ever have one that didn’t connect to the phone line at all? Remember, there was a time when they couldn’t. My family had one of these growing up and after doing enough research to find it in an old catalog, I decided you might like to know how it really worked.

Even if you grew up in the 1960s and 1970s, it is hard to imagine how little technology there was in an average person’s home at that time. You probably had one TV and one wired telephone. You probably had a radio or two and maybe even a record or tape player. If you were very fancy, you had a big piece of furniture that had a TV, a turntable, a radio, and a tape player in it. No cell phones, no computers, no digital assistant, and appliances were electro-mechanical and didn’t have displays. So when you saw a new piece of tech — especially if you were a kid who didn’t know what a hacker was, but still wanted to be one — it made an impression.

I still remember the first time I even saw a tape recorder. I was amazed! But a tape recorder is a far cry from a telephone answering machine.

A Bit of Background

My Dad always had a regular job and his side business. He had a lot of different side businesses at one time or another, but he was always concerned about missing a phone call from a customer. We had two phones: the old wall mount phone with a dial and another desk phone in the “store” (the front room of the house) which also had a dial — we were way too cheap to pay for TouchTone service.

Remember, there was no call waiting and getting a second phone line was out of the question for my frugal parents. So they were always nervous about keeping the phone line clear during the day. But if you had to leave, you might miss a call. What do you do about that?

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Rocket Bullets: The Flame And Fizzle Of The Gyrojet

In the 1950’s and 60’s, the world had rocket fever. Humankind was taking its first steps into space and had sights on the moon. Kids could build rockets at the kitchen table and launch them in the schoolyard. On the darker side, the arms race was well underway with the US and USSR trying to close the fictional missile gap.

All around the world, engineers were trying to do new things with rockets. Among these were Robert Mainhardt and Arthur T. Biehl, who thought rockets could be useful as small arms. Together they formed MBA (short for Mainhardt and Biehl Associates), with an eye toward future weapons – – specifically rocket bullets.

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Philo Farnsworth, RCA, And The Battle For Television

The parenthood of any invention of consequence is almost never cut and dried. The natural tendency to want a simple story that’s easy to tell — Edison invented the light bulb, Bell invented the telephone — often belies the more complex tale: that most inventions have uncertain origins, and their back stories are often far more interesting as a result.

Inventing is a rough business. It is said that a patent is just a license to get sued, and it’s true that the determination of priority of invention often falls to the courts. Such battles often pit the little guy against a corporate behemoth, the latter with buckets of money to spend in making the former’s life miserable for months or years. The odds are rarely in the favor of the little guy, but in few cases was the deck so stacked against someone as it was for a young man barely out of high school, Philo Farnsworth, when he went up against one of the largest companies in the United States to settle a simple but critical question: who invented television?

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Coolest Way To Watch 3D Printing: Lights, Camera, Octolapse!

Octoprint is a household name for anyone into 3D printing and anyone regularly reading Hackaday. Described by creator Gina Häußge as “the snappy web interface for your 3D printer”, Octoprint allows you to control effectively any desktop 3D printer over the local network or Internet. It even has webcam support so you can watch your printer while it works, meaning you can finally put that video baby monitor back into the crib with Junior.

While the core functionality of Octoprint is fantastic alone, its true power is unlocked through the plugin system and the community that’s sprung up around it. With plugins, Octoprint can do everything from control RGB light strips in your printer’s enclosure to sending status messages via Discord. One particularly popular plugin that has been making the rounds lately is Octolapse by [FormerLurker]. This plugin provides a comprehensive intelligent system for creating time-lapse videos of prints.

What does that mean? Well, instead of simply taking a picture every few seconds like you’d do traditionally, Octolapse actually keeps track of the printer’s motions while its running. It can then take a picture at the opportune moment to create a number of user-selected effects. More importantly, it can even take control of the printer directly; moving the hotend away from the print before taking a picture. The effect is that the print simply “grows” out of the bed.

I thought it would be interesting to take a closer look at Octolapse and see just what it takes to create one of those awesome time-lapse videos. It turned out to be somewhat trickier than I anticipated, but the end results are so fantastic I’d say it’s a technique worth mastering.

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How Etak Paved The Way To Personal Navigation

Our recent “Retrotechtacular” feature on an early 1970s dead-reckoning car navigation system stirred a memory of another pre-GPS solution for the question that had vexed the motoring public on road trips into unfamiliar areas for decades: “Where the heck are we?” In an age when the tattered remains of long-outdated paper roadmaps were often the best navigational aid a driver had, the dream of an in-dash scrolling map seemed like something Q would build for James Bond to destroy.

And yet, in the mid-1980s, just such a device was designed and made available to the public. Dubbed Etak, the system was simultaneously far ahead of its time and doomed to failure by the constellation of global positioning satellites being assembled overhead as it was being rolled out. Given the constraints it was operating under, Etak worked very well, and even managed to introduce some of the features of modern GPS that we take for granted, such as searching for services and businesses. Here’s a little bit about how the system came to be and how it worked.

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LEGO: The Kristiansen Legocy

Whether you are young, old, or a time traveling Vulcan, something unites all of us globally: the innocent LEGO blocks that encourage creativity over spoon-fed entertainment. Have you noticed the excess of zombified children and adults alike drooling over their collective screens lately? Back in the ancient times, all a child needed to create hours of joy were plastic interlocking bricks and a place for their parents to trip over them. The LEGO Group harbored the inspiration of our childhood inventiveness, and none of it would have been possible without the founder, Ole Kirk Kristiansen (or Christiansen). The humble carpenter from Denmark forever made his mark on the little Scandinavian country, one brick at a time.

Well, maybe not at first. You see the plastic LEGO bricks we all know and love were initially made of wood. And they were also not actually bricks.

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Lost In Space Gets 3D Printing Right

When it has become so common for movies and television to hyper-sensationalize engineering, and to just plain get things wrong, here’s a breath of fresh air. There’s a Sci-Fi show out right now that wove 3D printing into the story line in a way that is correct, unforced, and a fitting complement to that fictional world.

With the amount of original content Netflix is pumping out anymore, you may have missed the fact that they’ve recently released a reboot of the classic Lost in Space series from the 1960’s. Sorry LeBlanc fans, this new take on the space traveling Robinson family pretends the 1998 movie never happened, as have most people. It follows the family from their days on Earth until they get properly lost in space as the title would indicate, and is probably most notable for the exceptional art direction and special effects work that’s closer to Interstellar than the campy effects of yesteryear.

But fear not, Dear Reader. This is not a review of the show. To that end, I’ll come right out and say that Lost in Space is overall a rather mediocre show. It’s certainly gorgeous, but the story lines and dialog are like something out of a fan film. It’s overly drawn out, and in the end doesn’t progress the overarching story nearly as much as you’d expect. The robot is pretty sick, though.

No, this article is not about the show as a whole. It’s about one very specific element of the show that was so well done I’m still thinking about it a month later: its use of 3D printing. In Lost in Space, the 3D printer aboard the Jupiter 2 is almost a character itself. Nearly every member of the main cast has some kind of interaction with it, and it’s directly involved in several major plot developments during the season’s rather brisk ten episode run.

I’ve never seen a show or movie that not only featured 3D printing as such a major theme, but that also did it so well. It’s perhaps the most realistic portrayal of 3D printing to date, but it’s also a plausible depiction of what 3D printing could look like in the relatively near future. It’s not perfect by any means, but I’d be exceptionally interested to hear if anyone can point out anything better.

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