Ray's panels on the wall - circles of different sizes (from 60 to 15cm in diameter) covered by fabric of different shades, their arrangement vaguely resembling a cloud.

DIY Acoustic Panels Or Modern Artwork? Can’t Tell

The acoustic properties of a room have a surprising impact when you want to use a microphone. [RayP24]’s son was trying to make his bedroom into a better recording studio, and for [Ray], that turned into an artfully-executed wall panel project. Fortunately, the process is documented so we all can learn from it. When it comes to acoustics, you can often get a whole lot of improvement from surprisingly few changes. And, as this project demonstrates, you can make it look like a decorative piece to boot.

When arranged and placed on the wall, these panels look like an art piece, a decoration you could get from a somewhat fancy store. If you show them to someone, they might not believe that they also serve as a functioning home acoustics improvement, dampening the sound quite well for audio recording needs. The panels are built out of individual circles, cut out in a way that uses as much of a 3/16″ (5mm) plywood sheet as possible, with hollow circles serving as frames to attach foam-backed fabric. In the Instructables post, [Ray] talks quite a bit about how you can assemble your own and what liberties you can take. There’s also a short video accompanying this project, which you can see after the break. This project is begging to be recreated.

There’s a sizeable amount of hacking-meets-home improvement-meets-home acoustics projects out there, especially lately, when so many people are stuck at home for one reason or another. Just a few months ago, we covered another marvelous “art piece turned reverb killer” project operating by a slightly different principle, and also going a bit more into the theory. Perhaps in a few years, we will no longer have to build panels or structures for our soundproofing needs, as purpose-grown mycelium shapes will do that for us. And once it becomes a question of where to hang your newly-built acoustic panels, this simple guide is a good place to start.

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When A Single Bit Was Enough, Into The Sound Of The ZX Spectrum

It’s normal for a computer in 2022 to come with a fully-featured sound card containing a complete synthesizer as well as high-quality PCM sound recording and playback. It’s referred to as a sound card after the way the hardware first appeared in the world of PCs, but in fact it’s now considered so essential as to be a built-in part of most mainboards. There was a time when computers boasted considerably less impressive sound hardware, and among the chorus of SIDs and AY chips of the perhaps the least well-featured was the original Sinclair ZX Spectrum. Its one-bit sound, a single line on an I/O port, is the subject of a thorough investigation from [Forgotten Computer]. It’s a long video which we’ve placed below the break, but for those with an interest in 8-bit music it should make a for a fascinating watch.

For Sir Clive Sinclair the 1-bit audio must have been welcome as it removed the need for an expensive sound chip and kept the Spectrum to its low price point, but on the face of it there was little more it could do than create simple beeps using Sinclair BASIC’s built-in BEEP command. The video gives us an in-depth look at how interleaving and PWM could be used to create much more complex sounds such as the illusion of multiple voices and even sampled sounds. In particular his technique of comparing the audio output with its corresponding pin on the Sinclair ULA shows the effect of the machine’s simple low-pass filter, though the music was often so close to the edge of what the interface could do that aliasing sounds are often very obvious.

As he demonstrates the various ingenious techniques that game and demo developers used to extract performance from such limited hardware that could even try to compete with the more sophisticated machines even at the same time as their code was running whatever was on the screen, it’s difficult not to come away with immense respect for their skills. If you’ve ever experimented with computer audio then you should try hardware this simple for yourself.

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Cheap DIY Mic Sounds (And Looks) Damn Good

As any musician, podcaster, or youtuber will be quick to tell you, there’s no substitute for a good microphone. They’ll also be quick to tell you all about their favorite microphone, why it’s better than all the others, and how much it cost (oh, and how round it sounds, whatever that means). But what if you could build your own that sounds as good, if not better, and do it for only $30?

That’s what [Matt] from DIY Perks set out to discover when he built his DIY USB-C Microphone. He was able to source the same microphone capsule that can be found in his high-end, $600 CAD E100S, and built a simple pre-amplifier that bumps its quiet output up to line-level. He even connected it to the mic module with some custom cable made from two tiny enameled wires that won’t transmit bumps and vibrations, wrapped inside desoldering braiding which acts as a shield. He fed the output from the pre-amp into a cheap USB audio interface and voilĂ ! — top-notch sound for next to nothing. Make sure you check out the video below to hear a comparison between the mic and its professional counterparts.

Of course, sounding good isn’t quite enough. [Matt] wasn’t satisfied until the piece looked the part as well, which is why he encased the mic module in custom-bent brass mesh shielding and tubing (which also helps to reduce electrical interference). The brass cage sits suspended via rubber o-rings on a beautiful bent brass mount, which sits atop an articulated brass arm of [Matt]’s own design. Finally, the arm is mounted to a wood and brass enclosure that also serves to house the electronics.

And, in true open-source fashion, the video description is full of links to parts, schematics, and templates in case you want to build one of these beauties for yourself. Between this fantastic build and this other, super-overkill scratch-built USB microphone we featured earlier in the year, there has never been a better time to make yourself a mic you won’t have to trade your car for.

Thanks to [RichV] and [BaldPower] for the tip!

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SOUL Wants To Process Your Audio

Abstraction is the core of nearly all progress in computing. Unless you are fabricating your own semiconductors and drawing wire, we all create with building blocks ranging from components like CPUs, to operating system functions, to specialized libraries. Just as you wouldn’t want to spend your time deblocking disk records or rendering fonts for output devices, you probably shouldn’t have to think too much about audio data. While there are some powerful audio processing libraries out there, a new embeddable language called SOUL (SOUnd Language) is now in version 1.0 and wants to help you create efficient code for processing audio.

The goal of SOUL is to target a runtime that can run on CPUs, but is better on DSPs. The code aims to be secure and real time with no pointers, garbage collection, and other things that typically interfere with audio processing or security.

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Into The Belly Of The Beast With Placemon

No, no, at first we thought it was a Pokemon too, but Placemon monitors your place, your home, your domicile. Instead of a purpose-built device, like a CO detector or a burglar alarm, this is a generalized monitor that streams data to a central processor where machine learning algorithms notify you if something is awry. In a way, it is like a guard dog who texts you if your place is unusually cold, on fire, unlawfully occupied, or underwater.

[anfractuosity] is trying to make a hacker-friendly version based on inspiration from a scientific paper about general-purpose sensing, which will have less expensive components but will lose accuracy. For example, the article suggests thermopile arrays, like low-resolution heat-vision, but Placemon will have a thermometer, which seems like a prudent starting place.

The PCB is ready to start collecting sound, temperature, humidity, barometric pressure, illumination, and passive IR then report that telemetry via an onboard ESP32 using Wifi. A box utilizing Tensorflow receives the data from any number of locations and is training to recognize a few everyday household events’ sensor signatures. Training starts with events that are easy to repeat, like kitchen sounds and appliance operations. From there, [anfractuosity] hopes that he will be versed enough to teach it new sounds, so if a pet gets added to the mix, it doesn’t assume there is an avalanche every time Fluffy needs to go to the bathroom.

We have another outstanding example of sensing household events without directly interfacing with an appliance, and bringing a sensor suite to your car might be up your alley.

Ondophone On Point

The name Ondophone is a mash-up of two instruments, the Marxophone, and the ondes martenot. From the Marxophone, [Wintergatan] borrows the spring-loaded hammers, which repeatedly strike a string once activated. The ondes martenot loans its Theremin-like sound and ability to lean back on western semi-tone notes. Mating such different instruments requires a team, and much like the name, it produces a splendid blend.

At the left-hand side of the Ondophone, we see the spring-hammer battering away on a steel string whenever the neck moves up or down. Next to it is an Ebow that vibrates a string with an electromagnet and can maintain a note so long as it has power. Hidden within the neck are magnets to demarcate semi-tone locations, so it’s possible to breeze past them for a slide sound or rest on them to follow a tune.

The combination of intermittent hammering and droning lends well to the “creepy” phase of the song, which leads segues to the scope-creep that almost kept this prototype on the drawing board. The video talks about all the things that could have been done with this design, which is a pain/freedom we know well. KISS that Ondophone headline act goodbye.

The ondes martenot is an early electronic instrument, so we’ve some high-tech iterations, and if you haven’t heard what’s possible with a DIY Ebow, we will harp on you.

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What Does Your Necklace Say?

If we write about sound reproduction, there is a good chance we found a home-made amplifier or an upcycled speaker system. In this case, you don’t use your ears to appreciate the sound; you use your hands or eyes. [ElatisEagles] converted an amplitude sound graph into a wearable bead. Even without much background it should be immediately recognizable for what it is. Presumably, they converted a sound wave to vectors, then used the “Revolve” function in Rhino, their software of choice. Sometimes this is called a “lathe” function. Resin printers should be able to build these without supports and with incredible fidelity.

Some tattoos put a sound wave on the skin, and use an app to play it back, but if you want to wear a sound bite from your favorite show and not get branded as the “Pickle Rick” gal/guy at the office, maybe swap out the color and sound wave before it goes stale. We would wear a bead that says, “drop a link in our tip line,” but you can probably think of something more clever.

We have other high-tech ornamentation that leverages motion instead of sound, or how about a necklace that listens instead.

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